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Genzler Amplification ! New Genz Benz ?

I agree that the Max series are equipped with the most complete feature set of any amp I have owned. If I could only keep 1 of my current amps, it would definitely be the SMax 12.0.
 
I guess I could be ok with an amp that is 2 Ohm stable, as long as it will do an honest 1200 watts @ 4 Ohms. Dual power sections that can bridge for 1500-2000 watts would be sweet too.

Why do you all need so much power? 2,000 watts? If you need that kind of volume, wouldn't you start using some PA support at some point? I mean, 2,000 watts?
 
It will be nearly impossible to top the 9.2max ... It would take something VERY special to force me to sell the MB800 or Streamliner 900. Something like the Shuttlemax would be the only thing I'd be interested in personally but it appears I'm more rare. I posted a thread about Andys (I think it was him) move to Mesa Boogie & many people preferred a Walkabout simple layout than a complicated Shuttlemax like Mesa.

As for cabs... I think the only way to go would be a USA like Barefaced or a mass produced Fearless setup. Throwing out more 410s like the Focus cabs wont be terribly interesting.
 
It will be nearly impossible to top the 9.2max ... It would take something VERY special to force me to sell the MB800 or Streamliner 900. Something like the Shuttlemax would be the only thing I'd be interested in personally but it appears I'm more rare. I posted a thread about Andys (I think it was him) move to Mesa Boogie & many people preferred a Walkabout simple layout than a complicated Shuttlemax like Mesa.

As for cabs... I think the only way to go would be a USA like Barefaced or a mass produced Fearless setup. Throwing out more 410s like the Focus cabs wont be terribly interesting.

Tell you what, I would be interested in a micro that has a pre amp like my Classic 400 has. Dirty Fender style side, clean to gritty ampeg style side. Foot switchable and blend-able. Each channel needs minimal knobs.
 
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What I loved about GB Shuttle series is very few adjustments.
I'm a set it and forget it kind of guy. The thing I look for is how do my G&L 2500s sound with every ting flat? I want to hear my bass not what the amp makes my bass sound like.
my shuttle 6.0 with 2x12t cabs or my Contour 500 2x10 combo give me just that.
The ability to just plug in and go. No tweaking needed.
I know many out hear like to fiddle with each dial every time they plug in I'm just not that guy.
Thank you Jeff Genzler.
Duke
 
Why do you all need so much power? 2,000 watts? If you need that kind of volume, wouldn't you start using some PA support at some point? I mean, 2,000 watts?

Unless you are talking about chemicals you put into your mouth for fuel or air into your lungs the word "need" gets really gray really quick. I think people *need* the things that makes life beautiful for them. For some that's gigantic amps. 2k watts is a great start!
 
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'Need' to accomplish what though? ;-)

To make music, as a solo player or with a group, at any typical/reasonable venue (given that the larger the venue, the larger the pa provided in anything but atypical scenarios), at volumes practical to not do any personal physical or property damage? I'd estimate that 500 watts with enough speakers will be more than adequate for any situation (in my experience playing everything from a coffee house to arenas and outdoor ampitheaters).

To level the woodshed in your backyard or irreparably blow out your singers eardrums? I dunno, maybe 5000 watts? (I don't have any experience with 'stunt audio') ;-)

To impress your peers or otherwise just have the biggest toy on the block? I guess you need the most wattage available with modern technology! :)

All that hootenany aside, I look forward to Jeff's original ideas moving forward! Genz' was a real innovator in the past. I'd hate to see his creative energy get focus-grouped to a point of homogenization.
 
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opinions_vary.jpg
 
I'm no techie but IMO, those 1200 watt ICE modules JGR uses in his custom amp(s) seems to have a little sumtin-sumtin extra vs a standard 500w module. A little more "grunt" if you will? Again IMO, what ever Genzler Amplification brings to light should be very interesting to say the least.
 
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It will be nearly impossible to top the 9.2max ... I
I posted a thread about Andys (I think it was him) move to Mesa Boogie & many people preferred a Walkabout simple layout than a complicated Shuttlemax like Mesa.
.

The Walkabout was nice but the 300 watts was not enough for clean with cabinets with less than 4 drivers (meaning less effecient).
Now that I think about it, the Shuttlemax gets closer to the Walkabout than any other amp I've owned (tonaly & EQ wise).
There are 100 threads about how the WA would be better with more power but it doesn't look like that this is in the Mesa marketing or sales plan.

For you guys that have never used big power:
It's not about volume but rather the tone whle playing studio clean.
The heft and depth of the note is different; I bought a MB500 and then returnd it for an MB800.
I didn't need more power but rather the clarity, depth, and 3-D soundstage.
If you like distorted bass, power is not much of an issue other than for SPL.
 
The highest wattage amp I ever toured/gigged with was a 1200 watt SUNN 1200s (Fender era). I usually ran it at 4ohms, so I know I was getting less than 1200 watts (maybe 800 to a thousand at that load?). I don't think I ever utilized a fraction of that output! I know that knob position has no reliable correlation to output power, but consistently running the rig with the master on '2' and preamp gain under '5' - I doubt I was even beginning to tax the output section! The few times I did actually "see what this baby can do" created scary, truly unusable volume.

I've found the same to be true with classic, 300w tube SVT's. At only 300 watts, an SVT and 8x10 produces more volume (and yes, even clean headroom) than I could possibly ever need. It is capable of just plain burying even a loud drummer!

I understand headroom issues and wanting to be prepared for a gig, that's totally relevant! Does anybody actually begin to use all the available watts from a 1000 watt head in an actual performing situation? Even peaking out a slapped low B? It seems like bass amp designers and manufacturers have promoted power far beyond the consumers realistic needs for decades now. Guitar amp manufacturers (and guitarists, for that matter) seem to 'get it' more readily these days in my opinion. I mostly see 15, 30, or occasionally 50w guitar amps on most stages these days. The comparatively few times I see a 100 watter out - it has a power soak on it or is being used by a player who is totally overkilling their venue environment!

Different strokes for different folks, naturally! :) I have no "problem" with a consumer wanting 1000, 2000, 10,000 watts -whatever. It's all good! At this point in my music and gear journey, I just don't see a practical gigging 'need' though. Reliability and tone are my first criteria. I wonder if the bass amp power trend will change?
 
The Walkabout was nice but the 300 watts was not enough for clean with cabinets with less than 4 drivers (meaning less effecient).
Now that I think about it, the Shuttlemax gets closer to the Walkabout than any other amp I've owned (tonaly & EQ wise).
There are 100 threads about how the WA would be better with more power but it doesn't look like that this is in the Mesa marketing or sales plan.

For you guys that have never used big power:
It's not about volume but rather the tone whle playing studio clean.
The heft and depth of the note is different; I bought a MB500 and then returnd it for an MB800.
I didn't need more power but rather the clarity, depth, and 3-D soundstage.
If you like distorted bass, power is not much of an issue other than for SPL.

Yup, just like a GK 1001RB vs a 700RB... the 700RB is LOUD but its not CLEAN like the 1001RB as that same db level. I've got a GK NEO 412 that gets paired with my GB 9.2max... 900w is the minimum I would do as even that amp gets pushed into some unclean tone at times.
 
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