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hi, i'm john...

Eric Cioe said:
John, today is my birthday. You aren't using that old Jazz bass anymore, so you can send that my way. Or the Ultimelt - I've gased over that thing for years.

I'm looking forward to hearing some new music from you with these new axes. What's the deal, a couple of knuckleheads call you some names and you quit making music altogether? ;)

heh happy birthday bro! and yeah, i hear ya about the music. it's comin' :)
 
bigd4207 said:
Friggin sweet collection John. That doubler is absolutely insane...love it, although it has a few too many strings for me, as do all of em.:\ What is the most played of them?

lately my two 8 strings have been getting a lot of play time, and the ritter. in all, though, the first two i got, back in 93 and 94, the ones on the floor in the first pic, probably have been played the most.
 
funkybe said:
Seven strings = more love. Nice set of axes.
How does the tone on the ritter compare to
the conklins? What is the fingerboard wood?

thanks. the ritter sounds very much like a composite-necked instrument - very even and punchy, not quite as woody as the other basses. i'm pretty sure the fingerboard on it is ebony, with the mop inlay.
 
gottawalk said:
John, I am totally in awe! Or is that...ahhhhh.....
I don't mean to pry, and I'm not asking for prices, I just would like a little short history;
How long did it take to put that collection together, anyway?

Again.....ahhhhhhhhhh.....:cool:

thanks. got the fretless on the floor in '93 (serial # 16). the fretted next to it, '94. the next was the doubleneck, '96. from then on it was pretty much a conklin a year until 2001, with the white hollow body being the last conklin i got (wedding gift from my wife) which i got in 2002.

got the ritter in the beginning of 05, right after the namm show.
 
pointbass said:
BTW, beautiful LEJ7 John :hyper: I've been seriously eyeballing it's all-white cousin for a long time. It'd be great to hear your opinion of it when you get time ..... :cool:

thanks ed :) if that bass is al caldwell's, i've played it. awesome instrument - i've played the black pickguard black 7 that is on the site too, very nice. they're jazz basses, with extra strings - everything you'd expect from the instrument, and more. it's really cool - when i used to play 4's back in the late 80's and early 90's BC (before conklin heh) i used to live on my 78 jazz bass, so playing one of those pups was a total deja vu for me. :cool:
 
5intheface said:
To quote the great Jack Bruce, "if it can't be played on four strings than it shouldn't be played at all!"
From the Jack Bruce website:

Jack Bruce took a liking early on to small, short-scale electric basses. One of his first was the Fender Bass VI, a 6-string bass tuned EADGBE like a guitar, but one octave lower. Jack recorded most of Fresh Cream with this bass, before moving to the classic Gibson EB-3, the sound of which he made famous during Cream's live tours.

In 1976, Jack moved to the fretless bass. After stints with some Aria and Spector long-scale basses, he found Warwick, a German producer of high quality electric basses. Jack made some suggestions for improving the balance and pickups, and Warwick produced the instrument he now uses. The Warwick Jack Bruce Signature Model is a modified fretless 4-string Thumb Bass featuring MEC active pickups and LED position markers on the side of the neck. Jack strings his instrument with S.I.T. medium gauge roundwound strings (.050 - .105). Jack also uses some Warwick 5-string basses for recording, though he doesn't use them onstage.
 
john turner said:
thanks. got the fretless on the floor in '93 (serial # 16). the fretted next to it, '94. the next was the doubleneck, '96. from then on it was pretty much a conklin a year until 2001, with the white hollow body being the last conklin i got (wedding gift from my wife) which i got in 2002.

got the ritter in the beginning of 05, right after the namm show.
Thanks. I'm quite, and TOO impressed. Lovely "family" you've got there. Take care and enjoy!, (which I'm sure you do!!!);)
 
Mark Latimour said:
From the Jack Bruce website: Jack Bruce took a liking early on to small, short-scale electric basses. One of his first was the Fender Bass VI, a 6-string bass tuned EADGBE like a guitar, but one octave lower. Jack recorded most of Fresh Cream with this bass, before moving to the classic Gibson EB-3, the sound of which he made famous during Cream's live tours.

In 1976, Jack moved to the fretless bass. After stints with some Aria and Spector long-scale basses, he found Warwick, a German producer of high quality electric basses. Jack made some suggestions for improving the balance and pickups, and Warwick produced the instrument he now uses. The Warwick Jack Bruce Signature Model is a modified fretless 4-string Thumb Bass featuring MEC active pickups and LED position markers on the side of the neck. Jack strings his instrument with S.I.T. medium gauge roundwound strings (.050 - .105). Jack also uses some Warwick 5-string basses for recording, though he doesn't use them onstage.
Hey, 5intheface..

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john turner said:
and these are my basses :D :hyper:

jtfamilyx2.jpg


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and soon...

Geddy7.jpg
John, that's a really nice...





pussy cat! :D:D:D
 
john turner said:
yeah, it's a benevente-made low end jazz, from our own brian barrett.

check it out...

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Looks a bit phony (it's the edgelines around the pickguard edges, strings, fingerboard)...is this just a photoshop mock-up untill the real thing is done? Or am I just looking at wrong?