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How often does your band rehearse?

I'm the weakest link regarding rehearsals. I'm in the army so i do my best to show up on the weekend for 1 rehearsal and 1-2 times per month i get the time to rehearse in the middle of the week.

My band is quite serious. :)

You sir, have one of the only reasonable excuses for your limited time. But if you guys are organized you can still pull it off. YOU know about preperation!
(sorry folks Star Spangled Rant ahead)
If anything, Thanx for putting it on the line for us! I may disagree about our foreign policy but I appreciate the troops!

Resume the Groove!

:hiding:
 
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Recording all rehearsals, run throughs, get togethers is extremely helpful. I use my Zoom H4 all the time, set it up on a tripod or mic stand and record, after the session I either email or transfer the files to flash drives (also helpful... usually ask the musicians/band members to bring one)

Yeah, I use a few mic's and run them into my tascam 24 track recorder. Our PA system is coming soon so we hope to have everything run through the PA, then into the Tascam. That way the levels will be better adjusted for our rough recordings.
 
After a number of exchanges the one guy whose work/personal schedule has pretty much kept us in the basement, has offered to step down. I've not heard from the rest of the band so don't know how they feel about getting a replacement but we've already used a sub w/ a good deal of success for a gig this past summer (a guy I play w/ in another project) and I think the substitution could go pretty effortlessly.
 
I'm in a start up hard rock cover/original band. It's all a matter of what goals you collectively have. We have some of the same constraints. I have the most demands on my time with a very demanding job that requires travel, 3 small kids. We are a band, but one with very modest goals at this point.

We practice (and at this point I do mean practice) as a band 1x week for about 2 hours. We're still trying to find a solid drummer which is putting us behind. When I'm not around, the guitars will hold a 'clinic' to work on they harmonies and some riffs. When one of the guitarist is out, I meet with the other and throw on the drum machine to work on rhythm, etc.

We have enough material for a set of covers and a set of originals. We have about two sets of partial covers that would require work to tighten up. Again, missing a drummer has delayed our plans. We had hoped to start getting out in the spring and play out 1-2x a month.

Our progress is very slow, but it works for all of us now.
 
Our band does mostly covers, but we do some originals, too. We practice together once a week and usually gig once a month. We got up to speed where we felt ready to gig in about 5 months. Sometimes, like last night, we rip off 4 or 5 new songs that we have never played before, just pull them out of our........ear. Some nights, it is not as easy. But one thing that we ALWAYS accomplish at practice is to have FUN:hyper:For that reason, it is never a problem getting together for practice. I feel there are two keys to that kind of success. 1) We have known each other for years and really enjoy each others company. 2) We are in this for our own amusement!!!!
We feel we're a good band, and that is backed up by those who come out to hear us. However, we know we're old men and are certainly not ever going to be much more than a bar band. That is really o.k. with us. To go further would require MUCH more time and effort.
 
ALWAYS accomplish at practice is to have FUNFor that reason, it is never a problem getting together for practice. I feel there are two keys to that kind of success. 1) We have known each other for years and really enjoy each others company. 2) We are in this for our own amusement!!!!

We very much enjoy it when we play but sometimes work and personal situations make it difficult.
 
I play with my two best friends, which is amazing. On the fly change ups are easy when you know what someone is thinking by the way they're standing (or sitting) or how they sang that last line. Practice is as much goofing off as fun for us, but we get together about once every six weeks and rehearse from friday night til sunday night. Getting our set down for the first show was hard, but now we just run through the familiars and work on new songs as necessary. Its the best time I can imagine; making music with two of the only people that really matter to me.
 
My band practiced once a week when we first got together. Within two weeks, we had our first show. After being together 8 years, we rarely practice. We still get together once a week, but more to hang out with each other. My band has 6 people in it and 4 of them have degree's in music. We all have been playing a total of 140 years between the 6 of us.
 
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I converted my garage a while back to a rehearsal studio which I rent out to other bands. Most of those bands are 20/30 something indie original bands that rehearse once a week and gig every weekend. My classic cover band once whipped into gigging shape only rehearses to add new songs into the sets. We typically gig a couple weekends a month but do spend alot of time on our own practicing the cover songs. The bands musical director e-mails everyone a set list and we all practice every song numerous times on our own before the gig. We also record every gig on a digital hand held recorder and everyone gets a CD. This really helps everyone listen to where the weak spots are and what we need to improve on. Its also neat to hear the crowd comments you can't hear from the stage and note the set highlights and lowlights.
 
I do believe it really has sunk in now. Putting a band together made up of old guys with jobs etc is something akin to herding cats. :eyebrow:

Ok here are my questions and please consider this a poll or survey of sorts.

1. How often do you rehearse?

2. How long did it take you to learn enough material to play out? (Say 3 sets)


Herding feral cats can be easier.

Im 43, and over the past 3 years have played with people at both ends of the age spectrum.

3 years ago I was in a band with a bunch college kids on their early 20's playing their original songs. They would book a gig and than spend the 2-3 weeks previous to that rehearsing 1-2 times a week. During periods of no gigs, we would meet up maybe once or twice a month. NIce thing was everyone did their homework, so people would show up at practice knowing songs already.

At the same time I was in a band with a bunch of 50 year olds who would practice every single Friday night, and only Friday nights. No one (but me) ever did their homework, so some nights were wasted while people tried to learn and teach new songs on the spots, and sometimes I would show up looking forward to getting some bass playing in only to be told it would be a "listening" rehearsal, where the lead guitar player would sit there while recordings of our rehearsals were played and tell us what we were doing wrong.

I eventually realized the second band was insane.


With the college kids we were playing out within 2 months of me joining them. With the older guys it was like a year before we played our first gig, and that gig took some arm twisting.


In general, Ive found that playing with older cats is tough. Not so much from a scheduling perspective, but Ive had to deal with alot of crankiness from the older crowd, and the older guys Ive worked with are less prone to do their homework.

Younger people with families, young kids and new careers seem to have alot of scheduling issues.
 

Long rant/post alert!!!!

Wow. We have had a TON of threads lately about rehearsals. It seems this is an area where virtually every local bar band could use some improvement.

First, let's talk about what a rehearsal is for.... and the difference between rehearsal and practice.

You practice at home. You rehearse with the band. Practice is what you do when you run scale drills and learn your parts to songs. Rehearsal is where you hammer out any little details that will allow your band to perform the song live without any hitches. Things like arrangements, instrumentation, vocal parts, and whatnot should be attempted BEFORE everyone practices at home. That way everyone knows what to practice. Key changes should also be discussed. But, ultimately, until you get in a room together, some of those details can't be dealt with.

An example of things we hammer in in rehearsal is instrumentation. We have one guitar, keys, and bass to work with melodically speaking. Often we choose cover songs that have two guitar parts, or possibly another instrument not covered by our current personnel. Keys guy will show up with one version of covering the second guitar part. Guitar guy will show up with another version of filling in the gaps. And we will assist them in choosing a method that both sounds good and is physically possible in this dimension.

Also, vocal harmonies might need a tad bit of tweaking at rehearsal. We do mostly songs with complex harmonies in the vocals. As such, the bass player tends to hear things in a way that has him singing on top of other vocalists in the band. (Yes, I'm talking about myself. :D) So that dipstick has to be briefly coached into staying in his lane, vocally speaking.

(As a side note, about once every other month, we get together and have a vocal rehearsal because 1- we like each other and 2- the rest of the band doesn't have to sit around twiddling their thumbs while we hammer out vocal harmonies.)

The ORDER of the song, the CHORD structure of the song, and the LYRICS to the song should be nailed down when everyone arrives. Period. Or, at the very least, have your own chord chart and/or lyric sheet ready to go so we don't have to stop to figure out the order and/or words.

Now, let's discuss how rehearsals should be run. If there is a BL, this is quite simple. He/she is in charge of both choosing the songs and running the operations of a rehearsal. So, for the purposes of this discussion, let's assume, like my band, this is a democracy.

Songs should be chosen in advance. We have two methods.

1) A discussion at THE END of a rehearsal to determine if there are any songs that need to be added/dropped. We all happen to enjoy learning new music, so we are constantly refreshing the list. If songs are chosen, keys and possible arrangements/instrumentation are discussed.

2) Group text - We are all goofballs who happen to like each other. So we are constantly goofing off via group text. But it also turns to music on occasion. We float ideas by each other. If a song is chosen, keys and possible arrangement/instrumentation are discussed.

EVERY BAND NEEDS A MUSICAL DIRECTOR TO RUN REHEARSALS. Rehearsals should be run by SOMEBODY. This person doesn't "outrank" the rest of the band. But it's just easier to handle stops when someone chosen before hand can get the train back on the tracks. So, if we're playing along and I perfectly execute the transition to the bridge (as always ;)) and the guitar player goes to a chorus, we stop. The issue is discussed (at which point everyone comes to realize I am, once again, correct). :cool: Then it is our keys guy who says "OK, let's take it from the second verse and go into it again". If we need to run a part a few times to make sure everyone has it down, he is the one who starts/stops the band. It's just easier. Allow someone to do that. It will make your rehearsals so much more productive. I generally default to the guy/gal who has the most knowledge of music theory and/or the best ear. But that's just my way of looking at it.

Above all, communication OUTSIDE of rehearsal will save you copious amounts of time DURING rehearsal. Just last week we learned a new song. We dropped the key a little. Turns out our keys player, guitar player and I had three completely different ideas as to how far we were dropping it. (The album version was tuned down a half step so there was some confusion as to the difference between the key one would read or the key it "sounds like".) Anyway, the guitar player had a hunch there would be this kind of issue and sent out a text to the group asking what key we were learning it in. We got it all hammered out via text and there was no train wreck in rehearsal. Moving forward, we have decided to have the female singer send out lists via email of the songs to be played at next rehearsal WITH KEYS so there's no confusion.

Alcohol, weed, and friends. You have to decide what kind of band you are. Whatever you decide is your choice to make, and it's "OK" either way. You are a "hang out" band, or you are a semi-pro/pro band. But you can't be both.

SOs (significant others.... boyfriends, girlfriends, spouses, etc.) sitting around during rehearsal is not only a distraction, but a recipe for disaster. Ultimately, a band member will ask an SO what he/she thinks. Honestly, nobody but you cares what your SO thinks. So don't ask. He/she is not a band member. As such, he/she doesn't get a "vote". If you don't like that, start a band with him/her. It's as simple as that. I adore all of the spouses of my fellow band members. I have them all over to my house for cookouts and pool parties all the time. However, I don't want to hear what they think about band business at all. None. Zero. I'm sure they don't care what my wife thinks either. I will ask my wife about stuff privately. Her opinion may factor into how I choose to handle band business. But that's between us. All the band cares about is how I handle my business, not how I arrived at that conclusion.

We all have a few beers at rehearsal....literally a few....like three. But being drunk/high at rehearsal instantly makes you a hang out band, not a semi-pro/pro band. Period. Now, if that's what you're going for, fine. But you can not have it both ways. Period.

Speaking of hang out bands...… Here's where I ruffle some feathers. Brace yourself.

IF YOU CAN PLAY YOUR INSTRUMENT, AND YOUR FELLOW BAND MEMBERS CAN PLAY/SING, YOU DON'T NEED TO REHEARSE ALL THE DANG TIME!!!!!! If you need a dozen rehearsals to get ready for ANY bar band gig, either you can't play, or you are surrounded by people who can't play. Period. If it takes you that many rehearsals to "get tight", most or all of you aren't doing the things mentioned above BEFORE rehearsal to make your rehearsals more productive.....or you simply aren't collectively at the level of skill that leads to playing in public at all. You are a "hang out" band (which, again, is fine..... as long as you KNOW you're a hang out band). Thinking you are a semi-pro/pro band and needing a dozen rehearsals to get a bar band set together don't go together.

Many of the threads here express frustration at being unable to get people together often enough. In most cases, you are wanting to get together TOO OFTEN....and for way longer (calendar wise) than it should take to be bar ready. Here's how you start a band. You get together to jam just to see if you fit together musically and personally. You then discuss the set. Once a set is picked, you divide the list into three parts. You get together to rehearse each third of the set ONCE. Then, if you need to, get together one more time to run the harder stuff to make sure everything "stuck". Then you start booking shows! Rehearsing for months on end to "get tight enough" to play out means that we got off the rails somewhere a few months ago. If you did everything discussed earlier in this rant, you're golden after four rehearsals..... maybe five if you canned/replaced a few songs along the way.

You want to end the frustration? Go play some GIGS! To do that, have a FEW, PRODUCTIVE, rehearsals and then GET OUT THERE! If you can't do that, you might not be playing-in-public material.

Short version. Sure, have fun at rehearsals. But you don't need dozens of them (if you can play). And they need to have quantifiable objectives and a "flow" to them. OR, just decide you are a hang out band and be done with it. That way nobody gets frustrated by how long it takes to get things together.

BUT YOU CAN NOT HAVE IT BOTH WAYS!!!!! If you are having upwards of ten rehearsals and haven't made it past the first set, either resign yourselves to being a hang out band, or grab another gear!!!


(Now, where did I put that fire extinguisher?)
 
My main goal with my bands these days is to rehearse only every other weekend at most. Ideally, we only rehearse once a month, to go over new stuff, mostly, and maybe go over any trouble spots. These are all cover band situations for me. Originals is another thing w/ 3x a week rehearsals, but I've decided I'm too old for that. Covers are easy to practice at home and show up to work on the band part. The key is finding other people with enough time and or skill to pull their weight. I've moved on from a few bands in the search for the right group of people that respect each others time and pull off a good band. I've left some great musicians behind, but I'm happier leaving a situation that leaves me frustrated, than putting up with it. Endless rehearsals are a big red flag for me, as it usually means someone hasn't been woodshedding enough.
 
In note-for-note cover bands I have always wondered how you handle endings? It seems a large number of songs just end in a fade. Do you actually do the fade or do you change the ending?

Fade outs are one of two things, either the band leader gives a fist, and we all know that's the last x, or if the vocals are done, the drummer has the reigns. We can alternate between a quick out, and an AC/DC ending depending on our mood. A few songs we "bring it on home" with the refrain again, like "Beast of Burden" ,"Play That Funky Music" or "Miss You"
Most of it involves head nods, The Force, and a little luck lol.
 
Fade outs are one of two things, either the band leader gives a fist, and we all know that's the last x, or if the vocals are done, the drummer has the reigns. We can alternate between a quick out, and an AC/DC ending depending on our mood. A few songs we "bring it on home" with the refrain again, like "Beast of Burden" ,"Play That Funky Music" or "Miss You"
Most of it involves head nods, The Force, and a little luck lol.

Figuring out endings of cover that fade out is one of the things we do at rehearsal. It's the last thing people hear in a song, so don't eff it up. We get a bit creative so all our songs don't end the same.
 
I do believe it really has sunk in now. Putting a band together made up of old guys with jobs etc is something akin to herding cats. :eyebrow:

Ok here are my questions and please consider this a poll or survey of sorts.

1. How often do you rehearse?

2. How long did it take you to learn enough material to play out? (Say 3 sets)
My main band is very spread out along I95 in North Carolina. I drive an hour and a half each way from Fayetteville, NC to Wilson, NC for rehearsals. Our singer drives even farther. Because of that we have long 6-8 hour marathon rehearsals but have them less often than other projects I've been in where I'd basically show up, jam for an hour and then go home. These can range from only once a month when the gigging schedule is busy up to 3 times a month. We rarely rehearse 4 times a month because we have to rehearse on weekends because of job schedules and we all take a week off per month to take the kids to the beach and stuff.

We had about 6 rehearsals before our first gig. But it's all simple stuff we aren't playing progressive music.

For covers I feel most of it should be worked out before hand. We don't spend a ton of time rehearsing covers. It's more just like running through them just to make sure we all learned the same version of the song and stuff but yeah learning covers is something I feel should be done at home and not on everyone else's time at rehearsal.
 
Fade outs are one of two things, either the band leader gives a fist, and we all know that's the last x, or if the vocals are done, the drummer has the reigns. We can alternate between a quick out, and an AC/DC ending depending on our mood. A few songs we "bring it on home" with the refrain again, like "Beast of Burden" ,"Play That Funky Music" or "Miss You"
Most of it involves head nods, The Force, and a little luck lol.
I know a drummer who defaults to ending every song with that cymbal-wash-crescendo-thing, which kinda forces all the guitars to participate in the hold-the-chord-until-that-final-hit thing. Boy, it gets old.