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Yes when I tried to install a set of new noiseless pickups on my otherwise perfect Fender MM MIJ .. disaster with the preamp .. demoralised … sold the bass …Not sure if this is the right forum. It was a toss up between here and the repair forum.
My daily driver has been with me since the beginning. ~2001 MIM P bass, bought it when I was probably 13. Since acquiring that bass, I bought and sold several basses. I've had high end boutique custom jobs, MIA jazzes, Stingrays, etc. I thought I needed a 5 string, I thought I needed an expensive active EQ, blah blah blah. None of that ended up being true, and it took me 20 years to find that out.
I went back to playing this P bass almost exclusively about two years ago. I play for a living, and the comfort and familiarity of this bass, along with the fact that it is a P bass and so mixes well in almost every setting, makes it ideal. My GAS stopped so hard I'm surprised it didn't register on the richter scale.
One thought regarding bass gear keeps coming to mind, however. I think it would be pretty great to put a jazz pickup at the bridge, and a 3-way switch. That will get me closer to that MM and tighter slap sound that I sometimes need on stage. Keep it passive, and keep the original P pickup. That pickup was blessed by a higher power and is a total tone cannon.
So now you have an idea of how important this bass is to me. My question to the forum: Have you ever regretted modding a bass of similar value to you? Has the instrument ever lost "something" after the modding process?
Not sure if this is the right forum. It was a toss up between here and the repair forum.
My daily driver has been with me since the beginning. ~2001 MIM P bass, bought it when I was probably 13. Since acquiring that bass, I bought and sold several basses. I've had high end boutique custom jobs, MIA jazzes, Stingrays, etc. I thought I needed a 5 string, I thought I needed an expensive active EQ, blah blah blah. None of that ended up being true, and it took me 20 years to find that out.
I went back to playing this P bass almost exclusively about two years ago. I play for a living, and the comfort and familiarity of this bass, along with the fact that it is a P bass and so mixes well in almost every setting, makes it ideal. My GAS stopped so hard I'm surprised it didn't register on the richter scale.
One thought regarding bass gear keeps coming to mind, however. I think it would be pretty great to put a jazz pickup at the bridge, and a 3-way switch. That will get me closer to that MM and tighter slap sound that I sometimes need on stage. Keep it passive, and keep the original P pickup. That pickup was blessed by a higher power and is a total tone cannon.
So now you have an idea of how important this bass is to me. My question to the forum: Have you ever regretted modding a bass of similar value to you? Has the instrument ever lost "something" after the modding process?
In over 40 years I've never made an unreversible mod to a bass I liked. Switch out the tuners, bridge, pickups, sure---but nothing where I couldn't replace the original parts. If I want to experiment I'll put a bass together using the components I'm after. You're very attached to your bass, OP. You might regret routing a hole in the number 1 you've had since you were a kid.
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Yes.I build my own basses, so if/when I put one together and decide it isn't quite right, I change something. Is that modding or just optimizing?
I say go for it. It seems you already know that you like the P/J sound AND since you're going with a switch, there's no worry about extra loading on your current pickup/circuit/tone. Also you clearly don't plan on ever selling this bass. So the only thing you have to lose in this case, is the aesthetic of a stock P bass... I've never been one to assign much importance to aesthetics.
If you get a bridge pickup with strong magnetic pull , it can affect the string vibration, damping it for one.Yeah the PJ sound is great. It is its own thing, but it's a proven good sound, and gets you in the ballpark of other classic tones for live work. Obviously studio is different, but I don't do a whole lot of record dates. You also get the solo bridge pickup, which I wouldn't use a ton, but for the odd jazz gig or bass solo in low-volume context, could be a thing.
What I love about the bass is the neck, the frets, the weight, and the tone of the original stock P pickup. My biggest concern with routing is not so much aesthetic regret (again, I would never do this myself, this is a job for a pro), but altering the original tone when that pickup is solo'd.