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G&L Club Part 7

In case any of my G&L pals are priest fans... I love this epic live version. Not bad for dudes in their late 60's.


YOU THERE! Yes you.

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Bring out the BLACK MAMBA!
 
Lol... Based on this vid... I'd say that Rob Halford in his late 60's could out-sing most in their 20's and 30's
I'm not fan of In This Moment or even this song but it is from a 2018 release and shows that Mr. Halford clearly still has it :thumbsup:


This is a couple of years older but is much heavier, for those that enjoy that kind of thing :bassist:
 
MFDs have steel poles with an outer ring and an inner adjustable polepiece. The outer part is press fit when they create the bobbin and they grind any excess off the bottom of the bobbin so the ceramic magnets fit tightly.
That low pole was ground off at that height, if you push that pole up it will lose contact with the long bar magnet covering all 5 poles for that coil. It could also break the coil windings, killing that coil.
G&L sells MFD pickups through their online store, who knows if a new pickup would have the same problem, though.

Is this really a problem?

Shaun
 
Is there a standard height that I should use?

Best approach is to adjust the overall pickup height first with all the polepieces flush with their rings. Raise the neck pickup until you start to get magnetic interference warbling of the tone with that pickup soloed when you play the highest frets. Then lower it until the warbling just disappears. Then raise the bridge pickup until you get about the same volume as the neck pickup when each is soloed. [Again check for magnetic interference. You may want to lower the bridge pickup depending on what blend sound you want with the pickup switch in the middle position.] You can do some overall balancing of output across the strings by tilting a pickup a bit. [Closer is louder.] *Finally* you can balance the output from individual strings by tweaking the polepieces for those strings. Essentially each string should be equally loud with a given pickup.
 
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Best approach is to adjust the overall pickup height first with all the polepieces flush with their rings. Raise the neck pickup until you start to get magnetic interference warbling of the tone with that pickup soloed when you play the highest frets. Then lower it until the warbling just disappears. Then raise the bridge pickup until you get about the same volume as the neck pickup when each is soloed. [Again check for magnetic interference. You may want to lower the bridge pickup depending on what blend sound you want with the pickup switch in the middle position.] You can do some overall balancing of output across the strings by tilting a pickup a bit. [Closer is louder.] *Finally* you can balance the output from individual strings by tweaking the polepieces for those strings. Essentially each string should be equally loud with a given pickup.
This is the correct method.
You may want to be sure that you add a little air space if you tend to dig in.
 
All the adjustments are made at the Fullerton factory for the USA models?

I agree with jmlee, it's best to adjust them yourself if you're reasonably handy. I've found a pickup height and polepiece adjustment scheme that reliably gives me my fave L2000 tone, they don't come from the factory set that way.
They sound good with the factory setup, just not how I want mine to sound.
 
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I agree with jmlee, it's best to adjust them yourself if you're reasonably handy. I've found a pickup height and polepiece adjustment scheme that reliably gives me my fave L2000 tone, they don't come from the factory set that way.
They sound good with the factory setup, just not how I want mine to sound.

I'll admit that I spend a completely stupid amount of time tweaking my instruments to get all they can give me. I should have mentioned—dare I make it worse—that if you change string variety, you really should do all this again. I just redid the pickup setup on my LB100 as I changed from D'Addario XLs to Chromes to La Bella flats, and there was quite a bit of variation due to the differing amount of magnetic material presented to the pickups by the various string diameters, compositions etc. If you stick with a particular string type, the pickups can stay in place as you exchange sets. I play with quite a light touch on electric, maybe to compensate for the digging in on upright, so I don't get the problem of lowering pickup heights for a heavy touch. As the pickups get lowered, there's not only a loss of gain but also brightness and detail.
 
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