We're all of us odd in our own ways. It's part of the grand human comedy.Seems an odd reason.
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We're all of us odd in our own ways. It's part of the grand human comedy.Seems an odd reason.
We're all of us odd in our own ways.
There`s a lesson in there somewhere![]()
I used to be anything but Fender and now those are my primary players and I lost a string along the way. While I love a good 5-string I just don’t play them anymore.
I used to despise P basses, especially the old Tele bass ( '51) they looked very country/hokey(in a bad way,sorry). Pbasses just seemed so generic(basic),I prefered jazz basses( i thought they looked more modern) 2 pups better than just 1 (& tobacco bursts look sooo old fashion!) then 1 day while going through my collection of more modern basses, Stilletto, mockingbird, warwick fortress, I gained a new appreciation of the simple beauty of my Fender Jazz Bass Special! a pbass body! it has elegant lines & contours! Rivaling the stylish ergonomics of the stilletto! Shortly after I was watching Netfix with a good friend, ZZ top live in texas, & a Jimi hendrix Doc! we marveled at the custom vintage guitars they played! Wow! there was a certain Charm those vintage guitar hadon us! then billy G played a more modern looking offset guitar & it just looked wrong! I really fell hard for 1 of Dusty Hill's Tele bass'! I was hooked! My friend agreed! I immediately got online looking for one! Unfortunately, i couldnt find one, the ones i did were serverely over priced or just unobtainable! I was toying with the idea of building one from warmoth, but I settled on getting a ASAT G&L bass i found for half price! that cured my vintage Gas! Iknow it isnt vintage, but had that "tele vibe".when i first started playing bass in 1994 and for years after, i played black PJ basses with rosewood fingerboards. then i changed... i started thinking a little variety couldn't hurt. i got a minty green (ibanez called it lime) mikro. i enjoyed it. the world didn't end.
now i have a red bronco (maple neck, fingerboard is part of the neck), a surf green mustang, a wood finish GSR100EX, a roadster orange mezzo (i always like that orange, but it didn't used to fit in with my dark color scheme). i also owned a sunburst traveler TB-4P that i sold.... apparently along with all my black basses. my semi-hollow ibanez SRH500 doesn't even come in black.
when i went to order my smallguitars.com bass, i went with daphne blue, and it was then that i realized both of my black basses, only bought to mod, aren't even with the basses i currently play. * gasp *
and the only bass i'm pondering now is a short scale EBMM stingray. not a PJ, not black.
i also moved from long scale to short scale, but that wasn't so much taste as injury. on the other hand, i love my short scales - i just hadn't given any a chance before that. sort of a machismo thing - can women have machismo?
so what - if anything - has changed when it comes to your bass taste / preferences?
when i first started playing bass in 1994 and for years after, i played black PJ basses with rosewood fingerboards. then i changed... i started thinking a little variety couldn't hurt. i got a minty green (ibanez called it lime) mikro. i enjoyed it. the world didn't end.
now i have a red bronco (maple neck, fingerboard is part of the neck), a surf green mustang, a wood finish GSR100EX, a roadster orange mezzo (i always like that orange, but it didn't used to fit in with my dark color scheme). i also owned a sunburst traveler TB-4P that i sold.... apparently along with all my black basses. my semi-hollow ibanez SRH500 doesn't even come in black.
when i went to order my smallguitars.com bass, i went with daphne blue, and it was then that i realized both of my black basses, only bought to mod, aren't even with the basses i currently play. * gasp *
and the only bass i'm pondering now is a short scale EBMM stingray. not a PJ, not black.
i also moved from long scale to short scale, but that wasn't so much taste as injury. on the other hand, i love my short scales - i just hadn't given any a chance before that. sort of a machismo thing - can women have machismo?
so what - if anything - has changed when it comes to your bass taste / preferences?
Sometimes I'll see a bass that I like but I won't buy it cuz it's too similar to one that I have currently.This is the very essence and core of GAS. I've always been motivated to buy basses that are quite different than what I already own.
Had the good fortune to try one of the first in 1980. They are great, just not my particular cuppa tea.Have you ever tried a L-2000?
I've moved towards fretless over fretted basses, but that's it. I still really like tight string spacing and light instruments with oil finishes.when i first started playing bass in 1994 and for years after, i played black PJ basses with rosewood fingerboards. then i changed... i started thinking a little variety couldn't hurt. i got a minty green (ibanez called it lime) mikro. i enjoyed it. the world didn't end.
now i have a red bronco (maple neck, fingerboard is part of the neck), a surf green mustang, a wood finish GSR100EX, a roadster orange mezzo (i always like that orange, but it didn't used to fit in with my dark color scheme). i also owned a sunburst traveler TB-4P that i sold.... apparently along with all my black basses. my semi-hollow ibanez SRH500 doesn't even come in black.
when i went to order my smallguitars.com bass, i went with daphne blue, and it was then that i realized both of my black basses, only bought to mod, aren't even with the basses i currently play. * gasp *
and the only bass i'm pondering now is a short scale EBMM stingray. not a PJ, not black.
i also moved from long scale to short scale, but that wasn't so much taste as injury. on the other hand, i love my short scales - i just hadn't given any a chance before that. sort of a machismo thing - can women have machismo?
so what - if anything - has changed when it comes to your bass taste / preferences?
They are great, just not my particular cuppa tea.
The thought of another L-2000 haunts me.My tastes have changed, but generally according to the wear and tear of age. My arms/wrists/hands are a lot weaker and prone to injury now than when I started playing. And my hearing can't handle high-db SPL's anymore either.
So I started out on fretted basses, and even adopted 5 and 6 strings for quite a long time. But I can't physically handle gigantic instruments with huge necks on them as well as I used to. Also, my hearing doesn't like lots and lots of low bottom bass energy so huge humbucker type tones aren't quite as desireable for me as they once were.
So I've ended up with 4 string FL jazz basses as my main instruments, at least for now. The bridge PU soloed with a nasally, but muffled, tone and tons of compression tends to be the tone I prefer these days. So the humbucker at the bridge thing isn't absolutely priority #1 now, unless it's also capable of a single-coil or parallel tone.
That's not to say I won't end up with a 5 or 6 string again, just that it won't be the main bass anymore.
I probably will eventually end up with a humbucker at the bridge, since I do plan on an L2K at some point in the future, soon as I find one with the right neck on it, etc.
So I've kind of gone full circle, except for the frets I guess.
As for brands, I went through a very lengthy no-Fender period, but when I discovered G&L that eventually changed that. Now I have 2 fender jazz basses and eventually an L2K on the way plus or minus the force of GAS....
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