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Nope. Anything you do, can always be done back.Not sure if this is the right forum. It was a toss up between here and the repair forum.
My daily driver has been with me since the beginning. ~2001 MIM P bass, bought it when I was probably 13. Since acquiring that bass, I bought and sold several basses. I've had high end boutique custom jobs, MIA jazzes, Stingrays, etc. I thought I needed a 5 string, I thought I needed an expensive active EQ, blah blah blah. None of that ended up being true, and it took me 20 years to find that out.
I went back to playing this P bass almost exclusively about two years ago. I play for a living, and the comfort and familiarity of this bass, along with the fact that it is a P bass and so mixes well in almost every setting, makes it ideal. My GAS stopped so hard I'm surprised it didn't register on the richter scale.
One thought regarding bass gear keeps coming to mind, however. I think it would be pretty great to put a jazz pickup at the bridge, and a 3-way switch. That will get me closer to that MM and tighter slap sound that I sometimes need on stage. Keep it passive, and keep the original P pickup. That pickup was blessed by a higher power and is a total tone cannon.
So now you have an idea of how important this bass is to me. My question to the forum: Have you ever regretted modding a bass of similar value to you? Has the instrument ever lost "something" after the modding process?
MM stands for Musicman. But I don't need the exact tone. I like the PJ sound, I played a friend's Lakland PJ in an off-Broadway pit because I was subbing for him and he kept the bass there, and it was great. To me, PJ gets me closer to a MM tone profile than it does to JJ (standard jazz bass). I like the idea of going in that direction. But I don't need to turn that dial all the way. I think a single jazz pickup would accomplish what I'd be looking to do, with the ability to completely solo the P and J pickups, and then middle selector position gives me both.
60's vs. 70's would be a conversation with the tech. Well, and any input here is more than welcome. If I go forward with this (by the way, thanks everyone for the posts, gives me lots to think about), I may very well see if I can drive down to Aguilar and try a couple things, if they happen to have a PJ lying around.
Regarding resale value, it's of no concern to me. This bass will be with me for the rest of my life, assuming it makes it across that particular finish line.
One of the things that sparked this idea by the way is Ric Fierabracci's P bass. That tone (and his playing, obviously) really inspired me growing up.
The biggest reason for contemplating doing this, though, is the idea of playing this bass almost exclusively basically forever, and having all the essential tones (or their approximation by nature of the PJ configuration) on one bass.
I voted keep it stock, but that’s my assessment of risks and benefits.
my first reaction: if you play for a living, get a second bass.
back to modding: if you go ahead, you gotta nail the spacing, and find a good matching J pickup. educate yourself on the details. I also like the idea someone had to get another body to test the idea..
Sadly, yes, yes, YES. My ‘73 Precision that now has a Jazz bridge pickup in it that never got used - it sounded awful. Plus a rout for the first version of the Badass bridge. It happened a very long time ago. I was younger then. Dumb!Not sure if this is the right forum. It was a toss up between here and the repair forum.
My daily driver has been with me since the beginning. ~2001 MIM P bass, bought it when I was probably 13. Since acquiring that bass, I bought and sold several basses. I've had high end boutique custom jobs, MIA jazzes, Stingrays, etc. I thought I needed a 5 string, I thought I needed an expensive active EQ, blah blah blah. None of that ended up being true, and it took me 20 years to find that out.
I went back to playing this P bass almost exclusively about two years ago. I play for a living, and the comfort and familiarity of this bass, along with the fact that it is a P bass and so mixes well in almost every setting, makes it ideal. My GAS stopped so hard I'm surprised it didn't register on the richter scale.
One thought regarding bass gear keeps coming to mind, however. I think it would be pretty great to put a jazz pickup at the bridge, and a 3-way switch. That will get me closer to that MM and tighter slap sound that I sometimes need on stage. Keep it passive, and keep the original P pickup. That pickup was blessed by a higher power and is a total tone cannon.
So now you have an idea of how important this bass is to me. My question to the forum: Have you ever regretted modding a bass of similar value to you? Has the instrument ever lost "something" after the modding process?

I have yet to prefer the J pickup in a PJ, over the P. I typically turn the J down to around 7 or 8 while leaving the P all the way up. So, I could get by nicely without the J. And, I think you'd lose a smidge of the awesomeness that your P has by throwing the J into the mix.Not sure if this is the right forum. It was a toss up between here and the repair forum.
My daily driver has been with me since the beginning. ~2001 MIM P bass, bought it when I was probably 13. Since acquiring that bass, I bought and sold several basses. I've had high end boutique custom jobs, MIA jazzes, Stingrays, etc. I thought I needed a 5 string, I thought I needed an expensive active EQ, blah blah blah. None of that ended up being true, and it took me 20 years to find that out.
I went back to playing this P bass almost exclusively about two years ago. I play for a living, and the comfort and familiarity of this bass, along with the fact that it is a P bass and so mixes well in almost every setting, makes it ideal. My GAS stopped so hard I'm surprised it didn't register on the richter scale.
One thought regarding bass gear keeps coming to mind, however. I think it would be pretty great to put a jazz pickup at the bridge, and a 3-way switch. That will get me closer to that MM and tighter slap sound that I sometimes need on stage. Keep it passive, and keep the original P pickup. That pickup was blessed by a higher power and is a total tone cannon.
So now you have an idea of how important this bass is to me. My question to the forum: Have you ever regretted modding a bass of similar value to you? Has the instrument ever lost "something" after the modding process?