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Help! Keyboardist is playing over me!

Then Fred called me to ask to talk to find an arrangment that works "for both of us".

I read this and assumed Fred meant a musical arrangement
Like you compose exactly what each instrument plays
Just notate an arrangement that works
If he deviates point at the page and say "this is what we agreed to play"
 
Give Fred 3 or 5 bullet holes - problem solved.


OK, seriously though :

1) Actively engage with Fred, and the rest of the band, to listen to the effect of both instruments playing in the same range, and decide if it's a help or a hindrance (we already know the answer, but they need to have that epiphany themselves).

2) Figure out when both playing in unison adds power, and excitement (it can work really well, but both players have to nail identical parts - the keys need to be using either a punchy staccato synth sound [think typical Moog type sound, with adjustable resonant filter, with a short attack & release envelope] or something with rich harmonics [such as a bright piano] that takes overdrive / distortion well).

3) Figure out passages when one of you can hold down the low end, and the other can venture higher up (punchy synth bass sounds great with a bass guitar playing high melodies [Joy Division / New Order made a career of this], or conventional bass parts combined with a synth pad filling out the mid-range can give the guitars ample opportunity to stretch their legs, before the synth lets rip another octave up, with a lead sound).


Record your rehearsals, and highlight the moments that work, and those that don't (keep pointing back to this evidence, if things start to slip).

IMO the best advice in the thread so far. Bands have sections that play in unison from time to time, and your band can also use that to your advantage. Bassists don't own the low end anymore than they should never venture above the 5th fret. BUT... whatever is being played needs to sound good. And, especially in the low end, it almost always needs to be very tightly in unison to keep it from turning to mud. Talk, rehearse, listen, adjust.
 
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I'm new to playing bass in a band, both. And maybe it was ok before...gave me added confidence to have our keyboardist play a bass line at the same time. But it's gotten f'ing annoying. Band leader came in to help me. Told Fred that he could play bass during his songs, but not during our originals. Then Fred called me to ask to talk to find an arrangment that works "for both of us". As far as I'm concerned, the only arrangement that's going to work is for him to stop playing his poopy, monotonous, uncreative, squelching, boring-a$$ bass lines or play them an octave higher so I can even hear myself think. I'm sorry. I'm so frustrated. He's 80 years old and has been playing forever! How does he not know this is rude and how come little ol' me has to explain it to him?! Waaahhh! Thanks, I needed to whine. Anyhoo, please give me 3 or 5 bullet points I can tell him, and cc band leader on. Imma tell him my bros on this forum explained it to me so I don't come across as a B****. Even though I am definitely feeling like one. God I'm pissed! I never get pissed LOL

Tell him to sit on his left hand. Remind him that Miles Davis gave Herbie Hancock this very same instruction, and we all know Miles could never be wrong. Also: Say "Everything under 84hz BELONGS TO ME!!!" and look menacingly in his eyes. Not kidding. I had this very conversation with our new keyboard player a month ago. As it happens, I'm already older and meaner than he is, and so he nodded appropriately. I can do this while pretending I'm just yanking his chain, but he also knows I'm serious. Doing much better now.
 
The problem that some keyboard players have is that they started on piano. Piano players are generally trained to be soloists and tend to go into brain lock whenever it’s explained to them that once they’re in an ensemble they don’t have to play every single bloody note because they are now playing with other musicians and instruments.

About all I can say is “good luck” with your guy if he’s set in his ways. Whenever I got stuck with a keyboard player who had a heavy left hand things seldom changed even if the BL got on their case about it. Things would improve for awhile. But within a gig or two they’d revert back to being The Amazing Mister Ten Fingers unless tgey were jazz musicians. Jazzers are very good at listening to other players
 
If they insist on playing the bass part on the keyboard ....just stop playing. You just dont need two people down in that frequency zone, just mucks everything up. If they even happen to notice just ask which one of you should play the bass part and then agree to stay in your respective lanes.
 
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I occasionally run into this problem with a dance band I sub with. Piano player used to be a stride player and sits with his bellybutton centered around C2. Super heavy left hand.

Sometimes I’ll play a line that either contrast what he’s playing or I’ll harmonize it. Whenever I do the he almost always looks over at me. Then I give him the same facial expression I’d give my kid if they were acting up in a location where I want to discreetly tell them to cut it out. He always smiles sheepishly then lays off for a bit… then forgets we had that moment and repeats.

it doesn’t bother me too much, he’s played that way for probably 50 years. It’s become more of an inside joke at this point and must not bother him too much cause I keep getting calls to sub for them. Too bad it doesn’t pay better cause it’s pretty easy money.
 
I also had a keys player who would do that on one particular song. She would just hold this low D down for a multiple measures. And for some reason it ALWAYS caused this weird feedback that would just kill my ears. Problem was she was a music teacher in middle school and got in the habit of playing all the parts. I only ever noticed it on this one song. Told her numerous times not to play that low D on her keyboard that those frequencies were mine. She'd say "oops, sorry." but two verses later she was on it again and I'd lightly prod her with my elbow. She wasn't being obstinate about it, just habitual. I finally talked her into just hitting that note up an octave. That stopped the feedback and didn't cover me up. After a couple of times, she'd always remember to do that on that song.
 
I'm new to playing bass in a band, both. And maybe it was ok before...gave me added confidence to have our keyboardist play a bass line at the same time. But it's gotten f'ing annoying. Band leader came in to help me. Told Fred that he could play bass during his songs, but not during our originals. Then Fred called me to ask to talk to find an arrangment that works "for both of us". As far as I'm concerned, the only arrangement that's going to work is for him to stop playing his poopy, monotonous, uncreative, squelching, boring-a$$ bass lines or play them an octave higher so I can even hear myself think. I'm sorry. I'm so frustrated. He's 80 years old and has been playing forever! How does he not know this is rude and how come little ol' me has to explain it to him?! Waaahhh! Thanks, I needed to whine. Anyhoo, please give me 3 or 5 bullet points I can tell him, and cc band leader on. Imma tell him my bros on this forum explained it to me so I don't come across as a B****. Even though I am definitely feeling like one. God I'm pissed! I never get pissed LOL
He's 80.

Just be patient.
 
He's 80 years old and has been playing forever!

I suggest you consider the ramifications of these facts.

Hint, not only is he unlikely to change, it is unlikely that he can change. When he is playing his left hand most likely goes on auto pilot.

IMHO here are the recommended choices (IMHO):
1. Have a polite conversation to try and encourage change. I am assuming this has already occurred and it didn't work
2. Accept the situation and get over it.
3. If 1. is not acceptable give notice and quit. Try to be gracious and professional. There is no need to rage quit.​

Not recommended.
3. Continue being annoyed and make every miserable...a good person would not choose this option IMHO.

Beyond that, this is not an unusual situation. So finding another keyboard player who does not do the exact same thing is by no means guaranteed--and yes I do know how irritating it is. Unfortunately if you are dealing with a keyboard player who typically plays solo, this is the usual result. Playing in an ensemble requires a different skillset.

Good luck!