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Thank you. That's great advice on the tape and/or rugs. Ordering some gaffer right now.
Re: Wireless: Didn't mean to sound dismissive of the wireless idea. It's just not something I want to incorporate right now. I used them years ago, and didn't like how they changed the tone. Also had a few wireless "incidents" onstage (think spinal tap) that make me a little leery of them. I'm sure technology has improved, of course, but it makes me nervous all the same. Trying to limit potential points of failure. And I hate batteries
Are most of you steady giggers using wireless these days though? Maybe I'm missing out?

This is great. Thank you!RE: brands...I have had very good luck with two 15' LifeLine cables built by Cody at Lucid Audio Project. They are bombproof and he'll do custom work in the event you decide a non-standard length cable is what you really want. At rehearsal I run one bass-to-board and the other board-to-amp. Not the cheapest and you can't swap them at the local GC, but I have had zero problems with the many different cables I have had made by Lucid over the past 3 years (2 wireless cable upgrades, 4 3 patch cables, instrument). Their customer service is fantastic, and I prefer to have something that is handmade in the USofA.
The rest of this is a bit off-topic unless you are interested in a wireless + pedal board set up.
I use a rack mounted wireless at gigs, so I made a "pedal board snake" that has bundled together: two 15' instrument cables + a 15' power cord (for the pedal board power supply). I did that to be able to quickly set up connections for my rack mounted wireless, power conditioner, and amp to the pedal board: one cable goes from the wireless output to the board input, the other from the board output to the amp input, and the power cable runs from the power conditioner to the board power supply. The instrument cables are color coded at the connectors so set up is a snap. I just stash the whole coiled up "snake" in the rack mount case for transport. Like others have suggested, I can tape the "snake" down once it's in place to reduce trip hazard (and then run around with the wireless all I want). FWIW, the rack sits on top of a custom shelf (with the critically placed beer glass holders and two side-mounted Hercules wall-mount hangers) on a 4x10 cab stacked on a 1x15, so the rack is ~ 5 ft off the deck. So far, no issues with board placement- I've had plenty of cable using the 15 footers.
Sorry this got so lengthy.
If your capacitance is half, (as in low cap cable) you can double the length.I try to keep my cable lengths as short as comfortably possible. High impedance connections like a passive bass (active basses with preamps can be different) are pretty sensitive to parallel capacitance in the instrument cable, so you want to keep them short. I don't think I own a cable longer than 15', but for the most part I try to use 10'.
Before I got my Line 6 G30, that has been mentioned, like you I was nervous about a "What if" scenario. Needless to say, I bit the bullet and love it.. so much so that shortly after selling my first one, I bought a second. There's no tone change whatsoever. Even if you don't move around a lot, it's nice to not have a cable dangling as a trip hazard.. sadly, true story![]()
I do take a cable as a just in case, because you never know, but haven't needed it
There was a thread about a wireless system in the past week or so with the op providing sound clips w/ and without wireless. It was a pretty convincing argument for them and I was all gung-ho to seek it out until I heard the price. I can't justify the expense for home use. But if I gigged out it would probably be my first purchase.
Agreed! Wireless is the way.go wireless, problem solved
I have a Line 6 XD-XDS wireless that I bought for around $110 when the new models were coming out. My old model can't be used in Europe because some of the frequencies it uses are reserved in Europe, although they are fine to use in the US. Having used one, I'd pony up three times that amount if I needed to buy a new one now and consider it money well spent.I know a guitarist who practices wirelessly, but I don't see the point. I don't want to be buying batteries just for home use. Not like I need to jump around in my basement.