...Like I said...individual interpretation...
Only if we're interpreting how many quarter notes are in a bar of 4/4.
I do agree that it's a silly thing to bet on.
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
...Like I said...individual interpretation...
Actually the question is did Oakley clam or did he get it right and the rest of the band was late? Since neither of us is an Allman Brother, it's strictly speculation either way. It would be simpler if he was the offending player, but having been the only guy to get it right on a couple of occasions, it still leave it open to speculation, and therefore impossible to call for sure.Only if we're interpreting how many quarter notes are in a bar of 4/4.
I do agree that it's a silly thing to bet on.
Actually the question is did Oakley clam or did he get it right and the rest of the band was late? Since neither of us is an Allman Brother, it's strictly speculation either way. It would be simpler if he was the offending player, but having been the only guy to get it right on a couple of occasions, it still leave it open to speculation, and therefore impossible to call for sure.
...EDIT: Unless they agreed beforehand to make the last bar of the breakdown 3 beats...
re. One Way Out: That song always sounded like they clammed it and decided that it worked. TONS of tunes feature clams. Listen to the outro of "Fire" by Hendrix - failrly monster clam by the Noel (he changes key when no one else does) but no really cared. PRESS IT!
re. ZZTop - I'd be willing to bet good money that's a Rhodes. Occam's Razor, my friend. That'd be the easiest way to achieve that sound.