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I think I stop believing in expensive basses!

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What expensive basses? Believe it or not, I just got this 1820 7/8 hungarian flat back (fully carved, of course) for $15000! And trust me, this bass sounds much better than the 60 year old 3/4 fully carved italian round back which is right behind it on this picture:

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back:
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headstock(s):
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look at this flamed maple neck!:

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sorry for the crappy cell phone pics....:hiding:

Wrong forum pal! (but nice bass none the less)
 
I was going to give up expensive basses. I tried. I couldn't do it. While there are fine basses - from Squier to whatever you deem the top price point for inexpensive - they just don't have that certain something that some more expensive basses do.

I bought a Geddy Lee Jazz. I've tried a lot of "jazz" basses (MIM, MIA, Sadowsky) and the Geddy was it for me. Loved the feel. Loved the tone. This was going to be my bass.

Well, I now want to get back to an extended range instrument. After playing almost everything out there, I have decided on a Roscoe. The best neck and B string (IMO of course) out there at any price. At this point in my experience, it is worth the $$$$ I'm paying.

While I think there are plenty of playable basses out there at any price point, I do believe there is something in getting an expensive bass - if that's what you want. If it makes you feel better and play better, why not.

You can argue "worth" till hell freezes over. In the end. like anything, things are worth what someone will pay for them.
 
Well said and much appreciated...

J

There is nothing to apologize for. Talkbass is pretty famous for having a lot of players (of questionable skill) posting about how their 180 dollar basses blow yours away...and few ever challenge them. Frankly, it makes me sick. Thread after thread with these people swearing up and down that they are right, that all boutique builders are guilty of serious price gouging, and that all of you know that the product you create sounds exactly the same as the product made for 45 dollars in a chinese sweatshop.
I am just glad you have the intergrity and honor to stand up for what you believe and the excellent product you create. I am sick of hearing about how wood doesn't matter, how Yugos are better then ferraris, etc......
 
I read through the first five or six pages of this thread yesterday, and my head exploded. Now that I've put it back together, all I can say is this:

I play boutique basses. I like them.

You may play boutique basses or you may not.

Play what you like and like what you play.

I was going to paste Rodney King's video: "Can't we all get along" but it would have been distasteful to make fun of his beating.
 
We were all Noobs once. Trolls, now that's a behavior and a choice. So much gets said online that would never be said face to face.

I would've never dreamed of spouting off on something that I knew nothing about, I certainly wouldn't argue with someone with your pedigree (or Jasons) or believing that my $199 bass was superior to pro level basses. You can be a noob without trying to convince people that you know everything. lol
 
Yeah, we can all get along. But I don't think it is good to let internet hype/kool-aid drinking BS go unchallenged. For a couple of reasons. 1. It sends out the wrong signals to newbies, and 2., it hurts the business of these boutique builders (who contrary to perception are probably not rolling around in dough).

A year ago, when the SX kool-aid wagon was running at full speed, I had the guts to point all of this out...and was slayed for my opinion. I was asking myself, "what is this magic wisdom that all these talkbass talk-warriors have about the music business that is so much better then that of the real pros?"

See, I was taught to believe that quality and craftmanship matters. I saw picture after picture of my bass heroes playing good quality basses.....it all seemed correct....but then, TB comes along and blows away all misconceptions, right? I mean, anonymus posters always know better, right?

If anyone doubts all this, go back and read the SX kool-aid threads. It's all there for anyone to see.
 
Ken Smith may only be talking about himself. I can't accept such a wide swath comment. That would be ignorant. Perhaps he is a furniture maker. Doesn't mean the other folks are as well. Think critically here.

I know a boutique maker who says that he will make you what you want but some folks want him to combine woods that don't make a great instrument.

It seems impossible to explain as it's like talking about the taste of a sauce.

For me a good bass does a lot of things right. It rings and sings. It is rigid. It sounds great unplugged. It sounds the same plugged in until I tweak the eq. How natty the top is isn't important to me.

I have a G&L L-1000. A once orphaned abused eBay find. It is restored and it just makes great music. It doesn't wrestle with you or talk back. :)

It cost very little and gives back so much. I've played $6K Bubingaboowhammyspaltedcoffee tables that don't come close to this bass.

So to me a good bass is not its cost. And, small maker instruments can more readily speak to your particular needs.
 
Having heard just a hint of what Jimmy is capable of (some clips), I bet that his basses sound like 3000+, no matter what they are. Beauty is in the eye of the beholder (uh!, I reported this but I do not understand the meaning...), and tone is in the ear , maybe brain, of the single musician (better, ok?). Suggestion, expectancies, preconceived opinions, are what builds up some of our perceptions. Sure some aspects are objective, a high-end instrument can play like a dream because fit and finish, but I have known many talented bassists that were able to enjoy a low-budget bass and, most important, were capable of producing outstanding performancies with them. Usually these kind of players do not care much about tech tips and gear, but usually keep their tone even with a banjo...The meaning of my post? Boh...I don't know, today I'm sick at home, feel bad and wanted to share some "caos theory"...;)
If you want to begin an inettectual battle against my observations, beware! I will bring every sort of boring scientific data on neurotransmiters in the brain, cerebral circuits, synapses and so on.:rollno:

about a year ago i posted that i was done with the dirt cheap cheapos. i was wrong. i'm not only not done with them, that's about all i use anymore. i just got my modded 76 precision back from the shop and got it all nice and tweaked, but i'm more excited about using this radio shack violin bass i got a couple weeks ago for $220. call me crazy, but i love cheapos. there's no bigger thrill for me than to use a cheap bass on my big gigs, especially when there are other bassists on the bill. i like expensive basses but i've got no need for them. i like workhorses and i like stuff most people would throw out. must be the guilt i've been carrying about letting my old framus stratostar bass fall apart and rot in the garage.
 
Having heard just a hint of what Jimmy is capable of (some clips), I bet that his basses sound like 3000+, no matter what they are. Beauty is in the eye of the beholder (uh!, I reported this but I do not understand the meaning...), and tone is in the ear , maybe brain, of the single musician (better, ok?). Suggestion, expectancies, preconceived opinions, are what builds up some of our perceptions. Sure some aspects are objective, a high-end instrument can play like a dream because fit and finish, but I have known many talented bassists that were able to enjoy a low-budget bass and, most important, were capable of producing outstanding performancies with them. Usually these kind of players do not care much about tech tips and gear, but usually keep their tone even with a banjo...The meaning of my post? Boh...I don't know, today I'm sick at home, feel bad and wanted to share some "caos theory"...;)
If you want to begin an inettectual battle against my observations, beware! I will bring every sort of boring scientific data on neurotransmiters in the brain, cerebral circuits, synapses and so on.:rollno:

So you're saying tone is in your fingers? I agree with that. I just know that my fingers flow a lot easier on a bass that is well built and built with good parts, no matter what it costs to build it.
 
Lots of people seem to associate a "workhorse" bass with a cheap or basic bass. I guess my Geddy would be a "workhorse" bass.

But I would guess someone like Jimmy Haslip who has played his Roscoe LG3006 for a long time and is basically his live bass, would call that a workhorse.
 
While they are certainly entitled to their opinion, they are wrong but I am secure enough and mature enough to not engage that battle for it is senseless. The reason I make my views public is so that those who are maturing through their reading of TB can appreciate that hype is everywhere and that critical thought can and should be applied when the Emperor (no pun intended, but it sort of works) announces the delivery of a new set of clothes.

iJazz - More could be said but I'll leave it at that.

I have never seen so many words add up to nothing. You think you are doing people a favor, seriously?!? Critical thought?!? You are an egomaniac/narcissistic that cannot admit to being wrong. Calling everone else "wrong" discredits you in the biggest way. Hopefully people can see through your envy driven ego. Troll doesnt even begin to describe you. What qualifies you to belive that you are right about everything and everyone else is wrong. Talk about a God complex. You need to do some deep soul searching.
 
MVPBASS said:
I think its more than rude, its INSANE that they dismissing, flat out disrespecting Fodera to one of the owners face, argueing with Roy Vogt (yes, look him up, he's famous and well respected), a man that had accomplished more ryan any of us here put together, andsay that George Furlanetto hand builds his preamps and pickups from "scraps found in a Spector dumpster in Korea" all by guys that admittedly choose to play Squier basses. Hello pot, you are black.

I for one have not disrespected the guys from Fodera in any way, nor do I plan to at any point for any reason.
But let's clear this up real quick, people are people and they are going to be people regardless of how anyone feels about it.
I myself am not for nor against Fodera and have no feelings towards them or their product in anyway.

((I will say that I don't find the majority of them (that i have seen) aesthetically pleasing. And I can narrow that down to just the top portion where you would find the upper horn on a Jazz bass, it's that overly long extended section that seems to just be way to big for the overall body that turns me off about them. It's funny looking (to me & for my tastes)
Of coarse I am no authority on bass aesthetics in any way, I personally think all basses are funny looking except the Fender Jazz Bass. Basically if it's not a J Bass it's not appealing to me in any way and looks off somewhat.))

Why shouldn't the guys that play less expensive basses voice their opinions here? This is after all a forum and it's sole purpose is to do just that correct?
Do you honestly believe that just because the guys at Fodera have decided to join in on the conversation that now all of a sudden people with opposing views should gather at their feet and bow down to their spectacular, infallible presence?
If Fodera / Roy Vogt or whatever his name is decided to join an Internet debate about people's views surrounding boutique basses I would imagine he did so knowing that he would be met with opposing views and opinions. It really should come as no surprise. Considering the vested interest They/he holds in this subject I'd actually go so far as to say the guys voicing their opinions are beneficial to their company and it's not every company that is able to go online and get such passionate views on their products.
Something many companies are willing to pay big money for. I am sure Fodera and Ray are not going to run home crying their eyes out because some guys on the Internet don't like their product or don't agree with the cost associated with it.

You say that that "this guy has done more than any of us here put together" why because he builds guitars? Maybe he's a great guy and a great bass builder or great company owner, you'll have to forgive me, I really don't know anything about him.
However we have a very diverse group of members here within the forum, probably some firefighters, soldiers, police officers, church leaders, school teachers, industrial workers, entreapenuars and so many more.
To say this guy has done more than all of us because he builds a bass that you like is a bit of a stretch isn't it?
That qualification alone hardly classifies him as a hero in my book. I'll take the blue collar firefighter or soldier or police officer all day over the bass guitar builder. Just my opinion though.
Maybe Roy has other accomplishments in his life that help him to fit into the role of a hero but I hardly think his bass building is his life's greatest gift to humanity and if it is it's definitely not in my eyes any great service that warrants him becoming one of my idols nor does it reserve him a place in my life and thoughts as being famous, a hero, or anything else aside from a talented bass builder. At the end of the day he's just another guy that makes a high quality bass guitar for the general public at a premium price.
((No offense intended to Roy or Fodera I honestly hope you guys don't have such high personal regard of yourselves above & beyond the rest of us.))
Now if you want to play Fodera cheerleader by all means knock yourself out, you are entitled to hail the mighty bass building gods until your blue in the face. You can play Fodera or Roy Vogt fan boy all day and night if it tickles your pickle, by all means feel free.
But please don't assume that because you have such high regards for these guys as one of your personal heroes, that the rest of the TB community should kneel at their feet and bow down to the supreme beings you believe them to be.
I personally have my own mind and have no desire to conform to this expected sheep mentality you are expecting the community to adhere to.
A good buddy of mine plays in a local band is a firefighter part time and a US soldier as well. I know for certain on more than one occasion he has saved the lives of many people while performing his duties.
There are children out there who now have a life to live thanks to this guys efforts. That my friend is a hero. Again, at least in my opinion anyway.
He plays a Squire P Bass. Maybe he'd love to have a Fodera I really don't know I'd have to ask him but for now he plays a Squire.
So you go ahead and cheer for your idols, hail at there feet sing their praises do what you feel is needed but please be realistic when addressing the rest of the good people here. Not all of us have such incredible worship of the good people of Fodera.
I'm sure they are all very nice guys and it would seem some are very talented sure but that definitely does not automatically make them better human beings than the rest of us here at TB regardless of our opinions. We are all people at the end of the day and we all have our own personal accomplishments and achievements. Some better than others sure but I can say with absolute certainty that there are greater achievements within the TB community than building nice basses.
I would hope that the guys at Fodera would agree with that, but who knows maybe they like the blind, fan boy, cheer leader, followings of sheep like yourself.
 
Yeah----you can get a great bass for a small price no doubt. Botiques are for a certain player and if those players dig and buy em that is all that matters. I can def get an amazing tone out of my 86 roadstar or my l2000 and those aren't back breakers but you could get an amazing tone out of a boutique as well. I hope everyone just enjoys what they have 100$ or 5000$ Have a nice day!
 
Maybe it takes a certain level of ability to appreciate what a boutique or custom made can do. That doesn't mean you have to like any of them, just that maybe the subtle nuance is what makes it appeal so much to the real refined player. That isn't to suggest you can buy one and be a 'real refined player'. Just that the builders may be making them with this in mind.

I'd imagine if I wasn't really all that good, that checking out 3k+ basses isn't going to make me sound any better, thus I'd think it was a bad investment.

If I had the money, I'd have some boutique and some not.
 
Maybe it takes a certain level of ability to appreciate what a boutique or custom made can do. That doesn't mean you have to like any of them, just that maybe the subtle nuance is what makes it appeal so much to the real refined player. That isn't to suggest you can buy one and be a 'real refined player'. Just that the builders may be making them with this in mind.

I'd imagine if I wasn't really all that good, that checking out 3k+ basses isn't going to make me sound any better, thus I'd think it was a bad investment.

If I had the money, I'd have some boutique and some not.

this makes sense
 
Yeah, we can all get along. But I don't think it is good to let internet hype/kool-aid drinking BS go unchallenged. For a couple of reasons. 1. It sends out the wrong signals to newbies, and 2., it hurts the business of these boutique builders (who contrary to perception are probably not rolling around in dough).

A year ago, when the SX kool-aid wagon was running at full speed, I had the guts to point all of this out...and was slayed for my opinion. I was asking myself, "what is this magic wisdom that all these talkbass talk-warriors have about the music business that is so much better then that of the real pros?"

See, I was taught to believe that quality and craftmanship matters. I saw picture after picture of my bass heroes playing good quality basses.....it all seemed correct....but then, TB comes along and blows away all misconceptions, right? I mean, anonymus posters always know better, right?

If anyone doubts all this, go back and read the SX kool-aid threads. It's all there for anyone to see.

Many guys here are very happy with their SX's and they are probably quite good for the money! They (SX) have a 6 string jazz bass model which is more than 10 times cheaper than the original Fender 6 string jazz bass (the S.Bailey AS model). And it looks very nice, indeed!

Here is the $169.95 SX 6 (photo borrowed from here: Invalid Link Removed
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And here is my $2500 Fender 6:
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Right now, I'm pretty happy with my fender! ;)
 
"If Fodera / Roy Vogt or whatever his name is decided to join an Internet debate about people's views surrounding boutique basses I would imagine he did so knowing that he would be met with opposing views and opinions."
For the record, I do not nor have ever worked for Fodera basses. I'm a professional bassist and bass teacher. I've had endorsement relationships with various bass builders large and small for the past 30 years. But I've certainly met Vinny and Joey and toured their shop and know they make great basses.
"I'm not a Bass, but I play one on TV".-David Hungate ;)
 
I don't consider Musicman and Fender to be high priced. More like mid priced. Check out the price of Fodera, Sadowsky etc.

what he said.
Besides, quilt tops, inlay etc are no longer solely reserved for $1000+ basses. . It's when you actually play them that the differences in neck stabilty, fret dressing, and design come out.
Tiny stuff like how clean the edges of the pickguard are.
 
The rabid devotees of the boutique market so much as accuse me of being a musical Luddite incapable of the appreciative discernment of the qualities upon which I comment. While they are certainly entitled to their opinion, they are wrong but I am secure enough and mature enough to not engage that battle for it is senseless. The reason I make my views public is so that those who are maturing through their reading of TB can appreciate that hype is everywhere and that critical thought can and should be applied when the Emperor (no pun intended, but it sort of works) announces the delivery of a new set of clothes.

iJazz - More could be said but I'll leave it at that.


No need to say more - we get it. You're *that guy*. Of course you claim to "not engage that battle" yet you are doing exactly that. Irony - it's not just for laundry anymore.

And remember - being blinded by strong internal biases cut in many directions. Beyond that, it is impossible to completely eliminate bias at is inherent in humans. The whole "double blind listening tests" to "prove" something about tone woods or other gear are nonsense. Well, unless I'm going to go on a Double Blind Listening Test Tour. Playing a musical instrument isn't simply a math problem (though math certainly comes into play). There are tangible and intangible factors at play, and since a human has to touch the instrument to make the music, that inherent bias is always present and will manifest one way or another.

To me these discussions come down to a question of price vs value. People get hung up on price as a metric and refuse, or are unable, to consider value. And that value depends on the individual - it is NOT a universal quality/quantity. When you purchase a bass, you are getting a lot of things. How much a person values that is up to them.

Let's take the extreme (but apparently popular) example - Squire vs Fodera. When you purchase your Squire you're paying a large corporation for their intellectual property - any trademarked designs (including logo), patented parts, etc. You're also paying the labor of a few builders in a factory in China or Indonesia, who may or may not have much experience. They may or may not have a high amount of pride in their work. They likely can't have that much personal investment as they have quotas to make so it is quantity over quality. There are other costs, but lets leave it at that.

When you purchase your Fodera you will end up talking with at least Jason, and possibly Vinny or Joey. A small group of people who you can get to know will hand pick your woods, give you the choice of exactly what you want, and then build exactly what you want to the best of their ability. And that ability is extremely high, with decades of experience building and interacting with pro-level players. At every step along the way every person in that shop will give a damn about *your* instrument. I swear that Jason has been more excited than me when my basses were done. Then when it is finished you'll hear from Laura about shipping and you'll get your bass. And if there is ever a problem or question, a phone call or email will get answered. I've had Jason call me to give me an update when he was en-route to an anniversary dinner with his wife.

Easy to see why one instrument costs $300 and another is $8000. Is it worth it? If all you care about is price, no. As has been said ad nauseum, these days you can get a perfectly serviceable instrument for under $1K. Way better than previous decades.

If however you focus on value, then the answer becomes totally up to the individual. For some a bass is a tool to make music. Some are happy with Harbor Freight - others not so much. For some a bass is an art object. For some it is both. And the value of the instrument depends on the eyes and hands of the beholder.
 
Roy Vogt said:
"If Fodera / Roy Vogt or whatever his name is decided to join an Internet debate about people's views surrounding boutique basses I would imagine he did so knowing that he would be met with opposing views and opinions."
For the record, I do not nor have ever worked for Fodera basses. I'm a professional bassist and bass teacher. I've had endorsement relationships with various bass builders large and small for the past 30 years. But I've certainly met Vinny and Joey and toured their shop and know they make great basses.
"I'm not a Bass, but I play one on TV". ;)

Forgive me I had read your name in connection with other comments and made the connection.
I assumed you and Fodera were one in the same.

Lol I guess this would be the reasons for the age old advice of , don't assume.
 
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