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Gallien-Krueger MB2-500: Part II

I have a small PA beside my MB500 and I can tell you that neither Master volume of Boost Master has any impact on DI out. If you want to switch between boost and clean channel into a PA I would think you would need to use the Line Out, which is controlled by both the Master and Boost Master, making it easy to control levels while switching boost on or off. I have been using this amp for a year and 4 months now and I love it and like the boost feature just fine like it is.


Running a line out into a PA is not the best practice from a noise rejection / ground loop perspective hence the whole balanced input / ground lift structure of the DI schemes. I would not consider a line out run into a PA as a "reliable" way for a gigging musician to gets things done.

So if you use the DI with all its noise rejection merits running your post EQ signal power to the board, you get significant volume drop when going clean. This makes the foot switch unusable in my opinion. The scheme I proposed earlier would not detract from anything and would only make the amp more flexible for the same coin.
 
I'm the one that received a brand new A00 from GC online a couple of weeks ago, which arrived 2/5/10. I called GK a few days later and they said that they would upgrade it free of charge, and they did. Within a couple of days of sending it to them, I received a brand new A07, which works great. The entire unit and even the packaging was all new. GK's customer service really came through.
 
Running a line out into a PA is not the best practice from a noise rejection / ground loop perspective hence the whole balanced input / ground lift structure of the DI schemes. I would not consider a line out run into a PA as a "reliable" way for a gigging musician to gets things done.

So if you use the DI with all its noise rejection merits running your post EQ signal power to the board, you get significant volume drop when going clean. This makes the foot switch unusable in my opinion. The scheme I proposed earlier would not detract from anything and would only make the amp more flexible for the same coin.
I agree with all that you say. I would perfer that the DI be post Master and Boost Master if set for post eq. I am just not sure that this is typical for for the DI output settings. I cannot agree with saying they should just drop the boost feature and lower the price of an amp that already blows away the competition when comparing tone and features. I have implemented mods on several very popular guitar amps like my Fender Hod Rod Deluxe due to it not suiting my preferences and maybe this could be a simple thing that we could modify. If you have an idea of how we can make this modification, I would be interested. I am only saying that I like having the boost channel and perfer not to give it up. I have limited experience with using DI prior to this amp and I appreciate you sharing your ideas and experience.
 
I cannot agree with saying they should just drop the boost feature and lower the price of an amp that already blows away the competition when comparing tone and features.


I am not saying to drop the boost feature. I was saying get rid of the clean channel switch option if the DI levels don't match and save some money on the amp.

Or keep the knobs as they are and just rearrange a few things inside the amp.

What you theoretically need is the ability to match the preamp levels of the two channels before they go to the DI and power amp.

What I originally proposed was to get rid of the Master B as a power amp knob and instead replace it with a either preamp gain adjust on the clean channel or a preamp attenuation on the boost channel. Then all you need is a single Master Volume. The two advantages I see are:

1) You can get the same relative levels to the DI as the power amp

2) If you want to turn up or turn down one of the Master Volumes, you don't have to do it with twice to re establish your original clean to boost volume relationship.

If you have an idea of how we can make this modification, I would be interested.

It would not be too hard on paper. Although I have not seen a schematic for the MB2-500. It would most likely involve an opamp circuit that uses one of the existing pots assuming the existing pot's resistance value is adequate for the new purpose of preamp gain trim. And it would involve rearranging the switch points. It is not completely out of the question but it would be a fair number of solder joints. If I find a use for the clean sound in a live environment I might go there. I have only used the head twice live so far and I have run the boost channel exclusively in those situations.
 
I'm sure this has been asked, but honestly I don't want to read 50+ pages of info for an answer. How does this head compare to a 1001RBII?

*Quote from Jerry Ziarko post # 873: "I picked up the latest revision (A07) in November, and it has been solid for me with no issues whatsoever. It handles the "B" just fine. I own a 20+ yr old 400RB and have owned a 1001RBII, and would stack it right up there with them in tone. I do laugh sometimes when I turn around and see it sitting there on the cabinet though. I've owned effects pedals that were bigger."
 
The 1001 RB II and MB-500 (A07 in my case) are real similar tonally. Not exactly the same but very close. You can definately tell they are from the same family. Unless you need the higher horsepower, the convenience of the MB-500 package make it a prime choice IMO.
 
IMO, the MB2 is more on the 700RBII side, but it is it's own thing...

I respectfully disagree.
This is the closest amp to the 800RB that I have heard from GK.
It's close but because of the power amp topology can't be the same.

I love it way more than the 700 or the 1001 I used to own because it has the magic button that neither of the 700 nor the 1001 have.

cheers,
Charles
 
[1] Do both the Master & Master B controls work when Boost is engaged?

No. Master only works when the boost channel is off. Master B only works when boost channel is on.

[2] Has anyone compared it to any MarkBass? (power, tone)

I did an AB in the music store with a GS112 cabinet for what its worth. I found the GK to have a tighter and more emphasized low end (it was deeper). The Markbass had an upper mid emphasis in comparison that I could not dial out. However, I bet the Markbass would be great in a mix. I just liked the GK sound better. And so did my non biased guitar buddy. The other advantage of the GK is the thin profile. It fits great in a lap top computer bag.


[3] Any details about the EQ upgrade?


The EQ upgrade is subtle. I believe I read that the treble, high mid, and low mid were slighty boosted relative to the original EQ in the first units. This was to allow the EQ in the flat position to be like the 700RB with the 5 string swtich engaged. IME with both an older version MB2-500 and the 700RB, I could emulate the 700RB EQ by the slight boost. There is a presence circuit in the 700RB that is not in the MB2-500. When the presence circuit is at 0 on the 700RB, it accounted for the slight difference in the original MB2-500 EQ.
 
I respectfully disagree.
This is the closest amp to the 800RB that I have heard from GK.
It's close but because of the power amp topology can't be the same.

I love it way more than the 700 or the 1001 I used to own because it has the magic button that neither of the 700 nor the 1001 have.

cheers,
Charles

I agree, I'll take my MB2 over both my 700RBII & 1001RBII

IMO it's closer to the 700 than the 1001...
I also agree that it's very close to the 800RB (the main reason I got it)
that and it fits in my gig bag

Cheers
 
This is the closest amp to the 800RB that I have heard from GK. It's close but because of the power amp topology can't be the same.
I love it way more than the 700 or the 1001 I used to own because it has the magic button that neither of the 700 nor the 1001 have.
cheers,
Charles
I got a chance to play the MB2-500 for quite a while yesterday. I compared it back and forth against the Mesa M6 and MarkBass LMIII, through the same cab.

After owning a 400rb since 88' and a 700rb II this year, I have to say the MB2-500 is definately more toward the 400-800rb tone/feel/voicing IMO. Which I was happy to find.

And as Uncle says, as far as between the 1001 and 700rb, it sounds more like the 700rb. But only due to the warm factor. This MB2-500 is so much more like the vintage GK tone as opposed to the more recent "rb" stuff IMO.

I did an AB in the music store with a GS112 cabinet for what its worth. I found the GK to have a tighter and more emphasized low end (it was deeper). The Markbass had an upper mid emphasis in comparison that I could not dial out. However, I bet the Markbass would be great in a mix. I just liked the GK sound better. And so did my non biased guitar buddy. The other advantage of the GK is the thin profile. It fits great in a lap top computer bag.

Yes I definately heard the same upper mid in the MarkBass LMIII. As you say it probably works nicely in helping you stick out in the mix. But I never had a problem with that using my old 400rb. I'd rather be present in a mix with smooth low-mids than often annoying upper-mids. So that was a plus for the GK MB-500 (I guess they dropped the 2 from the name now).

However I did notice the Boost button did add a good amount of what seemed to be upper-mids when pushed. But they didn't have that boxy sound/feel to them like the LMIII did. And the upper-mids the GK Boost added seemed to be over a wider freq. range. Maybe that was why they sounded different from the LMIII dominant upper-mids.
I wonder if the MarkBass F1 has that present,boxy upper-mid? I haven't played that amp in a whle. But when I did I really liked the added focus it had over the LMII. That F1 seemed to be a real nice amp from what I recall.