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Help identifying this hollow body bass Bruce Thomas is playing?

Came across this youtube clip of Elvis Costello and the Attractions from Top of the Pops 1977.
I was intrigued by the bass Bruce Thomas is playing. It has a different pickup placement than most hollow bodies. And a gumby headstock.
The endpin sticking out the bottom while he has it strapped on is kind of odd. But then how many basses have such a feature aside from the EB1 and handful of others?

Here is a screencap

bass.jpg
 
Great now I have another bass on my wish list. I really like the single bridge pickup thing. Most hollowbodies with one pickup have near the neck.
Cool, but be careful what you wish for...😳
As many have pointed out, the bass in question is a model 6070 (the two-pickup 6072 did not come along until 1967 or thereabouts). The endpin was included only on the years 1962 and 1963.
@GretschWretch - is the 6070 the Gretsch model which has a neck that feels like a 2x4? 🧐
 
Cool, but be careful what you wish for...😳

@GretschWretch - is the 6070 the Gretsch model which has a neck that feels like a 2x4? 🧐
Pretty much *all* the 1960s Gretsch 6070s and 6072s have the 2x4/telephone pole neck with the oar/pizza shovel headstock. The 6071/6073 "Monkees" Gretsches have the four-on-a-side headstock and the much slimmer neck (and short scale). Toward the end of the decade Baldwin somehow gained control of Gretsch and moved operations to Arkansas. I have a defretted 1971(?) 6070 whose neck, although by no means slender, is very much slimmer than the earlier necks and displays more taper than they do. The headstock also changed to what we see now on basses like the 5440LSB.

Comparing the necks of my 5440s to my 607x, visually they look quite similar: broad/wide without much taper. But the 5440s play much "faster" than the vintage basses, which I attribute to the necks being thinner/flatter.

IMO one of the great tragedies of modern bass making is that Gretsch did not take the platform of the contemporary G6072 and stuff the electronics and pickups of the vintage 6072s into it. With that slim, "speed" neck and that sound . . . OMG! what an instrument.
 
Pretty much *all* the 1960s Gretsch 6070s and 6072s have the 2x4/telephone pole neck with the oar/pizza shovel headstock. The 6071/6073 "Monkees" Gretsches have the four-on-a-side headstock and the much slimmer neck (and short scale). Toward the end of the decade Baldwin somehow gained control of Gretsch and moved operations to Arkansas. I have a defretted 1971(?) 6070 whose neck, although by no means slender, is very much slimmer than the earlier necks and displays more taper than they do. The headstock also changed to what we see now on basses like the 5440LSB.

Comparing the necks of my 5440s to my 607x, visually they look quite similar: broad/wide without much taper. But the 5440s play much "faster" than the vintage basses, which I attribute to the necks being thinner/flatter.

IMO one of the great tragedies of modern bass making is that Gretsch did not take the platform of the contemporary G6072 and stuff the electronics and pickups of the vintage 6072s into it. With that slim, "speed" neck and that sound . . . OMG! what an instrument.
Thanks for the education!
Yeah, it's too bad they didn't see your last suggestion through. Another example of "shoulda, coulda, woulda!" 🙃