Sounds to me like some kids snuck on stage between sets and messed with your stuff.My D string was tuned to a low B (how in the world…?)
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Sounds to me like some kids snuck on stage between sets and messed with your stuff.My D string was tuned to a low B (how in the world…?)
Do you have any video or audio of the show? It can be painful to watch, but useful for identifying and fixing things so they don't happen again.Last night we played a private event (birthday party) in a large-ish hall. Classic/80’s rock with originals.
First set, outta the gate rocked! Fast, tight, everything you want.
Second set….was a train wreck! My D string was tuned to a low B (how in the world…?), everybody’s hitting wrong notes, I blew a song beginning and we even had to restart a song….RESTART!!!
The 3rd and 4th sets were a blur of consternation and over-thinking. Trying to figure a way outta there without anyone seeing me.
The more I think about it, I think my biggest problem was taking things too seriously. (Everyone else laughed it off). They know we’ve got nuthin to prove and don’t make enough money to justify anxiety.
Maybe I need to remember this too.
First lesson? Tune before every set!
This can be a good exercise. Played a show in June where the drummer messed up the segway from one song to the next in a medley. He was mortified and obsessing over his "big mistake." Then some video of our set showed up online and we watched it together. He got to that point and saw that we just glossed over it, laughed, and moved on. "Oh, it wasn't really any big deal, was it?" Nope, it wasn't. You played a good show. We all made mistakes that day.If you've got a recording that can be a good reality check--often it turns out that the stuff you obsessed about is barely audible, or there was some other problem that you didn't notice at the time.
I will leave you with wisdom I originally got here on TB:Last night we played a private event (birthday party) in a large-ish hall. Classic/80’s rock with originals.
First set, outta the gate rocked! Fast, tight, everything you want.
Second set….was a train wreck! My D string was tuned to a low B (how in the world…?), everybody’s hitting wrong notes, I blew a song beginning and we even had to restart a song….RESTART!!!
The 3rd and 4th sets were a blur of consternation and over-thinking. Trying to figure a way outta there without anyone seeing me.
The more I think about it, I think my biggest problem was taking things too seriously. (Everyone else laughed it off). They know we’ve got nuthin to prove and don’t make enough money to justify anxiety.
Maybe I need to remember this too.
There's a fine line between caring enough to worry about things going off the rails and letting it really bug you if it does.
This is such a good point. I have two people in my band who will beat themselves up for mistakes. One (drummer) has a lot of anxiety and the other one is a bit of a perfectionist. I have to caution both of them that practice and rehearsal is where we focus on what we can improve, but a performance is for bringing what we've got and having fun with it.Yeah. And it's a big switch from "practice mode"--listening for what's wrong, stopping and fixing stuff, being really analytical--to "performance mode"--not sweating the small stuff, keeping going no matter what, using your music to communicate with an audience. The switch is something I've become conscious of as something that needs practicing itself.
Herein lies yet another example of keeping it loose and moving on! Folks forget that the clam pops up every so often, but hey it’s momentary and within seconds (provided the train doesn’t derail) it’s ancient history and few if any will remember it. Don’t acknowledge it, don’t even think about it for a moment, just keep cranking. And for Christ’s sake, don’t immediately turn and stare down a partner that might have stumbled… a sure sign of amateur hour, and guaranteed to amplify the event even more. Rather, buckle down, pour on the coals, and draw attention off the flubber to minimize that nasty instant in time. As others have mentioned, folks generally want you to succeed and are quite forgiving. You are your own worst critic, and it’s all in your little mind.This can be a good exercise. Played a show in June where the drummer messed up the segway from one song to the next in a medley. He was mortified and obsessing over his "big mistake." Then some video of our set showed up online and we watched it together. He got to that point and saw that we just glossed over it, laughed, and moved on. "Oh, it wasn't really any big deal, was it?" Nope, it wasn't. You played a good show. We all made mistakes that day.
LOL I posted a file here yesterday where I made a bunch of obvious clams at the end of one song. I try hard to do a good show, but I no longer obsess over it. If I were being paid a ton of money to play and practice, I'd likely be a little more on-point, but my work is pretty solid, anyway. A clam here or there is just part of the joy of live musicHerein lies yet another example of keeping it loose and moving on! Folks forget that the clam pops up every so often, but hey it’s momentary