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Growing Up With Steve Miller

Bunk McNulty

It is not easy to do simple things correctly
Supporting Member
Dec 11, 2012
9,282
31,761
Northampton, MA
Invalid Link Removed Lovely story in Texas Monthly.

Couple chunks for preview:

"Growing up, I didn’t know any of the music Steve Miller made before or after his hit parade. He released his first album fifty years ago and his most recent one in 2011, but KZPS and The Bone mostly played songs from 1974 to 1978. As a result, I didn’t know that Mr. Steve had recorded a 1967 live LP with Chuck Berry. I hadn’t learned that Les Paul—the jazz-and-standards legend and co-inventor of the solid-body electric guitar—was his godfather and mentor. (Steve’s father, a doctor and recording equipment enthusiast, was the best man at Paul’s wedding—which was held in the Miller home—and Paul and his bride, Mary Ford, spent their honeymoon in Steve’s parents’ bedroom.) I had no idea that when Steve was about nine years old, T-Bone Walker—a guest at his parents’ house—taught him to play guitar behind his back. Or that he had been a major figure in the sixties San Francisco psych rock boom. Or that he had opened a few of Janis Joplin’s and Jimi Hendrix’s last shows. I didn’t know that he had the foresight to control his own publishing when that was an unusual thing to do; I didn’t know what publishing was. I didn’t understand what it took to do all of that stuff, and I didn’t know why he wanted to show me how to do any of it, either."

Another one:

"All at once, the crowd lights faded, a Jetsons synth panned across the speakers, and the band walked onstage. They always start with a hit, and tonight it was “Jungle Love.” The fans set down their hot dogs and started to dance, and I remembered something Steve had said on the plane. To a lot of Steve Miller Band fans, the seventies hits are like “chocolate cake.” They’re warm and pleasurable comfort food, reminiscent of a Summer of ’76 picnic. They’re rock without the chaos, the blues without the pain, an America with the freedom of an endless road trip. And although Steve laid down roots in Chicago blues clubs, went out on a limb in the San Francisco psychedelic rock explosion, and has even played jazz at Lincoln Center, the ticketholders mostly want that classic rock."

And a personal observation: For much of my early musical life, I played with people whose credo was "I'm never gonna sell out!" I, on the other hand, was always trying to sell out, I just had no goddam clue how to do it. Now at least I know what I would have been shooting for: "Chocolate cake." :D
 
Miles Davis had a few things to say about Steve Miller in his autobiography. They got booked to play together at the Fillmore East when Miles went electric with Bitches Brew.

“I remember one time - it might have been a couple times - at the Fillmore East in 1970, I was opening for this sorry-*** cat named Steve Miller. Steve Miller didn't have his **** going for him, so I'm pissed because I got to open for this non-playing mother****er just because he had one or two sorry-*** records out. So I would come late and he would have to go on first and then we got there we smoked the mother****ing place, everybody dug it.”
 
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Miles Davis had a few things to say about Steve Miller in his autobiography. They got booked to play a week together at the Fillmore East when Miles went electric with Bitches Brew.

“So I’m pissed because I got to open for this non-playing mother****er just because he had one or two sorry-*** records out. So I would come late and he would have to go on first and then when we got there, we smoked the motherf***ing place, and everybody dug it.”
Classy.
 
Miles Davis had a few things to say about Steve Miller in his autobiography. They got booked to play together at the Fillmore East when Miles went electric with Bitches Brew.

“I remember one time - it might have been a couple times - at the Fillmore East in 1970, I was opening for this sorry-*** cat named Steve Miller. Steve Miller didn't have his **** going for him, so I'm pissed because I got to open for this non-playing mother****er just because he had one or two sorry-*** records out. So I would come late and he would have to go on first and then we got there we smoked the mother****ing place, everybody dug it.”

LOL! That's Miles, all the way. "Me? Open for some rock'n'roller?" Mind you, at the very same time he wanted to put together what he called "the greatest rock and roll band you have ever heard",[7] Davis played with a line-up featuring guitarists John McLaughlin and Sonny Sharrock, keyboardists Invalid Link Removed and Chick Corea, clarinetist Bennie Maupin, and drummers Jack DeJohnette and Billy Cobham.[6] The album's two tracks were mainly drawn from one session on April 7, 1970, which producer Teo Macero edited together with Davis' recordings from February of the same year.[8]

Quote courtesy of wikipedia. The band recorded one album. Didn't sell as well as Steve Miller, but then the point of the original post was that Miller was selling "Chocolate Cake," not Art.

 
LOL! That's Miles, all the way. "Me? Open for some rock'n'roller?" Mind you, at the very same time he wanted to put together what he called "the greatest rock and roll band you have ever heard",[7] Davis played with a line-up featuring guitarists John McLaughlin and Sonny Sharrock, keyboardists Invalid Link Removed and Chick Corea, clarinetist Bennie Maupin, and drummers Jack DeJohnette and Billy Cobham.[6] The album's two tracks were mainly drawn from one session on April 7, 1970, which producer Teo Macero edited together with Davis' recordings from February of the same year.[8]

Quote courtesy of wikipedia. The band recorded one album. Didn't sell as well as Steve Miller, but then the point of the original post was that Miller was selling "Chocolate Cake," not Art.


Miles may have been the headliner...Miles, though, insisted on playing first (IIRC, from various books I have read).
Miles and Laura Nyro also played the Fillmore together.
Bill Graham was notorious for odd-ball pairings.
Woody Herman & The Thundering Herd opened for Led Zeppelin?
 
I read one of the reasons Graham liked have jazz groups on the bill is that he hated rock drum solos of the day and wanted to show people what a jazz drummer sounded like.
 
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Invalid Link Removed Lovely story in Texas Monthly.

Couple chunks for preview:

"Growing up, I didn’t know any of the music Steve Miller made before or after his hit parade. He released his first album fifty years ago and his most recent one in 2011, but KZPS and The Bone mostly played songs from 1974 to 1978. As a result, I didn’t know that Mr. Steve had recorded a 1967 live LP with Chuck Berry. I hadn’t learned that Les Paul—the jazz-and-standards legend and co-inventor of the solid-body electric guitar—was his godfather and mentor. (Steve’s father, a doctor and recording equipment enthusiast, was the best man at Paul’s wedding—which was held in the Miller home—and Paul and his bride, Mary Ford, spent their honeymoon in Steve’s parents’ bedroom.) I had no idea that when Steve was about nine years old, T-Bone Walker—a guest at his parents’ house—taught him to play guitar behind his back. Or that he had been a major figure in the sixties San Francisco psych rock boom. Or that he had opened a few of Janis Joplin’s and Jimi Hendrix’s last shows. I didn’t know that he had the foresight to control his own publishing when that was an unusual thing to do; I didn’t know what publishing was. I didn’t understand what it took to do all of that stuff, and I didn’t know why he wanted to show me how to do any of it, either."

Another one:

"All at once, the crowd lights faded, a Jetsons synth panned across the speakers, and the band walked onstage. They always start with a hit, and tonight it was “Jungle Love.” The fans set down their hot dogs and started to dance, and I remembered something Steve had said on the plane. To a lot of Steve Miller Band fans, the seventies hits are like “chocolate cake.” They’re warm and pleasurable comfort food, reminiscent of a Summer of ’76 picnic. They’re rock without the chaos, the blues without the pain, an America with the freedom of an endless road trip. And although Steve laid down roots in Chicago blues clubs, went out on a limb in the San Francisco psychedelic rock explosion, and has even played jazz at Lincoln Center, the ticketholders mostly want that classic rock."

And a personal observation: For much of my early musical life, I played with people whose credo was "I'm never gonna sell out!" I, on the other hand, was always trying to sell out, I just had no goddam clue how to do it. Now at least I know what I would have been shooting for: "Chocolate cake." :D


A great story. Thanks for sharing.
 
But do you know that jazz pianist Ben Sidran played with Miller? He wrote Space Cowboy, but Miller said he co-wrote it. Ben was on 5 Of Miller’s albums. His son Leo also played with Miller and Miller recorded a number of his tunes, again taking co-writing credits. Check out Ben’s autobiography A Life In The Music. It talks about all of this and is a great read.

Invalid Link Removed
 
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LOL! That's Miles, all the way. "Me? Open for some rock'n'roller?" Mind you, at the very same time he wanted to put together what he called "the greatest rock and roll band you have ever heard",[7] Davis played with a line-up featuring guitarists John McLaughlin and Sonny Sharrock, keyboardists Invalid Link Removed and Chick Corea, clarinetist Bennie Maupin, and drummers Jack DeJohnette and Billy Cobham.[6] The album's two tracks were mainly drawn from one session on April 7, 1970, which producer Teo Macero edited together with Davis' recordings from February of the same year.[8]

Quote courtesy of wikipedia. The band recorded one album. Didn't sell as well as Steve Miller, but then the point of the original post was that Miller was selling "Chocolate Cake," not Art.


I prefer Tribute to Bitches Brew. The guitar playing is fierce, on fire. I always assumed it was John McLaughlin, maybe some of what I find so compelling is Sonny’s playing? Killer album.

As for Steve Miller, who doesn’t love Chocolate Cake? The rhythm guitar part in Jungle Love is perfect. Many of his other hits are top-notch pop too. And his foresight in crafting deals where he kept his publishing provided a new template for recording artists, especially rock, funk, and pop artists.
 
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I prefer Tribute to Bitches Brew. The guitar playing is fierce, on fire. I always assumed it was John McLaughlin, maybe some of what I find so compelling is Sonny’s playing? Killer album.

It's McLaughlin. I have always thought he did his best work with Miles. Sharrock appears on "Yesternow" where he doesn't solo, just provides sonic textures (for lack of a better word).
 
Lots of people not able to make a living in music are good at identifying anyone who has "sold out."A useful skill to have...;-)
I worked for a while on a rehearsal big band, playing obscure songs in 5 flats and 19/8 time...you know the drill! Anyway, one evening after rehearsal, an alto player who had gone from being a great, commercial, player who worked all the time, to a guy who played WAY outside all the time, even purposely playing out of tune so he could be more hip than anyone else, called me to task for leading a country rock band that had been playing 5 nights a week, making a good living as a musician. He said I had sold out, because I wasn't playing jazz. His primary means of support, by the way, was his job as an HVAC repairman. Hmmmm...who sold out?!?
 
LOL! That's Miles, all the way. "Me? Open for some rock'n'roller?" Mind you, at the very same time he wanted to put together what he called "the greatest rock and roll band you have ever heard",[7] Davis played with a line-up featuring guitarists John McLaughlin and Sonny Sharrock, keyboardists Invalid Link Removed and Chick Corea, clarinetist Bennie Maupin, and drummers Jack DeJohnette and Billy Cobham.[6] The album's two tracks were mainly drawn from one session on April 7, 1970, which producer Teo Macero edited together with Davis' recordings from February of the same year.[8]

Quote courtesy of wikipedia. The band recorded one album. Didn't sell as well as Steve Miller, but then the point of the original post was that Miller was selling "Chocolate Cake," not Art.


Never been a fan of Miles he pretty much gave everyone as much grief as he could.
 
Wait...what... “Les Paul—the co-inventor of the solid-body electric guitar”?

I spy with my little eye.
I spy something with...... fake news...

I dunno about that.:eyebrow:

How The Electric Guitar Was Invented

"Many people think that Les Paul was the inventor of the electric guitar, but he wasn’t. The credit for this goes to George Beauchamp, a musician, and Adolph Rickenbacker, an electrical engineer, who are rightfully considered to be the people who created the first commercially viable modern amplifiable electric guitar."
 
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