Professional live sound guy here... I would NEVER use a 57 on a bass cab. Even with a gun to my head, I would probably just throw the 57 at the guy's face, take his gun, and run away. They mostly sound awful on electric string instruments. They're good on snares if you get the placement right and the drummer doesn't ruin it. And they are VERY placement dependent, and VERY source dependent.
Just about any other mic would probably be better. If you're doing this one time to make an IR to use for practicing, do it right and hire a couple hours of studio time and audition lots of mics and placement. Or you know, just get one off the internet for free like everyone else.
What you really want is a mic that is fairly flat. I mean the point is to get the sound of the speakers, right? In a recording context, I've gotten pretty good results from either the AKG C414 or the Rode NTK (their tube condenser). With those you probably want to pull back a little. In general, I tend to aim about halfway between the center and edge of the cone. But just experiment until you find something you really like. With dynamics, you probably want to be a bit closer, but for recording, as long as you can get a strong signal and not a lot of noise, anything goes. A 609 should be light years better than a 57 and they cost about the same. That's my preferred choice for guitar cabs.
Thank for you advices !
But I must admit .. I like the tone I ve got from the SM57 micing my cab.
Also pretty convenient mic to use for other things and in budget
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