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Huh? I'm completely confused by this.Per aquila when I asked them, thunder blacks are just black and fyi thunder reds d and g are just red. The only difference in any of them is red a and e other than color.
What’s there to clean? I haven’t noticed that anything sticks to them. Mine are 5 years old and pristine. Probably worth mentioning that I play fretless. I know they can develop gnarly fret bumps over time.What is the recommended way to clean Thunderguts? For my other strings I use alcohol. Will this damage them?
I too have a 23” fretless GT and have liked the T-Guts from the first pluck - no need for me to hunt around. I do guess that with frets they might get a little “bumpy”, but am not sure how that would affect playability. I know there are a lot of negative comments back down this thread.I finally gave in and bought a fretless 23” GT MB this weekend. The store also had a fretted one, a Kala (not sure which model but was fretted with Pahoehoe's), and some other smaller ABG’s (23” Taylor and 25” fretless Ibanez). The fretless GT had the sound/size/feel I liked the most, and was the least expensive of the bunch.
Before playing it, I anticipated wanting to switch to the Silverback strings (having never played a micro/U-bass or synthetic strings before), but I actually liked the Thundergut strings more than expected. Yes they are “high friction” vs most string materials, so you will not be doing big glissandos up and down the neck (esp on the E and A string, the G string is still fairly slide-able). They have a great tone as well if you are willing to work around this.
One thing I like about the Thunderguts is plucking dynamics. Eg - you can pluck heavy, or with just a light touch near the bridge, and the friction on your fingertip still gives the string lots of amplitude. I am curious to compare to the other Aquila synthetic strings, and maybe the Pahoehoe’s (wasn’t a huge fan of their sound on the Kala, but it was a fretted model and shorter scale).
The MB's stock onboard preamp works fine, as long as you keep the treble control below the “0” mark (as I’ve read from other posters). Above that it basically goes into "oversensitive piezo" mode, which picks up a lot of unwanted sounds.
I decided to try a set of Aquill 91U Red Thunder for the UBass on my Goldtone Micro Bass. I have had them on there for about a week, and I gotta say I really like them. They have great tone, better acoustic volume, sustain, they sit in the mix better and better feel on the right hand too, easier to play fast tight notes.They where made for a 21" bass but I had no trouble installing the on my 23" micro. They have a bit more tension than the thunderguts I had on there. I was able to remove one of the shims under the bridge, lowering the action a bit. The D string felt kind of sticky and hard to slide on. But I found rubbing just a tiny bit of oil on my finger tips completely clears that up and all the strings slide effortlessly. Anyhow, I don't know if this will interest anyone else but I am really loving them, great tone, sustain and feel on the fingers. They haven't fully settled yet but are fairly usable. They go just a bit flat after 10 minuets of playing. I will report back with updates after have had them on there for a while.
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I use their "exclusive" LaBella 25" steel flatwound strings on a bunch of different basses, even though they say they're made only for the ME bass....and the manufacturer saying no no no, is not going to stop me.
Is this a fretless?Got a story and a question:
Couldn't help myself... in January a 5 string fretless acoustic Washburn was stolen from my house and there's a big gear hole in my heart. That Washburn can't really be replaced.
So I started with a cheapo Amazon ("UKDream") fretted uke bass for fun which has great tone but not great intonation so it's going back up for sale. (The fretless GAS is being satisfied with an Ibanez Parlor bass, the upmodel one, really enjoying it. My Ashbory hasn't been played for years, too short a scale to intonate even with good ears.)
Yesterday I bought a used acoustic Microbass. Intonation is better than the cheapo but NOT perfect, octaves played together sound like poo (if poo had a sound), and the 12th fret is slightly off. The difference is not the same on each string it seems.
There is a bit of a concave bow in the neck from top to bottom. So what's going on here? Any suggestions? I'll start with the truss rod. Maybe I should send it to Gold Tone. Seems like intonation is not a strong point on these. I played a Kala not long ago that had the saddle placed maybe 1/2" off and the intonation was even worse than my $130 bass, so maybe it's endemic among these instruments. If I'm going to sound like poo, I want it to be my fault, not the instrument's!
I struggled a bit with intonation on my fretted GT, and I didn’t like the way the frets dented the strings. I swapped mine for a fretless (yes, lost a few bucks on it). Problems solved!Fretted 23"