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How diverse is your bass collection?

I have been thinking of this lately and is how I justify new purchases and offloading some. I currently have:

5er - schecter stiletto elite
6er - hohner b bass vi (just got it yesterday)
4 string Semi Hollow - Ibanez artcore
4 string P/J - spector legend
4 string - Ltd b204

The last one is up for sale because it doesn't do anything the others can't. I like it but I feel like I have too many. Up until the last 6 months or so I only had 1 bass, the 5er. But I keep finding good deals so...
 
I have been thinking of this lately and is how I justify new purchases and offloading some.Are we expected to justify new purchases? Jeez what next?
I currently have:

5er - schecter stiletto elite
6er - hohner b bass vi (just got it yesterday)
4 string Semi Hollow - Ibanez artcore
4 string P/J - spector legend
4 string - Ltd b204

The last one is up for sale because it doesn't do anything the others can't. I like it but I feel like I have too many. Up until the last 6 months or so I only had 1 bass, the 5er. But I keep finding good deals so...
 
I have 1 of each!! :woot::smug::laugh:

87D38B32-E201-45E9-A557-9CD08C72ED1F.jpeg
 
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I have a fair amount of diversity. For example, wood from Africa, North America, and Asia:

View attachment 3376328
Here the fretboard wood is from South America:View attachment 3376330
And the material for this fingerboard was manufactured in a factory in New Jersey:View attachment 3376340 OK, I can't seem to find out where they actually make ebonol, but it's a factory somewhere, and probably not in a tropical forest. So, for now, I'm saying New Jersey.

Please tell us more about those basses.
 
Please tell us more about those basses.

Other than the fretless neck (Mighty Mite), they're all Warmoth wood, the circuits are...unusual, they're all under 8 pounds. Chambered bodies, aluminum hardware (even the neck plate and knobs). They're definitely one of a kind things, and as I sign my initials on the (reshaped) headstocks, they're all "signature" basses. I figure since the headstocks don't look like Fenders, or say Fender on them, they're less likely to "walk".
 
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My big four are:
  1. Rickenbacker 4003. Mapleglo, currently strung with D'Addario roundwounds.
  2. Fender MIM P bass, sunburst, currently strung with Fender flats.
  3. Fender MIM PJ bass, white, currently strung with Status flats.
  4. Dearmond Starfire, sunburst, currently strung with TI Jazz flats.
All my basses look like they fell out of the 1960s, and pretty much sound like it too. All four basses are rewired and have different pickups from stock. I guess I have a theme.
 
Other than the fretless neck (Mighty Mite), they're all Warmoth wood, the circuits are...unusual, they're all under 8 pounds. Chambered bodies, aluminum hardware (even the neck plate and knobs). They're definitely one of a kind things, and as I sign my initials on the (reshaped) headstocks, they're all "signature" basses. I figure since the headstocks don't look like Fenders, or say Fender on them, they're less likely to "walk".

Thanks, I like your basses.
 
Decently diverse (I think)…

Squier Affinity Jazz (my 1st bass and currently my only 4 string)
Fender Elite Jazz V
Fender Am Pro Precision V (flats)
Spector Forte 5
Spector Forte 5 fretless
Stingray 5
Roscoe LG3005
Skjold CS5
Lakland 55-94 (flats)
G&L L2500 (sees the most daylight)
 

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