Feraud has to one of best soloists on bass playing Jazz today.
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As much as I love Feraud, I think you make a great point about making bass sound like an actual bass.Called me old-fashioned but I like bass solos to sound like basses. It’s like guys who play screechingly high tenor sax solos. May as well be playing a soprano. The real beauty of the instrument gets lost IMO. Yeah, I know, the timbre of a high tenor is different to the same pitch on a soprano. I get all that but still it’s a missed opportunity to really capture the essence of the instrument to my mind. Anyway, as I said, I’m old-fashioned![]()

Called me old-fashioned but I like bass solos to sound like basses. It’s like guys who play screechingly high tenor sax solos. May as well be playing a soprano. The real beauty of the instrument gets lost IMO. Yeah, I know, the timbre of a high tenor is different to the same pitch on a soprano. I get all that but still it’s a missed opportunity to really capture the essence of the instrument to my mind. Anyway, as I said, I’m old-fashioned![]()
As much as I love Feraud, I think you make a great point about making bass sound like an actual bass.
From what I know about Hadrien Feraud is that he is largely self-taught. He probably did take solos, learned them in all the keys and gained a huge amount of insight. Most of us need a whole lot more structure than that.Hadrien really is one of the all time greats. he is a real pro, too. there's nothing he can't do very well. obviously his lead playing is stunning and likely the very best i've ever heard.
i was very, very disappointed when he did that "course" on some new lesson/masterclass type website. i bought it thinking i'd find cool new stuff especially to share with my students. it was really just him playing in a short solo in different keys with an included transcription, and no other information - and i think it cost like $200.
OK, I will call you old fashioned.Called me old-fashioned but I like bass solos to sound like basses. It’s like guys who play screechingly high tenor sax solos. May as well be playing a soprano. The real beauty of the instrument gets lost IMO. Yeah, I know, the timbre of a high tenor is different to the same pitch on a soprano. I get all that but still it’s a missed opportunity to really capture the essence of the instrument to my mind. Anyway, as I said, I’m old-fashioned![]()
Easy now on horn players. In classical , altissimo is required skill and they play it cleanly - since forever so it is old fashioned (Sigurd Rascher was born in 1907 and was playing symphonies in the 30's) . It's no big deal really, if you can play altissimo and for the most part in pop and jazz if you can do a 4th over hight F (6 semitones) that's probably all that's needed. I can on Baritone play over 4 octaves ( regular is only 2-5) consistently 3-2 on the tenor and alto, 4 octaves if I put more effort. Soprano - maybe 1-2 semitone s above normal . The bigger the horn, the easier it is to play top tones. You still have to play music not just notes.Called me old-fashioned but I like bass solos to sound like basses. It’s like guys who play screechingly high tenor sax solos. May as well be playing a soprano. The real beauty of the instrument gets lost IMO. Yeah, I know, the timbre of a high tenor is different to the same pitch on a soprano. I get all that but still it’s a missed opportunity to really capture the essence of the instrument to my mind. Anyway, as I said, I’m old-fashioned![]()
I guess someone like Feraud is really leaning into the guitar side of the bass guitar.As much as I love Feraud, I think you make a great point about making bass sound like an actual bass.