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How fast should a competent bass player be able to play sixteenth notes

[QUOTE="Mik75, post: 20863265, member: 249910"
Playing with the pick definitely is an important part of bass playing technique. It belongs into everyone’s bag of tricks. ;-) It produces an unique, distinctive sound, and one gets often asked by producers to play with a pick, when it comes to recording.[/QUOTE]
Carol Kaye and Joe Osborn agree.
 
Two years ago, we had another similar thread at TB.

how fast is fast !

Three years ago, we had a similar thread at TB.

How fast can you go ?

Here is my 3-year old comment (when I was that "young and restless" and tried to check my "speed".)
This morning, I've tried the 16th notes at 200BPM.
It's way beyond my technical capabilities. I was able to keep up (playing with my fingers - not with the pick!) with that 200BPM tempo for a very few milliseconds...
It's too "muddy"/"blurred".
https://www.talkbass.com/attachment...6/?temp_hash=76b802965bee948abcb6aa6660362ac9
 

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And Henry Ford agrees that all cars should have the option of being crank started. J.O. and C.K. are not really known for blinding fast 16th note runs. (Both great bassists btw, just couldn't resist)
-Sarcasm aside, if speed modern playing is your musical thing, you might want to focus on exercises that use hammer-ons and pull-offs in runs then practicing with a metronome and no effects to get consistent with them. It's possible to be fast and accurate with picked, fingered or slapped and tapped technique. It just takes practice. Those speedy techniques will help you out sometimes even on slower songs as accents.
 
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When I was young and experimenting with 2 handed tapping I practiced the same chord arpeggio over and over and timed myself how many times I could do it in a minute. I cannot remember my actual time, but man it was fast. Something like 120 notes a second or something. I honestly don't remember.

I found that technique/lick to be extremely useful for impressing other people like myself who didn't know a damn thing about music.
 
I remember watching Joe Jackson's bassist play "Stepping Out" on SNL. That's all 8th notes, at a good clip, 160 bpm or so, in octave patterns, so as 16ths, 80 bpm. By the third minute of the tune, he was looking stressed out. There are no rests and no open strings; it's relentless. I've played the tune, and it's one that will give you hand cramps, for sure, since it's really a keyboard pattern. (I suspect it was sequenced on the original recording).

By comparison, Teen Town was easy, at least from a the POV of stamina.
Graham Maby is Joe Jackson's bassist. IIRC he used a natural Jazz bass on the SNL clip. Tried to imitate it, couldn't get the timing right. Most of it is a box pattern of octaves in the upper register, but it's hard to play.
 
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almost the same time eruption was released? you must have had lessons with steve hackett.
Steve Hackett: how I invented finger tapping | MusicRadar

seriously, you have to give me some of that COFFEE you've been drinking. incidentally - are you a lawyer or politician?

Not sure what you are trying to imply, but it sounds pretty mean.
What part of what I said does your ego feel threatened by?

Actually I volunteer as crisis support. (depression/suicide counselling)