I was fired once after just one show. It was a blessing in disguise as the band went through 100 other members after that.
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Too many carrots.not yet...i've been replaced through attrition from being in too many bands, though. maybe i should've voted carrots.
Glad you guys found a formula that works for you. The business of art is a tricky thing.For us we have always approached every decision (gear purchases, song writing, shows, etc.) with equal input - and this has really been what has kept it together so far.
I'm curious if you're doing originals or covers.I've always felt like I should be responsible to run things from a business perspective. Be it band members, equipment, contracts and legal matters, hiring, firing etc,. That being said, I am not a "lone wolf". One or two people can't do everything. I like to hire the right professionals to do other jobs, so I don't have to. You need management, and crew members. I have come across MANY people who either realized they did not want to do this professionally, or just did not want the responsibility it requires.
Probably the right call.Well, I passed on his offer.
I've have done both.I'm curious if you're doing originals or covers.
Besides him being two faced, he had other issues. Yeah, I was more than done. Trust me, this situation was a bit more extensive than I'm letting on. Didn't want to write a biblical epic on the it. Just the main points.Probably the right call.
hits the fan they really become a nuisance. Better not to join company with them in the first place. Once politics rears its hideous head in a band situation things tend to go downhill at an alarming rate. Being on tour when the drama begins can be disastrous. If you are a member of a symphony you may not like the flautist or the second violin but you aren't in the same close relationship as you would be in a quintet. The personal dynamics grow exponentially the smaller the group. If Cream was an octet they might have stayed together.