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My bass is about same and only 4 stringThat bass was so cool…but 14 lbs! Yikes!
Edit: I just saw there were 2: a single cut and a double…very cool.

I have really been digging on his electric quartet stuff lately. Very well-recorded and excellent comping/soloing. They all just ooze good vibes, like they are really enjoying themselves…
I have really been digging on his electric quartet stuff lately. Very well-recorded and excellent comping/soloing. They all just ooze good vibes, like they are really enjoying themselves…
By he, I mean John Patitucci. I see a lot of love for Palladino, Gary Willis, Victor, Marcus, etc... but not so much for JP. Everything I've heard and seen from him is off the charts. He is definitely not one dimensional, and blows my mind every time. I'm beginning the process of incorporating transcribing him into my practice routine. It has only been a catalyst to boost my admiration for him. Just curious, if anybody else has noticed this.
By he, I mean John Patitucci. I see a lot of love for Palladino, Gary Willis, Victor, Marcus, etc... but not so much for JP. Everything I've heard and seen from him is off the charts. He is definitely not one dimensional, and blows my mind every time. I'm beginning the process of incorporating transcribing him into my practice routine. It has only been a catalyst to boost my admiration for him. Just curious, if anybody else has noticed this.
Absolutely never thought Patitucci was considered to be underrated. He's played with HUGE artists, had a popular bass instructional video, and landed on the COVER of Bass Player Magazine. Pretty darn impressive if you ask me.
line by line and the angel albums are outragoulsy good. the Rooot may be one of the top 100 all time greatest songs. The Root - YouTubeBy he, I mean John Patitucci. I see a lot of love for Palladino, Gary Willis, Victor, Marcus, etc... but not so much for JP. Everything I've heard and seen from him is off the charts. He is definitely not one dimensional, and blows my mind every time. I'm beginning the process of incorporating transcribing him into my practice routine. It has only been a catalyst to boost my admiration for him. Just curious, if anybody else has noticed this.
I sort of feel this sentiment as well although, I think the two are equally as fun and challenging in his mind if I had to bet. That being said, and maybe it's just me but, I feel like at certain points during his career he might have gotten a tad bored (for lack of a better word?) and he went exclusively upright for a while on most projects. Maybe it was to hone in on his upright skills more? Who knows, but I overall think he takes "breaks" from each way of playing bass from time to time.This is only my opinion and is in no way intended to shade JP in any way but his upright playing is so incredible that I sometimes wonder why he bothers with slab bass at all.