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Hofner-(not just Beatle Basses)-Group Part 2

I go from loving it to hating it, but I'm on the opposite side of the spectrum, a huge pickguard fan.

I don’t see anything wrong with it as it accentuates the symmetry. As long as it doesn’t introduce any unwanted vibration. I’m a wood guy and prefer seeing more of the body of the bass.

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I don’t see anything wrong with it as it accentuates the symmetry. As long as it doesn’t introduce any unwanted vibration. I’m a wood guy and prefer seeing more of the body of the bass.

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When you walked out the front door with this, did the heavens part and a light shine down? What a beautiful instrument! (Have you posted this before? Have I commented when you did? If it's deja vu all over again, it's because I seem to have a pavlovian response to photos of this bass. drool)
 
When you walked out the front door with this, did the heavens part and a light shine down? What a beautiful instrument! (Have you posted this before? Have I commented when you did? If it's deja vu all over again, it's because I seem to have a pavlovian response to photos of this bass. drool)
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Either way, that burst is a beauty, and on a Club model to boot ! :wideyed: drool :thumbsup:
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When you walked out the front door with this, did the heavens part and a light shine down? What a beautiful instrument! (Have you posted this before? Have I commented when you did? If it's deja vu all over again, it's because I seem to have a pavlovian response to photos of this bass. drool)

Thanks so much. If the heavens parted, I must have missed it as I was probably too focused on the bass. It's been posted here before, possibly before you entered the thread. :)

With a burst like that, who can blame you?:)

Thank you! I love guards too, but this one just felt better to me without it. :)

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Either way, that burst is a beauty, and on a Club model to boot ! :wideyed: drool :thumbsup:
~

Thanks so much! It's been a pleasure having it. :)
 
I picked up a Hofner Icon Beatle bass that had a damaged body several years ago. I always wanted a solidbody with an Icon/Ignition sized neck (more narrow than the Contemporary and German versions) so last weekend, as a proof of concept exercise, I bandsawed the violin body and mounting block off of the neck, cleaned up the heel and did a quick install of the neck on an Epiphone Les Paul Special II bolt on guitar body I use as a test mule.

The neck pocket is 7/64" too wide on each side of the neck but it doesn't seem to hurt anything. I used an old Wilkinson 5 string 3D bridge with just 4 of the bridges to handle the narrow string spacing. I kept the stock humbucking guitar pickups and controls of the Epiphone. The neck is just as comfortable as before and I was surprised how good it sounds.

I've used it at several rehearsals and a gig. So far so good.

Crappy phone pic:

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I put rounds on my V62 just for a change of scenery and to see the flaws in my technique (they're less forgiving).

That lasted all of about a week...half way through a jam sesh with my friend, I stopped took off those godawful monstrosities and put some flats on again; much better!
Currently I'm using pyramids, because the TI's were at my house when I changed them. I much prefer the TI's. Mine are so old and fragile now that I pretty much never take them off, I did to clean them and treated them like an antiquity. I cleaned them very gently with 3 different rags, going up in 'grits', so rough -> smooth.

On that topic, has anyone noticed that the low E string of Hofner pyramids has a nasty overtone? I stretched the string and made sure to set a solid witness point but no matter what I do, I still get an overtone that is just as loud as the note itself. Did I just get a dud of an E string or is the common with pyramids?
I really want to like pyramids, but I'm a TI man at heart.