I have my first gig tonight playing through a new combo I've picked up, the Genz Benz Shuttle 3.0-10t. It's 18 pounds, 175 watts into the 1x10, and 300 watts with an 8 ohm extension cab. The head itself is a cool little 2.75 pound thing that comes out of the combo by loosening two thumb screws. It has kickback feet under the cab to angle it up.
I've enjoyed it so far, just using it in rehearsals. And it's amazing with the matching extension cab for even fairly loud slab gigs, as I've posted over on the "other side." Looking forward to seeing how it works in the real world with my upright tonight. One thing I really like is that the brackets that mount the head offer a perfect place to velcro my FDeck HPF/Pre:
I do need a pre, by the way, as the input impedance is low at 500KOhms.
Here's a pic of the combo:
It has a semi-parametric mid control that I'm really digging with upright especially. I've used it to dial out some feedback issues in one rehearsal space, and last night I used it to dial out a really percussive "thonk" or "thwack" sound I was getting with my bass + Underwood on the lower strings. I just set the boost/cut to maximum cut, then swept the frequency knob until the thwack disappeared, then adjusted the cut to a less extreme level. Very cool! Not, of course, as powerful an eq section as an iAmp 500, but a very useful midrange nonetheless.
I'm really digging this thing. It's very loud and useable, and extremely light. It sounds very good with my setup right now. I'm wanting to add a microphone, and use a Fishman bass blender or something to mix my Underwood and the mic. I'll be very curious to see how realistic a sound I can get with a good mic, whether I can approach that "my bass only louder" ideal that I obviously can't get with my Underwood.
I'll post some more after the gig tonight.
Cheers
I've enjoyed it so far, just using it in rehearsals. And it's amazing with the matching extension cab for even fairly loud slab gigs, as I've posted over on the "other side." Looking forward to seeing how it works in the real world with my upright tonight. One thing I really like is that the brackets that mount the head offer a perfect place to velcro my FDeck HPF/Pre:
I do need a pre, by the way, as the input impedance is low at 500KOhms.
Here's a pic of the combo:
It has a semi-parametric mid control that I'm really digging with upright especially. I've used it to dial out some feedback issues in one rehearsal space, and last night I used it to dial out a really percussive "thonk" or "thwack" sound I was getting with my bass + Underwood on the lower strings. I just set the boost/cut to maximum cut, then swept the frequency knob until the thwack disappeared, then adjusted the cut to a less extreme level. Very cool! Not, of course, as powerful an eq section as an iAmp 500, but a very useful midrange nonetheless.
I'm really digging this thing. It's very loud and useable, and extremely light. It sounds very good with my setup right now. I'm wanting to add a microphone, and use a Fishman bass blender or something to mix my Underwood and the mic. I'll be very curious to see how realistic a sound I can get with a good mic, whether I can approach that "my bass only louder" ideal that I obviously can't get with my Underwood.
I'll post some more after the gig tonight.
Cheers
Jazz gigs tonight and Saturday. It has proven itself there already as well as a stage monitor on PA supported gigs. 