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G&L Club Part 7

It took about 2 years and 2 months but it finally came together.
IDK when it's gonna be shipped but it's good to see it done.
Here's a custom Matador in Purple Fade over mahogany, quartersawn 3A flame roasted maple neck with ebony fingerboard, Clear Satin finish. #CS2303001 is headed to UpFront Guitars in Bellingham, Massachusetts
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I have an SB2-T (VVT). I also have two other basses that are Volume Blend Tone. I find I like the control better as VBT. Has anyone rewired and SB2 to VBT and how did it work for you?
I much prefer a bass with a single volume. I've tried all kinds of things to convert my SB-2 into a bass with a master volume. (Mine doesn't have the tone control, and I didn't want to cut and drill, etc., to change it.) I tried blend controls with audio tapers, linear tapers, and MN tapers, both grounded and ungrounded. I didn't like any of them. All of them had a very sudden swap of positions. The MN100k ungrounded was the best--smoother than the rest. And all of them--no exceptions here--seemed to take some of the punch and grit out of the SB-2. I have no explanation for that. What I finally did that worked best is this: I bought a concentric set of B250k pots and used those for the individual pickup volumes. Those only took up one hole in the pickguard. In the other hole, I just used one of the regular A250k pots as a master volume. It works beautifully. All the punch and drive of the SB-2 with a single volume. And the linear tapers on the concentric B250k pot make it easier to blend the pickups smoothly.

Since you're already used to a passive blend pot on another bass, if you want a blend pot, I recommend you find out what value that pot is and if it's grounded or ungrounded. Start out by trying that and go from there if needed.
 
I have an SB2-T (VVT). I also have two other basses that are Volume Blend Tone. I find I like the control better as VBT. Has anyone rewired and SB2 to VBT and how did it work for you?

Do you ever favor the bridge pickup over the neck?

I never do with an SB2 and wire them up with a master volume, a J pickup volume (stacked pot in a regular SB2) that feeds into the master volume, and a tone. That way I can vary the bridge pickup relative to the neck up to both at 100%, and then adjust the overall volume if necessary. Depending on exactly how G&L wires up the SB2-T it can be a very simple change (move one wire end best case). I guess I didn't feel the need to make that mod to the now your SB2-T while I had it.
 
^^^^for those of you who can remember the ultimately happy story of that bass — enough time has passed that I can at last just look on it for what it is, and forget about the tremendous amount of bother that was needed to make the story happy — it finally seems to me once again simply the bass I ordered in the fall of 2020.

For those who don't remember the story, just feast on the specs: 7 lbs empress body, shell pink, 3-ply white pg, MFD split pickup, CLF Research knobs; 1½" nut, 9½" radius natural satin quartersawn neck, 45-105 Rotosound Swing Bass steels.

I'm still very proud of how quickly it sold, once it had got back home :smug:
 
Do you ever favor the bridge pickup over the neck?

I never do with an SB2 and wire them up with a master volume, a J pickup volume (stacked pot in a regular SB2) that feeds into the master volume, and a tone. That way I can vary the bridge pickup relative to the neck up to both at 100%, and then adjust the overall volume if necessary. Depending on exactly how G&L wires up the SB2-T it can be a very simple change (move one wire end best case). I guess I didn't feel the need to make that mod to the now your SB2-T while I had it.
I'm pretty much old school and tend to favor the neck pickup. The controls work fine for me, but having a couple of other basses that are Volume, Blend, Tone, I like that configuration and was thinking about modding the SB2-T to that.
By the way, that SB-2-T is my favorite of all my basses and I get more comments on the tone than any other bass. These days I have to play 5 strings a lot, but when I can play 4s, 9 times out of 10, the SB2-T gets the nod.
 
I have owned both and currently own an El Toro. To me, the L2K and El Toro have much the same musical DNA, but I wouldn't characterize the El Toro as more refined. I love the heft of each note with that bass, and it can get pretty aggressive when you open up the tone control and preamp.
I can tell you it absolutely slays any other jazz bass and eats it for dinner.
 
This is in the new TB classifides. Were these supposed to be akin to a jazz bass?
For Sale - G&L El Toro 1984 Transparent Blue

Man, I hate how rare these are in lefty configuration, and how quickly they get snatched up when one presents itself.
I sometimes regret not ordering an L-1000 instead of the SB-1, but I always lament the lack of the El Toro in their remotely current offerings.
Perhaps a CLF re-issue one day in the future, but I don't think they offer those in lefties anyway.
 
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