Yeah, Pyramids have green silks, and they're what Hofner puts on their German-made basses.
Oh, and more items to add to the earlier list of distinguishing features: the bridge, the angled neck (with space between it and the top of the body), the tailpiece (specifically the string anchor portion), the truss rod cover, and the output jack. In short, almost everything!
If you look at photos of an Ignition, you'll see how all these things compare.
Most of the things that distinguish it as a German-made (except the Made in Germany sticker, switches, knobs, tuners, and strap attachment--which may be unique to the Sullivan model) are present on the Contemporary models, too; a likely reason for the center block in CT basses is to prevent them from being passed off as German-made, since those are fully hollow. But at a glance, CTs look a lot like Germans; Ignitions don't look much like either on close inspection.
Anyway, it's a lovely bass! As is your 70s one. How would you describe the difference in sound?
Thanks...
First, I know some will say that the ignition series is just as good as the German made Basses or more accurately that the German made Basses aren't worth the extra. This all started because I bought an Ignition. It isn't even close. I returned the Ignition today.
As far as tone goes... the 70s is very mellow and warm. The Sullivan Show bass is still warm, but with a bit more growl. It is really hard to put either one down.
I'm actually surprised I bought one, but to have 2 this nice is really a surprise.