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highlighting a part

which pedal do you use or would use for this?

  • different eq

    Votes: 1 12.5%
  • chorus

    Votes: 0 0.0%
  • volume boost

    Votes: 3 37.5%
  • a little bit of dirt/fuzz/distortion/grind/overdrive

    Votes: 4 50.0%

  • Total voters
    8
I have some parts with-in songs that I would like to stand out a just little in the mix (playing live) from my regular sounds for the song
(some but not all have harmonics involved)

what are your experiences with trying to achive this?
I know some parts/songs might require a drastic tone difference but what Im gettng after is just enough subtle difference to stand out just a bit like you might do in a recording mix...a little variation

Im currently leaning towards a ever so slight bit of overdrive to make it pop but wanted to hear the combined experience/wisdom of TB.

and thanks
 
I play harmonics frequently, and i find that a TS-style overdrive set to very low gain really makes 'em sing. and i mean VERY low gain, like not even making it gritty at all, just pleasantly saturating to the point of almost-but-not-quite growly warmth. The reason i specified TS-style is that i have yet to find another family of overdrives capable of achieving this type of saturation w/o actually distorting/clipping (if someone else has other opinions about that point please do fill me in.)
 
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Reactions: gregmon79
For me, it's the BMC - Bass Mid Control. I have it set for a slight boost in the lower mids so I can 'cut through the mix' a bit better if I need to without getting much louder. I would say a cleanish-boost like the Saturn V which makes the harmonics sing, even with the drive all the way down, but I have that pedal on almost all the time for rock songs since it just sounds so darn good. When I want a particular part to cut through a bit better though, I use the BMC.