That's a great price. I paid over $200 for the pair of DiMarzio's in my MJ-4. If I may ask, where did you get them?Yeah, that's why I went custom. It was only $190 to have custom wound, hum cancelling pickups so why not.
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That's a great price. I paid over $200 for the pair of DiMarzio's in my MJ-4. If I may ask, where did you get them?Yeah, that's why I went custom. It was only $190 to have custom wound, hum cancelling pickups so why not.
True that. USA JB-2s are only available on the used market. Maybe in Custom Shop??? Tribute JB-2s are available at your local or online G&L dealer. I would guess that the pickups in the USA versions are better. Gotta be the same as in the regular USA JB. The Cort Alnicos in G&L basses are supposed to be constructed to G&L specs, but when is the last time they were checked?...10 years ago...15...20...never? As I said, that's a guess as my USA G&Ls both have MFDs. Does anybody have a USA G&L and a Tribute G&L with similar-style Alnico pickups? If so, what are your observations of the two?Just to clarify, it's only the Tribute JB-2 pickups that are the same length. USA JB-2's have proper, different length pickups.
I definitely think it will help with marketing the bass. I am still wondering about that single coil on the SB-2. I've been told by many that it is underwound because it's designed strictly as a tonal supplement to the split coil. However, I asked Memo at G&L about this, and he tells me that, no, it isn't. It is wound exactly as it was wound back when there were two of them on the original SB-2. Any volume or tonal difference has to do with its near proximity to the bridge.
Didn't watch the game, I Sunday-swapped. '91 3-bolt SB1 into the 6-bolt LB100 body from G&L's Garage Sale. Neck length diff is 3/64" shorter, first 2 mounting holes are identical and fretless will intonate fine. Currently a mock up, no string tension as I didn't drill any more holes. I'll likely source components (ya never know) but hardware will be black. We need black-wrinkle bridges and pickguards, come on G&L.
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I think I'm going to grab a chorus pedal to tide me over. Ack! GAS!
Thank you!TB and we encourage GAS so I have a recommendation....
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Analogman Mini Chorus with Mix knob and Depth switch. I also use it with a Fretless Kiloton (when I want chorus which is admittedly not all that often).
I had a shop in St.Paul, Mn. do it for me. Vig Guitars. Ted Vig did the work - pickups, electronics and a little set up work. Total cost was like $425.That's a great price. I paid over $200 for the pair of DiMarzio's in my MJ-4. If I may ask, where did you get them?
The .047 gives me those exact P bass toanz I'm after, it's my favorite of the three values I've played with. Rolled off the .100 is ultra dark, wooly, and compressed, which I also enjoy. Anyway, variety being the spice and all...it was a fun experiment and each LB now has its own distinct personality beyond looks.
I have three LB-100s and until tonight they were all set up with the stock .022uF tone capacitors. I've always thought the LB-100 sounds slightly different from a Fender Precision in a way I don't prefer. I like to tweak and fiddle with things. So I ordered some orange drops and put a .047 in one bass and a .100 in the other. They both metered out right around their nominal values which was cool. I didn't touch the CS for obvious reasons and I wanted to keep one bass at stock value anyway.
The .047 gives me those exact P bass toanz I'm after, it's my favorite of the three values I've played with. Rolled off the .100 is ultra dark, wooly, and compressed, which I also enjoy. Anyway, variety being the spice and all...it was a fun experiment and each LB now has its own distinct personality beyond looks.
Should have taken more pics but once I get a whiff of that rosin-core it's game on.View attachment 5354597 View attachment 5354599
Mine are not the same size as regular jazz pickups in my JB-2.Just to clarify, it's only the Tribute JB-2 pickups that are the same length. USA JB-2's have proper, different length pickups.
Refresh our memories...what were they doing to it? Wasn't it a new neck?? Twenty weeks is a really long time for a neck. Back in October 2020, I sent my '07 SB-2 in for a new neck and got it back three months later. You're at about five months and still no sign of it. Of course, I'm in southeast Arizona and you're in the UK. Shipping time is bound to be considerably greater, so it might be on its way. When they shipped mine back, I got no shipping notice at all. It just showed up one day like a magic trick...poof, here's your bass. Best of luck for a speedy reunion.When I first got my LB-100, I put in a Dimarzio Model P, which the stock cap suited well. When I swapped the Dimarzio for a stock-wind Fralin, I also swapped the cap for a 47, and am very glad I did.
In SB-1 news, it's now 20 weeks since mine arrived back at the factory, and 24 weeks since I last played it. I'm missing the MFD so so bad......
Not trying to be thick here - I honestly don't know. How can you get 75% Bridge and 100% neck with a blend? Wouldn't you need two independent pots - one for each pickup?How hard would it be to ditch the pickup selector on my l-2500 and replace it with a blend? I find that I have no use for a solo bridge pickup and on other dual pickup basses I always do the bridge at about 75% with neck full on.
Yes, not only was truss rod was maxed out (which I had been trying to be ok with) but then neck was slowly bending, raising the action too high for me. The difference in string height was actually enough to make an audible difference to the tone, as the strings were taken higher over the pickup. And that was with a set of strings whose total tension was lower than a standard 45-105 set of Rotosound or GHS roundsRefresh our memories...what were they doing to it? Wasn't it a new neck?
That would be the ultimate in blend control. I don't even like dual-volume basses, but that way is best for blending. On one of my basses I even wired the two pickups to concentric pots, then from there to a master volume. It was the best of both worlds--the ultimate blend adjustment with a single control for overall volume.Not trying to be thick here - I honestly don't know. How can you get 75% Bridge and 100% neck with a blend? Wouldn't you need two independent pots - one for each pickup?