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Get off my LAWN! "Grumpy Old Farts"

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A bit of expansion on that: after my Navy time, I was attending Miami-Dade Community college, majoring in something other than music, but keeping my bass clarinet chops up in the concert band. The period after that was jazz/dance band rehearsals. There was only one bass(UB)player available and I had nothing to do that hour, so I 'volunteered' to play in the other 'jazz' band, basically to help them out and improve my bass clef reading. The instructor kept after me to play that kind of tone, which neither my cobbled up bass amp nor I were comfortable with trying(I was playing an EB-3 on Mudbucker-my bass, my choice). The instructor was always criticizing, not teaching. So I decided to un-volunteer. Rehearsal was about to start and I was outside the bandroom. He saw me and asked was I coming in. "No, I don't think so". He didn't ask why and I felt no explanation was warranted. Maybe I shoulda told him my reason, but it wasn't gonna change anything. I'd taken enuff 'orders' the previous 4 years.

Nicely played!
 
I wish short scales help play faster :woot:

Sure do like Mustangs. What truly interests me in short scales now (besides what I own) is the Gibson Les Paul Jr. Tribute. They appear to be in short supply. Had I not tripped into the Acinonyx I'd be rockin' a Gibson LPJT. In blue.
 
For many if not most people, if you play 'their' song-even if it ain't just like the original-they're happy.
And a little expansion on this: If you're an originals band and/or in a concert situation, play what you wanna. If the audience likes what yer doing, they'll stick around. If they don't, they won't. BUT. If you're playing a dance type situation(bar, party, wedding, Barmitzvah, jury trial), and your 'employer'-or the guests-wanna hear a song, ya try to keep everybody happy. And maybe get a few more gigs.
I just found out last night that another venue for live music is gonna shut down. They useta have open mic/jazz Sundays. Then they cut down to one Sunday a month. Now, due to lack of patronage for all their music nights, it's gonna be sayonara.
Oh, well, say lah vee(sic).
 
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Joe Dart is pretty good too. But he’s very repetitive for me...the same parts over and over. But no doubt, he’s a great player.
I s'pose that would be good for practice to build up finger dexterity or ?, but boring to listen to or play. 'Course practice isn't meant to be 'fun'.
 
The Fender Mustang Bass is a short scale instrument. Short scale helps in playing faster.

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Here is the one I had a few years ago (would have kept it if it weren't for the narrow, Jazz Bass size neck).

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What truly interests me in short scales ..... They appear to be in short supply.
Are long scale basses in long supply?

Oh, well, say lah vee(sic).
Lah vee!
 
Just because you can fit in a lot of notes, should you? I find that this sort of playing gets uinteresting for the listener rather quickly.






That sounds pretty much like what the original player played on that tune. I think the part sounds much better in the context of the original mix, this guy was a monster player.

 
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Just because you can fit in a lot of notes, should you? I find that this sort of playing gets uinteresting for the listener rather quickly.




I got no problem with it. She does it well. The video is there to feature her not the entire mix...kinda in front of it all for that reason. It's a groove and that is what grooves do...repeat, repeat, repeat. For example "Cut the Cake", "What is Hip",etc... and she's cute!
 
I wish short scales help play faster :woot:

Sure do like Mustangs. What truly interests me in short scales now (besides what I own) is the Gibson Les Paul Jr. Tribute. They appear to be in short supply. Had I not tripped into the Acinonyx I'd be rockin' a Gibson LPJT. In blue.

It’s a nice looking bass, I’d want one in the classic translucent cherry.

I have a couple of Gibsons and the snap off neck scares me to no end.
 
It’s a nice looking bass, I’d want one in the classic translucent cherry.

I have a couple of Gibsons and the snap off neck scares me to no end.


I just went on a Gibson rampage last month, picked up 4, 60's and 70's, EB-0, EB-3 and EB-3L and EB-4L, now I have to sneak them in the house when I get back. :laugh: Just to top it off I bought a new jetglo Ric 4003S, my bass buying days are over for at least a little while.

Just to prove they could do it live:

 
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It’s a nice looking bass, I’d want one in the classic translucent cherry.

I have a couple of Gibsons and the snap off neck scares me to no end.
It's to save space while traveling.;) Actually, you'd be surprised how much 'bump' it takes to break it. My Non Reverse THUNDERBIRD is 53+ y/o, always a working bass, and, yes, it's had its issues. Still the best bass-for me.
 
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