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).
I have one, it is one from the first run with the NOS Mullard in it, and the pedal is pure gold, if you ask me. I run it as an always...in fact, I don't think I've shut the thing off since I got it. The Broadcast adds an amazing tonal sweetness to my sound that is unparalleled. Even during a recent studio excursion, the engineer was asking me about all my pedals, and we tried them all out one by one to see if they were going to work with the recording process. He thought the difference the Broadcast made to my sound was so striking, that he ended up saying after its test "never turn that pedal off again, it is amazing", and later took down some information on where and how to get one, etc.
Anyway, I love using it (as you can probably tell) as a slightly dirty/warming/sweetening preamp - it runs last in my chain before heading to my amp. However, I've also tested it as an OD pedal, and it sounds glorious in that role. I've toyed with the idea of getting a second one, or even swapping for a dual channel version, and maybe someday I will.
I've owned a Betas (regular and Black), and also Barbershops (had 3 of them, all V1s), but never tried or owned a Rawkworks. To me, the Broadcast is easily better than the Beta, and also better than the Barbershop (although that comparison is a little closer). You do have the comparisons surrounded though, that's the ballpark you are in when talking about this pedal.
A couple of notes on it in case you get one:
- It doesn't seem to like going early in a chain of pedals, for whatever reason. I find it sounds too congested when sitting first in my chain. It seemed to really like sitting after my compressor, and maybe this is in part because it does have a tendency to compress naturally itself and sound too congested if the signal it gets is really hot.
- Definitely run it at 24V (or buy a 24V version). It is like a completely different pedal at 9V vs 24V...I'm not surprised that 24V seems to be the new standard of sorts for the Broadcast.
- Yeah, it has a low cut knob, and I definitely keep that rolled off all the time. Something about the skinny string guys liking to be able to roll off their low end, I dunno. Anyway, just ignore it.
In my opinion, everything Hudson makes is quite amazing. I've owned or tried their Buzzard and OD850, both also amazing, and I constantly lust over their other pedals. Quality stuff, no doubt.
I know that is all a bit vague, but it can be tough to describe tonal magic sometimes. I guess I could also say things like - it makes the mids more rich and complex, it doesn't lose any low end (if the low cut knob is turned off), it has a lovely sweet sparkle to the high end, it has touch sensitive qualities as long as you run it at 24V and don't hit it too hard, it sounds good enough to run direct to a board in the studio, it serves as a nice preamp for both SS and tube amps, it has enough output to drive a power amp on its own...is that helpful?
Bottom line - get one, you will not regret it (and if by some chance you do, just send me the pedal and I'll dispose of it for you
I have one, it is one from the first run with the NOS Mullard in it, and the pedal is pure gold, if you ask me. I run it as an always...in fact, I don't think I've shut the thing off since I got it. The Broadcast adds an amazing tonal sweetness to my sound that is unparalleled. Even during a recent studio excursion, the engineer was asking me about all my pedals, and we tried them all out one by one to see if they were going to work with the recording process. He thought the difference the Broadcast made to my sound was so striking, that he ended up saying after its test "never turn that pedal off again, it is amazing", and later took down some information on where and how to get one, etc.
Anyway, I love using it (as you can probably tell) as a slightly dirty/warming/sweetening preamp - it runs last in my chain before heading to my amp. However, I've also tested it as an OD pedal, and it sounds glorious in that role. I've toyed with the idea of getting a second one, or even swapping for a dual channel version, and maybe someday I will.
I've owned a Betas (regular and Black), and also Barbershops (had 3 of them, all V1s), but never tried or owned a Rawkworks. To me, the Broadcast is easily better than the Beta, and also better than the Barbershop (although that comparison is a little closer). You do have the comparisons surrounded though, that's the ballpark you are in when talking about this pedal.
A couple of notes on it in case you get one:
- It doesn't seem to like going early in a chain of pedals, for whatever reason. I find it sounds too congested when sitting first in my chain. It seemed to really like sitting after my compressor, and maybe this is in part because it does have a tendency to compress naturally itself and sound too congested if the signal it gets is really hot.
- Definitely run it at 24V (or buy a 24V version). It is like a completely different pedal at 9V vs 24V...I'm not surprised that 24V seems to be the new standard of sorts for the Broadcast.
- Yeah, it has a low cut knob, and I definitely keep that rolled off all the time. Something about the skinny string guys liking to be able to roll off their low end, I dunno. Anyway, just ignore it.
In my opinion, everything Hudson makes is quite amazing. I've owned or tried their Buzzard and OD850, both also amazing, and I constantly lust over their other pedals. Quality stuff, no doubt.
I know that is all a bit vague, but it can be tough to describe tonal magic sometimes. I guess I could also say things like - it makes the mids more rich and complex, it doesn't lose any low end (if the low cut knob is turned off), it has a lovely sweet sparkle to the high end, it has touch sensitive qualities as long as you run it at 24V and don't hit it too hard, it sounds good enough to run direct to a board in the studio, it serves as a nice preamp for both SS and tube amps, it has enough output to drive a power amp on its own...is that helpful?
Bottom line - get one, you will not regret it (and if by some chance you do, just send me the pedal and I'll dispose of it for you
Curious what you'll have to say about it.
I have one, it is one from the first run with the NOS Mullard in it, and the pedal is pure gold, if you ask me. I run it as an always...in fact, I don't think I've shut the thing off since I got it. The Broadcast adds an amazing tonal sweetness to my sound that is unparalleled. Even during a recent studio excursion, the engineer was asking me about all my pedals, and we tried them all out one by one to see if they were going to work with the recording process. He thought the difference the Broadcast made to my sound was so striking, that he ended up saying after its test "never turn that pedal off again, it is amazing", and later took down some information on where and how to get one, etc.
Anyway, I love using it (as you can probably tell) as a slightly dirty/warming/sweetening preamp - it runs last in my chain before heading to my amp. However, I've also tested it as an OD pedal, and it sounds glorious in that role. I've toyed with the idea of getting a second one, or even swapping for a dual channel version, and maybe someday I will.
I've owned a Betas (regular and Black), and also Barbershops (had 3 of them, all V1s), but never tried or owned a Rawkworks. To me, the Broadcast is easily better than the Beta, and also better than the Barbershop (although that comparison is a little closer). You do have the comparisons surrounded though, that's the ballpark you are in when talking about this pedal.
A couple of notes on it in case you get one:
- It doesn't seem to like going early in a chain of pedals, for whatever reason. I find it sounds too congested when sitting first in my chain. It seemed to really like sitting after my compressor, and maybe this is in part because it does have a tendency to compress naturally itself and sound too congested if the signal it gets is really hot.
- Definitely run it at 24V (or buy a 24V version). It is like a completely different pedal at 9V vs 24V...I'm not surprised that 24V seems to be the new standard of sorts for the Broadcast.
- Yeah, it has a low cut knob, and I definitely keep that rolled off all the time. Something about the skinny string guys liking to be able to roll off their low end, I dunno. Anyway, just ignore it.
In my opinion, everything Hudson makes is quite amazing. I've owned or tried their Buzzard and OD850, both also amazing, and I constantly lust over their other pedals. Quality stuff, no doubt.
I know that is all a bit vague, but it can be tough to describe tonal magic sometimes. I guess I could also say things like - it makes the mids more rich and complex, it doesn't lose any low end (if the low cut knob is turned off), it has a lovely sweet sparkle to the high end, it has touch sensitive qualities as long as you run it at 24V and don't hit it too hard, it sounds good enough to run direct to a board in the studio, it serves as a nice preamp for both SS and tube amps, it has enough output to drive a power amp on its own...is that helpful?
Bottom line - get one, you will not regret it (and if by some chance you do, just send me the pedal and I'll dispose of it for you
Totally agree.I know of at least one fellow who *prefers* to run his at 18V over 24V, but also agrees that both those voltages are better than 9V.
