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Future Impact now available!! WAS: deep impact reissue!!! interested?

Glad that your Kaamos is working out for you. I owned arguably the best octaver on the planet, the 3Leaf Audio Octabvre. I had the opposite experience. Once I learned how to program my own patches on the FI I sold my Octabvre. I much prefer classic minimoog synth bass lines over using an octave pedal.
Not sure I could let my Octabvre go as I still love it for what it is. However, continued unemployment may end up forcing my hand…
 
Glad that your Kaamos is working out for you. I owned arguably the best octaver on the planet, the 3Leaf Audio Octabvre. I had the opposite experience. Once I learned how to program my own patches on the FI I sold my Octabvre. I much prefer classic minimoog synth bass lines over using an octave pedal.
I have the latest Octabvre. I wasn't wowed by it. Tracking is ok. Variety of sounds is ok but limited to the hollow square wave thing which wa already sick of when I first got a OC-2 in the early 80s. Will be sold soon.

The Kaamos is a totally different animal. Almost perfect tracking. Three types of octave plus an Alpha Omega distortion, with options to change routing for parallel or serial, and tone controls too. It won't do Authentic moog tones, but it does a great job at wht it can do. Trills, slides, slapping, tapping, all gets nicely tracked. Never audibly glitches.

For moog tones with filter, the FI gets far superior tones obviously, but I wish it could track intricate playing better. The FI has good tracking, but synth tracking is of course much harder than octaver tracking.
 
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I have the latest Octabvre. I wasn't wowed by it. Tracking is ok. Variety of sounds is ok but limited to the hollow square wave thing which wa already sick of when I first got a OC-2 in the early 80s.
Yeah I was using an OC-2 in the 80s as well. I thought I'd give the Octabrve a shot for old times sake but was similarly unenthusiastic. I also sold my other 3Leaf pedals, the Doom fuzz and their envelope follower, once I had my FI figured out.
 
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I have the latest Octabvre. I wasn't wowed by it. Tracking is ok. Variety of sounds is ok but limited to the hollow square wave thing which wa already sick of when I first got a OC-2 in the early 80s. Will be sold soon.

The Kaamos is a totally different animal. Almost perfect tracking. Three types of octave plus an Alpha Omega distortion, with options to change routing for parallel or serial, and tone controls too. It won't do Authentic moog tones, but it does a great job at wht it can do. Trills, slides, slapping, tapping, all gets nicely tracked. Never audibly glitches.

For moog tones with filter, the FI gets far superior tones obviously, but I wish it could track intricate playing better. The FI has good tracking, but synth tracking is of course much harder than octaver tracking.
I think it is really setting-dependent whether it can track intricate/fast playing or not. A slow attack, for example is never going to do well, and some of the crazier sounds don't like it either. I find I alter my playing depending on the sound that I'm using. I'm absolutely loving the portomento.
 
I have been amazed I can use a pick and get good tracking on the FI - even more amazed as I'm not really a pick player so my technique isn't amazing - but the FI just tracks well

(P bass, tone open, Post light compressor)
I had the same experience and over the years completely switched to playing the FI with a pick. Maybe it's the short attack or the additional frequencies added by the pick- the tracking algorithm seems to love the pick. Watching guitar player tutorials on alternate picking and palm muting will get you to the next level. Or check out Cody Wrights pick bass lessons.

(PS. Also P bass, tone open , flats, light comp pre FI)
 
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I had the same experience and over the years completely switched to playing the FI with a pick. Maybe it's the short attack or the additional frequencies added by the pick- the tracking algorithm seems to love the pick. Watching guitar player tutorials on alternate picking and palm muting will get you to the next level. Or check out Cody Wrights pick bass lessons.

(PS. Also P bass, tone open , flats, light comp pre FI)
Yeah palm-muting IME makes for the best tracking on any of these kinds of devices- I do palm-muted plucking too, but for fast lines I think the pick will give the most accurate tracking
 
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Just updating everyone on the inexpensive USB/MIDI interfaces that worked between FI4 and Mac.

IConnectivity Mio works - https://www.amazon.com/dp/B00CO5IRSG?ref=ppx_yo2ov_dt_b_fed_asin_title
This cheap no name cable works - Amazon.com
This cheap one does not work - Amazon.com
The CME U2MIDI Pro did not work - https://www.amazon.com/dp/B0BH8DHCLY?ref=ppx_yo2ov_dt_b_fed_asin_title
Future Impact V4 + CME U2MIDI Pro – Solution

Hi everyone,

I'd like to share my experience in case it helps someone else.

I couldn't get my Future Impact V4 to communicate with the FI Editor using a CME U2MIDI Pro on Windows 11. The Editor was unable to detect the pedal.

After some troubleshooting (with the help of ChatGPT and the support of András Szalay), I solved the problem.

The steps that worked for me were:

1. Download and install the official CME UxMIDI Tools from the CME website.
2. Update the firmware of the CME U2MIDI Pro to the latest version.
3. In my case, communication only worked when connecting the MIDI cables MIDI IN → MIDI IN and MIDI OUT → MIDI OUT.

After these steps:
- the FI Editor immediately detected the Future Impact;
- I successfully backed up all 99 presets;
- I updated the pedal to firmware 4.51;
- communication with the Editor is now perfect.

After I informed András Szalay, he kindly replied:

"Glad that it works. Some 'smart' companies write MIDI OUT on their MIDI IN, so this is what people should connect to the MIDI IN on the instrument. Very frustrating."

So, if you're using a CME U2MIDI Pro and the FI Editor can't detect your Future Impact, updating the interface firmware and checking the MIDI cable orientation may solve the problem.

Many thanks to András Szalay for his support, to ChatGPT for helping me troubleshoot the issue, and to the TalkBass community for all the valuable information shared over the years.

I hope this helps someone else.

Best regards,

Enzo Senatore

Greetings from Naples, Italy! 🇮🇹
 
As an Amazon Associate, TalkBass may receive commissions from qualifying purchases made via links on this site.
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Future Impact V4 + CME U2MIDI Pro – Solution

Hi everyone,

I'd like to share my experience in case it helps someone else.

I couldn't get my Future Impact V4 to communicate with the FI Editor using a CME U2MIDI Pro on Windows 11. The Editor was unable to detect the pedal.

After some troubleshooting (with the help of ChatGPT and the support of András Szalay), I solved the problem.

The steps that worked for me were:

1. Download and install the official CME UxMIDI Tools from the CME website.
2. Update the firmware of the CME U2MIDI Pro to the latest version.
3. In my case, communication only worked when connecting the MIDI cables MIDI IN → MIDI IN and MIDI OUT → MIDI OUT.

After these steps:
- the FI Editor immediately detected the Future Impact;
- I successfully backed up all 99 presets;
- I updated the pedal to firmware 4.51;
- communication with the Editor is now perfect.

After I informed András Szalay, he kindly replied:

"Glad that it works. Some 'smart' companies write MIDI OUT on their MIDI IN, so this is what people should connect to the MIDI IN on the instrument. Very frustrating."

So, if you're using a CME U2MIDI Pro and the FI Editor can't detect your Future Impact, updating the interface firmware and checking the MIDI cable orientation may solve the problem.

Many thanks to András Szalay for his support, to ChatGPT for helping me troubleshoot the issue, and to the TalkBass community for all the valuable information shared over the years.

I hope this helps someone else.

Best regards,

Enzo Senatore

Greetings from Naples, Italy! 🇮🇹
If the interface is visible in the editor list of devices but communication with the pedal isn't working, it's almost always due to the cables being plugged into the wrong ports. It's the first thing I always suggest trying.
 
If the interface is visible in the editor list of devices but communication with the pedal isn't working, it's almost always due to the cables being plugged into the wrong ports. It's the first thing I always suggest trying.
I had tried swapping the cables, but without success. I only found the solution after updating the interface's firmware with CME UxMIDI Tools. I should also add that I discovered that to properly initiate communication between Panda Editor and Future Impact, I need to follow this procedure: 1) turn on Future Impact; 2) connect the CME U2MIDI Pro interface to the computer; 3) start the editor.
 
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I had tried swapping the cables, but without success. I only found the solution after updating the interface's firmware with CME UxMIDI Tools. I should also add that I discovered that to properly initiate communication between Panda Editor and Future Impact, I need to follow this procedure: 1) turn on Future Impact; 2) connect the CME U2MIDI Pro interface to the computer; 3) start the editor.
It could also be an error or issue with the USB connection or the computers USB utility. I have to restart/rebboot my PC regularly as there is eventually a point where the various devices are no longer recognized. This in part is due to me using several different devices connectd by USB from different manufacturers. Also USB to MIDI devices don't like being conneted through a hub, a direct port insert is necessary.
 
I upgraded my v4 vip with the new 4.51. the sounds are great, but i still get some notable glitching on certain sounds. i'm pretty sure my playing style is a bit aggressive sometimes, so i'm trying to tame that. i also have an MTD with the USA preamp and it is very loud, so i've tried dialing it back/ bypassing it which sometimes helps. i tried a compressor yesterday which did seem to help, but i still have some experimenting to do. Really dig the tones tho!

Anybody else find a way around this? do i have a lemon, or am i just inexperienced with the pedal?

any insights are appreciated…

also, still looking for that Zapp and Roger "more bounce to the ounce" tone if anyone has that…
 
I upgraded my v4 vip with the new 4.51. the sounds are great, but i still get some notable glitching on certain sounds. i'm pretty sure my playing style is a bit aggressive sometimes, so i'm trying to tame that. i also have an MTD with the USA preamp and it is very loud, so i've tried dialing it back/ bypassing it which sometimes helps. i tried a compressor yesterday which did seem to help, but i still have some experimenting to do. Really dig the tones tho!

Anybody else find a way around this? do i have a lemon, or am i just inexperienced with the pedal?

any insights are appreciated…

also, still looking for that Zapp and Roger "more bounce to the ounce" tone if anyone has that…
Have you messed with the Note On setting? You will need to send a relatively even signal in to get the best tracking, but once you've found that comfortable level you should set the Input Gain then the Note On to the point where it is triggered with every note but not too high that it is also trying to track string noise and other extraneous noises. Also if you are getting a really brightly aggressive tone from the bass you are more likely to cause the tracking to glitch up an octave, best to send a rounder and more even tone (hitting the strings less hard and/or changing pickup/tone settings).

And of course try all the different tracking modes to see what feels best!
 
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I upgraded my v4 vip with the new 4.51. the sounds are great, but i still get some notable glitching on certain sounds. i'm pretty sure my playing style is a bit aggressive sometimes, so i'm trying to tame that. i also have an MTD with the USA preamp and it is very loud, so i've tried dialing it back/ bypassing it which sometimes helps. i tried a compressor yesterday which did seem to help, but i still have some experimenting to do. Really dig the tones tho!

Anybody else find a way around this? do i have a lemon, or am i just inexperienced with the pedal?

any insights are appreciated…

also, still looking for that Zapp and Roger "more bounce to the ounce" tone if anyone has that…
You are still learning the machine and that it takes a certain touch, that can be different from your normal playiung styles. Some of that comes from having the proper set up for input signal, range or instrument mode, I tend to run mine a bit hot with lots of peak or red lighting, that allows me to also get the synth to glitch, I have developed a touch to use those sounds in a musical way. That is in a way learning to make lemonade out of lemons.

Some playing styles don't translate well with some sounds, in most cases it is not so much how you play but as to the nature of the reason for the sound ie a sustained tone with along envelope does not respond to quickly played lines and visa versa. Once you are more familiar with how the sounds are created or the purpose then you might try your hand at edting an existing sound or creating your own origial sound for your particular need. I learned a lot by trial and error at first as a play or discovery aspect that i later spent some time learning how to understand how electronic synth based sounds function and how the different modules interact.