I'd vote the TH more versatile than the GK. Having separate drive and gain controls gives you a wide range of tonal options.
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Genzler, Mesa, Aguilar & GK - The public's votes on class D amps
- Thread starter liveburning274
- Start date
buldog5151bass
Kibble, milkbones, and P Basses. And redheads.
And the GK has a separate channel with also gives more tonal options. Both great amps, just very different tones.
I've played all but the Genzler. These are all great amps. They have different tonal goals. The Best depends on your needs.
I went with the Mesa. It is very similar to my old Thunderfunk 550b. Heft behind the notes. The Tonehammer can be cool but for me I just never really got along with it. The GKs sound like GKs. It's a great sound if it's in your ballpark. Frankly any of these would be a great choice.
I went with the Mesa. It is very similar to my old Thunderfunk 550b. Heft behind the notes. The Tonehammer can be cool but for me I just never really got along with it. The GKs sound like GKs. It's a great sound if it's in your ballpark. Frankly any of these would be a great choice.
My experience is limited to the Ampeg Micro-VR, GK MB800, and Aguilar TH500, but the Aguilar takes that hands down.
I'm curious about the Mesa Subway, though.
I'm curious about the Mesa Subway, though.
Burwabit
Likes guitars that tune good and firm feelin women
I've owned 3 of the 6 listed, so hopefully that qualifies me to vote. I agree that it's an incomplete list without a few others including Ampeg and Puma.
I haven't met a "class D" that does it for me yet, but that might just mean I haven't met the right one. 
I've played through all of them except the
That's how I was. I tired a GK, an Ampeg, a Markbass, a Tecamp and lost hope. Then a friend let me borrow his Aguilar for a gig and I ordered one a few days later.I haven't met a "class D" that does it for me yet, but that might just mean I haven't met the right one.
I have owned a TH500, loved it, except it is a very vintage voiced amp, and to my ears, I could never get anything except a vintage sound out of it so I let her go. Currently own a Mesa M6, until it gave up the ghost 2 weeks ago, it was one of the first gens and the MOSFETs shorted so I had to send it in for the "upgrade" which is now a repair, waiting for its return, loved this amp, but it too had its very own distinct voice, and again I could never get anything but THAT tone from it and she is going up for sale upon her "upgrade" and return to me. Currently also own a MESA Subway D-800 for my practice/backup rig, love it, nothing bad to say about it at all. I currently own a GK MBF800 which I bought to replace my down M6 as my main live rig amp, and let me tell you, it is awesome. Nothing like anything I've played through before. I have been playing for 35 years and I have finally found that tone I was looking for, besides; this thing is a HAMMER, it feels like it can punch through concrete, after 35 years I finally know what the highly subjective word PUNCH means...at least to me.
I went through a MarkBass LMII, a Markbass F1, a Genz-Benz Shuttle 9, and a GK MB Fusion in a ~3 year period.
I settled on the MB Fusion, which is a little warmer than the others, and have kept it for about 4 years so far.
The F1 was a freak of nature though, amazingly loud for its size. Kind of wish I still had it.
I settled on the MB Fusion, which is a little warmer than the others, and have kept it for about 4 years so far.
The F1 was a freak of nature though, amazingly loud for its size. Kind of wish I still had it.
I am in a very, very loud band, no one believes how loud my drummer is and he is never, ever mic'd...crazy stuff I tell ya!
The rest of the practice rig is a MB Traveler 210 and a MB Standard 210.
I use 2 MB NY151 15s as my live cabs.
I've played only the Magellan, and can't say enough good about it. Maybe because Jeff was standing next to me while I demo'd it. 
I had a 6.0 Shuttle that I loved. When it was stolen I got a 9.2 Streamliner, but at 900 watts, too big for this discussion, I take it.
I had a 6.0 Shuttle that I loved. When it was stolen I got a 9.2 Streamliner, but at 900 watts, too big for this discussion, I take it.
Yep! Been gigging with the TH500 for a few months now. I love it. I get many compliments on the sound of my rig.
Of the choices I've only played the GK's (both MB & MBF) and the Aguilar. All good but I prefer the GK MB with a VT Bass Pedal.
Clean, with what sounds like a pretty flat response with the EQ knobs at noon. EQ is very, very, flexible and useful, and sounds great.
It does have a switch to dirty things up, though that's not my thing. Has a decent compressor in it, plus lots of bells and whistles I've not been using.
This amp is also ABSURDLY powerful. I'm sure there's a clean headroom limit in there somewhere, but I've not managed to hit it yet.
Played the GK. If one of my Markbass heads ever bite the dust, I surely will be getting one. Wish I'd listened to them BEFORE getting my Mark heads, but oh well. It's not exactly like I have anything to complain about.
Hey, question for you Peavey guys. Just where is that thing made? I gotta try one because I am all about the clean, and that thing's got the power to deliver the goods.
Hey, question for you Peavey guys. Just where is that thing made? I gotta try one because I am all about the clean, and that thing's got the power to deliver the goods.
GB Shuttle 9.0.
I came in contact with the Genzler Magellan, but I was paying closer attention to the bass I was trying at the time. Sounded fine though.
I came in contact with the Genzler Magellan, but I was paying closer attention to the bass I was trying at the time. Sounded fine though.
