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G&L Club Part 7

So I guess it's about the upcoming JB5. But there were probably good reasons for eventually choosing 3+2 headstock over 4+1 in the past. What is different now? Have the engineering considerations changed or do they just want the classic look here so it looks more familiar to the folks who want a Fender Jazz V but made by G&L?
I much prefer the look of 4+1. I doubt there would be much mechanical advantage, other than the 3+2 is smaller, therefore lighter.
 
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Excited to see new models in both tiers. Question on MJ5....I have read other posts that say the pickup blend seems to act more like a switch and there isn't enough subtle degree of change there. Is that true? If so has G&L taken steps to remedy? The sweet spot for me on a J style bass is just slightly favoring the bridge.
Thanks
 
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Excited to see new models in both tiers. Question on MJ5....I have read other posts that say the pickup blend seems to act more like a switch and there isn't enough subtle degree of change there. Is that true? If so has G&L taken steps to remedy? The sweet spot for me on a J style bass is just slightly favoring the bridge.
Thanks

That was my impression with the M2K I owned for a while. I futzed and futzed with that knob and never did find any appreciable/usable tones other than the full-on full-off settings. I prefer the switch on my L2Ks for this reason.
 
Excited to see new models in both tiers. Question on MJ5....I have read other posts that say the pickup blend seems to act more like a switch and there isn't enough subtle degree of change there. Is that true? If so has G&L taken steps to remedy? The sweet spot for me on a J style bass is just slightly favoring the bridge.
Thanks

Yes for me it is, on both my new MJ5 and M2500 tribute they both are useless as a blend knob, which is really crazy since in pretty much every other way they both have great build quality. I haven't called G&L yet just for some clarification but the blend pot is small like the active volume and EQ pots, I don't know if that equates to a cheap pot or is like the other small active preamp pots. I definitely will have both replaced as I find blend pots are like an added EQ function. Regardless of that issue I'm digging both basses a lot especially the MJ 5.
 
I much prefer the look of 4+1. I doubt there would be much mechanical advantage, other than the 3+2 is smaller, therefore lighter.

Funny, I thought there was some kind of engineering reason for the 3+2. I don't know, though, I know zero about building basses. John

Putting on my Engineering prof hat, I think it's about neck dive. The total torque which tends to sink the neck is the sum of (mass x distance) for each element of the neck. Moving one of the tuners and its associated wood closer to the body would significantly reduce the torque, reducing neck dive--especially with the slightly smaller G&L bodies. The effect is most significant for elements at the greatest distance from the centre of rotation: therefore at the end of the neck.
 
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Hello all! Hope it's ok if I share my G&L 1505 stuffs here ^_^
I'll start off with a pic of half of my setup.
img_20140727_133947.jpg
 
Any jb-2 tribute's owner here?
I have a great deal locally on a tribute jb-2. Is there any good reason to wait for the tribute mj-4?

I mean, does the splitcoils and preamp really worth it?

I own and regularly gig a JB-2 Tribute. I like it a lot. Looks and sounds really good. Personally, I am partial to passive basses, so for me I'd prefer the JB-2 to the MJ-4. ... One man's opinion.
 
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