I’m running a ToneHammer 700 through a Barefaced Two10S.
Great old school vibe, plenty of volume, and you can get sort of an svt vibe.
Great old school vibe, plenty of volume, and you can get sort of an svt vibe.
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I think this depends on how much gain/grit/girth/distortion you are looking for.... Aguilar Tone Hammer series is made to be pushed into this territory, Markbass might still have the protective circuitry - so, it might shut down if you are pushing into too much dirt. My LMT800 is great, but it's clean only. That Markbass Vintage looks super cool, but I've not played one...Nobody mentioned Markbass gear yet. They used to be mentioned all the time. Are they still good? My googling pointed me to the Little Mark Vintage. Should I try to find one I can try?
I actually intend to keep using an overdrive pedal for distortion, I need to have a clean sound too! I use a Carl Martin Bass Drive for that, which I really like.I think this depends on how much gain/grit/girth/distortion you are looking for.... Aguilar Tone Hammer series is made to be pushed into this territory, Markbass might still have the protective circuitry - so, it might shut down if you are pushing into too much dirt. My LMT800 is great, but it's clean only. That Markbass Vintage looks super cool, but I've not played one...
I actually like my Markbass stuff a lot... that VLE (vintage loudspeaker emulator) knob is perfect for instant ol' school!!! I use several different drive/dirt pedals, and I like my base tone to be warm-tube driven more than super clean.I actually intend to keep using an overdrive pedal for distortion, I need to have a clean sound too! I use a Carl Martin Bass Drive for that, which I really like.
I’ll try a Markbass too if I see one.
I actually intend to keep using an overdrive pedal for distortion, I need to have a clean sound too! I use a Carl Martin Bass Drive for that, which I really like.
I’ll try a Markbass too if I see one.
I think you’re right in a way, and that’s why I’m still debating on whether I should do that or not. Part of me feels it’s silly to keep a huge amp only to use it at home when I play by myself (at a specific volume were the speakers move actually start to move and the volume is a little louder than the fan) because it’s too big to carry and unnecessary in all the applications I have BUT that sound and the legacy that the SVT represents… hmmm.
On the other hand, searching for something new might be a good thing. Reading your post makes me think that looking for that SVT sound in another package might not be a good idea, but opening to new horizons could be. But, can I do that after spending 27 years standing in front of an SVT?
I really have to try stuff out I guess (let’s hope local stores have plenty of stock!).
I've spent the last 25 years trying to find and amp that sounds like, and offers the same tactile response as a V4B / SVT, and weighs under 20 lbs.
So far nothing has been close enough.
The Streamliner was closest with weight (but murky to my ears) and, Ampeg tube pres with power amps were decent but above 20 lbs.
In between was a Tone Hammer, MB LMII, Mesa TT800, GK 1001 RB and MBF 800, Ashdown ABM 500, Genzler, SWR's, and a few other's I've forgotten.
I've spent a time with Broughton SVP and Flip Top (which ironically I liked more than the SVP).
Also have used the Barber Linden pedal which was OK. Did not like the Sushi Space Heater at all.
Next steps are upping my weight range with a Traynor YBA 200 (assuming I can try in advance).
Also considering an Ampeg SCR pedal.
Any other suggestions?
Correct sir, I'm looking for 200 watts minimum.The PF50t weigh 19.4lbs. I think it's probably closer in sound to the V4B, but definitely Ampegy. I am assuming you want more power, or this would be a fairly obvious choice.
Correct sir, I'm looking for 200 watts minimum.
Do any of you guys have experience with either the Peavey YB-2 vs. Traynor YBA200 vs. an SVT?
I'm beginning to think I should have never sold my Walkabout...
OK, let me rephrase that… Hypothetically, I would sell both the SVT rig and the small Traynor combo to get a light amp that won’t disappoint me to have instead of the SVT. But… I wanted to get ideas what to look for. After over 50 replies, I’m getting ideas…Yes. What is the hypothesis? I think you are describing a series of independent variables with your control group being your original rig.
I have various amps that capture various elements of the SVT's tone and feel. But none of them integrate all of the SVTs qualities. If you want the full SVT experience, IMHO the only solution is an SVT. Even the PF50T, which is very Ampegy, does not sound and feel exactly like an SVT.
Haven't tried one, but I am pretty sure the YBA200 is not very Ampegy. Comments suggest it's voiced fairly bright.
The OM says the VB2 is 54lbs. The YBA200 is 44lbs. So it seems you will need to go hybrid or solid state to meet the goal of 20lbs.
If you were reasonably happy with the Walkabout, have you tried the WD800? I demoed a Walkabout a long time ago, and don't remember it reminding me of an SVT. ???
I agree the Streamliner is not super clear and focused. However, to my ears, neither is an SVT. Did you try rolling any tubes?
I think the Jule Monique 700 leans toward sort of an Ampegy quality, although it's more clear and focused. With the right settings, the Monique gets a bit grindy in a similar way to an SVT. The trick is to pull out the Sensitivity and Line pots, which adds more harmonic content/color. The Monique seems fairly close to the SVT tone I use. But it does not cover all of the SVT's tone variations.
I borrowed a Streamliner 600...Any idea if the 900 has the same tone?
The Mesa TT800 that I had was a great amp but not for me. I could never get the low end to work out on a live gig even with the HPF. Is the WD800 that much different?
Always appreciate the technical side but I need to hear from players who can compare to an SVT.