That makes a huge difference.Yeah, totally get it. I'm fortunate that I have a garaged trailer that the live gear stays in so there's no loading and unloading to the house. And, I have helpful band mates![]()
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That makes a huge difference.Yeah, totally get it. I'm fortunate that I have a garaged trailer that the live gear stays in so there's no loading and unloading to the house. And, I have helpful band mates![]()
70 w/Rumble Stack... you're in the club!I’ll be 70 in July and still love to gig. I have gone to a Fender Rumble 500 2x10 combo and have added the Rumble 2x10 extension cabinet for a 4x10/500 watt rig. It moves air my friends. At 39 lbs each easy on the back.
In my 50+years of being a semi-pro musician ( playing from 1-6 nights a week, and a day job) I believe I have at one time or another have own or played through every bass rig known to man. My latest rig is the best one yet.
But this is MVHO
DUKE

Thank you my brother70 w/Rumble Stack... you're in the club!![]()
The second you start throwing words around like crotchety your ship has sailed, pal.
My experience is that consistently crappy stage sound usually goes along with crappy bass players. Good players sound good no matter what they play through (within reason).Still lugging g the big stuff, nothing else sounds like it. I can't tell you how many bassist ask me why thier stage sound is crap, invariably they describe thier light weight low stage volume rig.
Lol I gotta go with you on this. That said the 1x15 cabs that have been my mainstay always end up being the heavier ones. I’ve bought lighter ones but they don’t stick. My ears keep dragging me back to the old TL-606 I’ve had since the early 80’s and Bag End S15’s. Of all the newer cabs I’ve tried the Berg NV115 is the only one I’ve liked enough to keep. I dig that one enough to be selling the current Bag End.26143975[/URL], member: 68399"]My experience is that consistently crappy stage sound usually goes along with crappy bass players. Good players sound good no matter what they play through (within reason).
I have a good idea why. Your personal tonal preference aligns better with the tone profiles of the older gear, not necessarily extended low end or mid clarity, articulation, etc but a more raw, in your face tone.Lol I gotta go with you on this. That said the 1x15 cabs that have been my mainstay always end up being the heavier ones. I’ve bought lighter ones but they don’t stick. My ears keep dragging me back to the old TL-606 I’ve had since the early 80’s and Bag End S15’s. Of all the newer cabs I’ve tried the Berg NV115 is the only one I’ve liked enough to keep. I dig that one enough to be selling the current Bag End.
This isn’t to say it has to be heavy to be good. A lot of people use lightweight amps and cabs because those particular amps and cabs are what really work best for them. The lightweight part is just a perk. I wonder though why everything that works for me weighs a ******* ton? Believe me when I say I wish it weren’t the case.
I do think there are some exceptions here. Take for example, what I'm assuming is the most popular touring rig if all time, the SVT and it's matching 810 - still being manufactured. Hartke's and Orange class A/B amps. Fender, Marshall, Mesa, Peavey tube guitar amps. My point here is that while the general market has moved in the direction of convenience, there are still those that choose (what they consider to be) the ultimate tone. And, in the 'ultimate tone' camp are the top touring bands. And, that's the point/fun behind this thread. Some of us proudly lug the heavy iron each week, and when we're doing so we say to ourselves, "Nope, not going to settle for the light stuff". I would agree that your Subway 210 and 410 cabs sound exceptionally good for light weight cabs (to my ear at least). But, they are quite a bit more costly (not at saying they're over priced, they are a good value in my opinion). And your 800 series Subway amps are also very good. If I went light those would be my rig. But, as you just mentioned, my musical heart is still drawn too those tones and feel that I grew up with in the 80's and 90's. And, you can't deny there is a certain coolness factor with certain gear onstage. Your Rectifier series guitar amp heads with the metal tread and distinguished creamy crunch definitely has that. When you pull that amp, it's not just your rig - It's your identity.I have a good idea why. Your personal tonal preference aligns better with the tone profiles of the older gear, not necessarily extended low end or mid clarity, articulation, etc but a more raw, in your face tone.
The higher end of the industry has moved away from this (to a large part) though. Not saying that the older school tone isn't some player's preference, but it's no longer the mainstay's preference. Add to this that the more modern player is looking for (actually demanding) higher performance in a smaller, lighter package and is not buying the older school gear (except on the deeply discounted used market), very few manufacturers continue to develop or sell this anymore.
Nice!!!Most live shows I go to the sound guy is "sub-happy" pumping the bass drum like a cannon and swamping all low frequencies into mud. The FOH mix sounds like crap!
Now that I got that off my chest...
To overcome old age I went V4b and multiple cabs...
View attachment 4581007
View attachment 4581008
To clarify, I was talking specifically about bass gear.I do think there are some exceptions here. Take for example, what I'm assuming is the most popular touring rig if all time, the SVT and it's matching 810 - still being manufactured. Hartke's and Orange class A/B amps. Fender, Marshall, Mesa, Peavey tube guitar amps. My point here is that while the general market has moved in the direction of convenience, there are still those that choose (what they consider to be) the ultimate tone. And, in the 'ultimate tone' camp are the top touring bands. And, that's the point/fun behind this thread. Some of us proudly lug the heavy iron each week, and when we're doing so we say to ourselves, "Nope, not going to settle for the light stuff". I would agree that your Subway 210 and 410 cabs sound exceptionally good for light weight cabs (to my ear at least). But, they are quite a bit more costly (not at saying they're over priced, they are a good value in my opinion). And your 800 series Subway amps are also very good. If I went light those would be my rig. But, as you just mentioned, my musical heart is still drawn too those tones and feel that I grew up with in the 80's and 90's. And, you can't deny there is a certain coolness factor with certain gear onstage. Your Rectifier series guitar amp heads with the metal tread and distinguished creamy crunch definitely has that. When you pull that amp, it's not just your rig - It's your identity.
I've been proving that since 1968.My experience is that consistently crappy stage sound usually goes along with crappy bass players. Good players sound good no matter what they play through (within reason).
Makes perfect sense. All my heavy cabs have been bought used. All my light cabs have been bought new. I did buy my Hartke LH1000's new though. My dream retirement rig will be a Subway 800+ sitting on a stack of the Subway 210's. I'm not there yet, so hopefully when I am I can find them usedTo clarify, I was talking specifically about bass gear.
The SVT has exactly the properties I has mentioned earlier. That’s about the only larger cabinet and amp that I would say still sells in any real numbers.
Based on what I have seen, the number of such “large old school” amps and cabinets being sold represent much less that 1% of the bass market, however because of the number produced over the many years it has been in production, appearances can be deceiving.

Sold it for $400 after I fell down the stairs with it.$100?!?! Unreal deal
Now I’m a 212 guySold it for $400 after I fell down the stairs with it.
Now I’m a 212 guy
Plenty of power
Easy carry
DG212 at 42pounds