- Sep 4, 2010
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- 2,730
- Disclosures
- Endorsing: Martin Keith Guitars
It depends on the music genre, and market/audience's age, taste and geographic region.
For example, patrons in Japan and Europe, for certain genres at least, have cd players at home, value a physical music collection, and will purchase one if they like your show.
That said, I would not take the route of CDrs (duplication) since they often wont play in laptop cd drives which is where a lot of people in the US will stick them. You wont have that issue with replication ('real' cds made from a glassmaster). Most manufactures will require a minimum of 500 for a replicated project, but there's a good manufacturer in Taiwan I've worked with who starts from a minimum of 100 copies glassmastered cds. Mobineko Short Run Vinyl, CD Pressing and Cassette Tape Duplication
To give you an example, we are considering the following for an upcoming release:
Considering that in our scene
* very few people will buy a cd; however some press will not review the music if its not on a proper cd;
* if younger folks buy a physical medium its either an oldschool lp or a cassette.
* most people will listen digitally through some sort of subscription service
We plan the following:
* to distribute digitally (several services offer full-on distribution on all the known channels, for very little money)
* have a small run of cassettes made as the physical objects (lps are the best, but also expensive to manufacture and at a minimum of 500 copies; cassettes with cool artwork are relatively cheap to have manufactured locally at any number of copies )
*Have a handful of cds made for review purposes
With all that said-if your goal is maximum exposure for the least amount of money, just take the digital distribution route and be done with it.
Good luck!
For example, patrons in Japan and Europe, for certain genres at least, have cd players at home, value a physical music collection, and will purchase one if they like your show.
That said, I would not take the route of CDrs (duplication) since they often wont play in laptop cd drives which is where a lot of people in the US will stick them. You wont have that issue with replication ('real' cds made from a glassmaster). Most manufactures will require a minimum of 500 for a replicated project, but there's a good manufacturer in Taiwan I've worked with who starts from a minimum of 100 copies glassmastered cds. Mobineko Short Run Vinyl, CD Pressing and Cassette Tape Duplication
To give you an example, we are considering the following for an upcoming release:
Considering that in our scene
* very few people will buy a cd; however some press will not review the music if its not on a proper cd;
* if younger folks buy a physical medium its either an oldschool lp or a cassette.
* most people will listen digitally through some sort of subscription service
We plan the following:
* to distribute digitally (several services offer full-on distribution on all the known channels, for very little money)
* have a small run of cassettes made as the physical objects (lps are the best, but also expensive to manufacture and at a minimum of 500 copies; cassettes with cool artwork are relatively cheap to have manufactured locally at any number of copies )
*Have a handful of cds made for review purposes
With all that said-if your goal is maximum exposure for the least amount of money, just take the digital distribution route and be done with it.
Good luck!