Which Deville is he getting (there are two different configurations, 212 and 410). That will make a difference, and whether or not he plays full on. Personally, not having lived in New York but only visiting, good luck trying to play out in Manhattan with that rig. And judging from you're working at KFC currently, I doubt you guys will have a car in the city.
So, unless the Ampeg rig is just for a practice space (where it doesn't have to be moved constantly) or you have a label to pay for cartage or roadies, I would suggest looking elsewhere. There's a reason the new lightweight stuff is so popular, especially for a place like NYC.
So, I could be way off base, but I would suggest at least considering going lighter and smaller if you plan on playing in the city.
EDIT: I see you're starting to take the advice given on the lightweight stuff. So, here's my rec. I played the Markbass LMII the other day, and was impressed. The warmth and tube like tone was unbelievable. Much warmer than my Gallien Krueger 400 RBIII head, and coming close to my Ampeg. In a live situation, close enough that it is well worth it over an SVT, at least for moving around NYC. I saw go LMII for the head, and let others guide you on lightweight cabs (I live in LA, land of the automobile, and so have no use as of yet for a lightweight cab just because its light, although I'm sure they're great). I have an Aguilar DB112, and while no lightweight, it can keep up at practice with a drummer no problem, and the tone is very good, better than my Ampeg. Plus, with a PA, you won't need much more than the volume of the Aguilar in the city.
Second: You guys say you're getting a house outside the city? Does that mean Hoboken? Brooklyn? Will one of you have a car? If so, can it haul all of your equipment? If so, maybe the 610HLF will work out. If not, and if you're relying on public transport, I second my recommendation that everything be at least manageably lightweight:
I could reasonably see an 18 year old with a Fender P and MB LMII in a gig bag carrying an Aguilar 112 through the subway system. Have fun in the city, you're in for a ride.
So, unless the Ampeg rig is just for a practice space (where it doesn't have to be moved constantly) or you have a label to pay for cartage or roadies, I would suggest looking elsewhere. There's a reason the new lightweight stuff is so popular, especially for a place like NYC.
So, I could be way off base, but I would suggest at least considering going lighter and smaller if you plan on playing in the city.
EDIT: I see you're starting to take the advice given on the lightweight stuff. So, here's my rec. I played the Markbass LMII the other day, and was impressed. The warmth and tube like tone was unbelievable. Much warmer than my Gallien Krueger 400 RBIII head, and coming close to my Ampeg. In a live situation, close enough that it is well worth it over an SVT, at least for moving around NYC. I saw go LMII for the head, and let others guide you on lightweight cabs (I live in LA, land of the automobile, and so have no use as of yet for a lightweight cab just because its light, although I'm sure they're great). I have an Aguilar DB112, and while no lightweight, it can keep up at practice with a drummer no problem, and the tone is very good, better than my Ampeg. Plus, with a PA, you won't need much more than the volume of the Aguilar in the city.
Second: You guys say you're getting a house outside the city? Does that mean Hoboken? Brooklyn? Will one of you have a car? If so, can it haul all of your equipment? If so, maybe the 610HLF will work out. If not, and if you're relying on public transport, I second my recommendation that everything be at least manageably lightweight:
I could reasonably see an 18 year old with a Fender P and MB LMII in a gig bag carrying an Aguilar 112 through the subway system. Have fun in the city, you're in for a ride.
