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How fast should a competent bass player be able to play sixteenth notes

Disclaimer: I play with a pick so this might all be moot

I routinely practice to a few Iron Maiden songs (I know! With a pick!), among them "The Trooper," which is 152 bpm. I don't think Steve's triplets quite make a 16th (a 12th maybe?) but that's a fast paced song and galloping triplets throughout. I would say it can be done.

Admittendly, I do tend to suffer from "triplet wrist" when I'm done.
 
I remember watching Joe Jackson's bassist play "Stepping Out" on SNL. That's all 8th notes, at a good clip, 160 bpm or so, in octave patterns, so as 16ths, 80 bpm. By the third minute of the tune, he was looking stressed out. There are no rests and no open strings; it's relentless. I've played the tune, and it's one that will give you hand cramps, for sure, since it's really a keyboard pattern. (I suspect it was sequenced on the original recording).

By comparison, Teen Town was easy, at least from a the POV of stamina.
 
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He Is Our God, Bob Kauflin

Not sure if he is using a pick or using a delay (maybe both), but he's a busy dude.

Thanks. Never have heard that song, but like to learn new stuff. Just ran through it and it's doable. I am a pick player, btw, and it sounds like that's what he's using.

Hillsong's Broken Vessels is a good P&W song for building strength and stamina for 16ths. Haven't played it for awhile, but I believe it's around 80bpm and lots of 16ths.
 
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Depends on the musical style. I'm playing in a death metal band right now, the bpm can go as high as 250. As was said earlier, straight single notes are a lot easier to play at speed than some kind of intricate run. I'll usually learn the parts at a much slower speed and then work my way up. And yes, fingers, no pic.

Here's a sample at 190. Not the best recording but......I am playing all the notes the guitars are. Some guys half time the bass lines in this kind of music. I challenged myself to learn different techniques to keep up.
 

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I may not be competent, but I can only go continuous 16ths at around 100 to 108 bpm depending on how intricate the line. Funny enough, I am a bit faster changing notes than just playing the same note, so I think the hammer-on/pull-off aspect of note changing helps me even though I am trying to pluck every note.

If I had a part with strings of endless 16ths I'd probably finally start working on my pick technique for real, and hope the part doesn't have too much string skipping.

The plucking speedsters, Mr. World Record holder excepted perhaps, use either a 3-finger or 4-finger plucking technique. That world record thing sounded terrible. It wasn't just the playing, which seemed pointless, it was even more the recording, which was atrocious.
Yeah, sounded like someone playing a kazoo out their ass.
 
For me a lot depends on the rebound of the strings. Playing stiff stainless hex core strings with a note on the ninth fret is a lot faster than playing an open round core string. Plucking or picking nearer the bridge helps me too. I usually don't worry about speed except when the drummer has too much coffee.
 
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I'm curious as to how using a pick will help develop fingerstyle speed :-/

Nothing wrong with using a pick... Just not sure how this advice would actually help the OP get better at playing fingerstyle 16th notes fast.
:banghead: :banghead: :banghead: :banghead:

It doesn't. You still work fingerstyle at home, in the meantime use a pick at band practice/gigs. I thought that was obvious enough....
 
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