But a brush would require a human. We can't have that.It's possible they are just applied by a brush, layer by layer. Those ridges look like brush strokes to me.
Probably the cheapest way to bond a fretboard to a bass neck. Paint it on.
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But a brush would require a human. We can't have that.It's possible they are just applied by a brush, layer by layer. Those ridges look like brush strokes to me.
Probably the cheapest way to bond a fretboard to a bass neck. Paint it on.
5 year olds work cheap.But a brush would require a human. We can't have that.
Hilarious, but sadly likely true....5 year olds work cheap.
The Glarry fretboards are some sort of composite material. I think Bruce Johnson has talked about this stuff somewhere before.
A "fake wood" as it were. It looks like it is layered on, like a 3d printer might do. The grooves are where the layering process was not quite perfectly done.
You can see the layers clearly when looking at the heel end of the neck
Not exotic stuff but I clean mine with naptha and use a VERY TINY bit of mineral oil and it looks more like real wood than it has a right to..
Too much oil and it looks shiny fake ish.
Don't be hasty now. If you remove the Glarry from the headstock, in 50 years when it becomes a cool collectible you will have killed market value.They're not really grooves, just little light stripes. More visible at the higher frets, but it's present throughout to some degree. It's "rosewood" according to Glarry, like anyone believes that.
It's playing great, the relief settled in right at a business card thickness. Waiting on the tuners, GZR pickup et al. Will really get busy in the workshop in a week or so. And yes @96tbird the Glarry is coming off the headstock for sure. Waterslide is a possibility, but I find that to be so fiddly (like a lot of things I only do very rarely). I'm thinking about it.
According to the majority of threads and videos on the subject, fingerboard is "engineered Rosewood," which is a wood pulp/resin mixture. It's probably extruded to resemble wood, then cured and glued to the neck. Kind of a courser version of Ebanol (i.e., powdered paper/resin), with lower proportion of resin, higher proportion of wood pulp. Sort of like particle board.They're not really grooves, just little light stripes. More visible at the higher frets, but it's present throughout to some degree. It's "rosewood" according to Glarry, like anyone believes that.
It's playing great, the relief settled in right at a business card thickness. Waiting on the tuners, GZR pickup et al. Will really get busy in the workshop in a week or so. And yes @96tbird the Glarry is coming off the headstock for sure. Waterslide is a possibility, but I find that to be so fiddly (like a lot of things I only do very rarely). I'm thinking about it.
Good Info, thanks. I'll refrain from oiling it.According to the majority of threads and videos on the subject, fingerboard is "engineered Rosewood," which is a wood pulp/resin mixture. It's probably extruded to resemble wood, then cured and glued to the neck. Kind of a courser version of Ebanol (i.e., powdered paper/resin), with lower proportion of resin, higher proportion of wood pulp. Sort of like particle board.
I'd be careful with oiling it. You might actually dissolve the resin, make the surface spongey. Definitely avoid any cleaning agents, like lemon oil.
No worries, it's easily reversible.Don't be hasty now. If you remove the Glarry from the headstock, in 50 years when it becomes a cool collectible you will have killed market value.

This. I built a Fender parts bass from early 70s parts back in 1983. Been playing it regularly since, never an issue, I think the truss rod has been adjusted 4 times in all that time.An American Fender that's 40+ years old is still sturdy and playable but I wouldn't bet on a Glarry. THAT'S the difference.
+1 for the EB Cobalt Flatwounds!The journey continues here...
I've been playing it for maybe a week. Nice and light, a bit of neck dive. Pickup is too 'ceramic-ey' (bright) for my tastes, but it sounds really good with a pick and a flat response (EB cobalt flats). Most of the parts are on hand:
- black vinyl car wrap for the pickguard
- Gotoh GB 640 tuners
- GZR pickup and assembly
- wooden knobs
- black string retainer
- black bridge (Yeah - I like black)
Custom headstock emblem and neck plate are on the way. I've got to scrounge up my can of spray shielding paint, as it desperately needs shielding.
I'm still pondering cutting the...
- lark_z
- Replies: 23
- Forum: Basses [BG]
Carol kaye used felt.+1 for the EB Cobalt Flatwounds!
But I'm also still experimenting with rags and or a foam roll mutes down by the bridge.
I'm thinking a piece of soft rubber hose? Like heater hose, or small pipe insulation? With a rag I can control the density, and it doesn't damage the strings. I fear a hard plastic hose will damage the strings, and not offer much damping. Maybe rolled flannel?