Just got to thinking about this today after ordering my first set of Olintos and wondered what other's experience might be. My very long time guitar associate friend is obsessive about body styles, neck shapes, pickups, tuners, amps and pedals but uses the same strings on all his guitars that he has used for probably four decades or more. My experience with bass is that strings matter a lot and so I'm finding his lack of interest in strings interesting. Do they make less of a difference for guitar, or are guitarists generally not as interested in strings as bass players are, or is my case just unique?
I also play guitar. Since 1975. Yes, strings do make a difference. I have spent years tailoring sets to get the optimal tone for the purpose. Here is what I play:
Gibson J-45 - Masterbuilt 80/20 12-53 (old packaging - 10 sets OEM reserve - not the new ones)
Conn Jumbo Acoustic - Martin Monel Retro 13-56, downtuned to Eb
Ibanez 12-string - Martin Monel Retro 12-string set, substituting a 9 for the 10 G-octave string
Washburn Idol
Custom Fanned Fret guitar
Sears & Roebuck from 1975 (my first guitar)
- All three of these guitars - D'A EXL115W 11-49 with wound 3rd
Rickenbacker 360-12 OS Ckbd Binding - custom singles
Epiphone Alley Kat - DR Legends Flats 11- 48, sometimes change the 48 to a 50, great jazz guitar (Sometimes GHS Brite Flats 11's if playing Rockabilly)
Rickenbacker 320 - D'A XL EJ21 12-52 with wound 3rd (short scale) (sometime DR Legend Flats 12's, sometimes a D'A EXL120 if uptuning as a terz guitar)
Ibanez Talman (335 Construction) Curt Mangan 11-50 Monel custom gauges
In addition to strings, I have also tweaked the wiring to get the tones I desire, including pickups, controls, tone caps, push-pulls, etc.
So, yes, even though I don't play guitar as much as I used to, all details, including strings, are important and a player should take time to match the strings to the instrument, player's style, repertoire, etc. Yes, I have a friend who has a huge collection of electric guitars. He plays the same D'A EXL110 10-46 set on all of them, and Elixir 12-53 on all his acoustic guitars. And the bottom line is that it is all in the fingers. For example, I played Roto Swingbass for years on one bass for everything, and at a blues festival a gentleman came up to me, complimented my tone, and asked what brand of flats I use! I had put a fresh set on just before the gig! No, the tone knob was not rolled off. Could I get by if there were only one set available, as there used to be before Ernie Ball essentially invented the after-market strings industry and everybody, including the Beatles, played the strings that the factory supplied to the particular instrument? Yes. Thankfully, I don't have to.