Hey there, I have a jazz bass that I have been playing for a while now. I made it out of parts from a licensed store, and put the custom shop 60s pickups in it. The more I play it the more I notice that it only sounds decent the day you put on new strings, after that It starts to sound completely dead. I don't know if there is any way to improve the sound of it, or if it is purely the spirit of the instrument that sounds like crap. I thought about putting a preamp in it to hopefully improve it. It just makes me really sad that this american made bass sounds worse than a squier most of the time. Should I toss it or is there a better way to try and revive it?
Is it set up well? Is the pickup height where it should be? Assuming all that is good, adding a push/pull for series parallel would be a good move.
You simply have New-String-Syndrome... I can't stand the sound of new strings myself, the unbridled brightness annoys me.
So many variables, here. What sort of new strings are you installing? Have you tried a different set? If you have been using nickels, try some stainless steels. Are you wiping down the instrument, after playing it? It may simply be a matter of your own body chemistry: You might have that lethal brand of sweat & personal funk that murders strings before their time. Have you tried an outboard pedal pre-amp? Factor in the pickup height question, also. Maybe different pickups are in order. What are your tonal goals?
An interesting experiment would be to see how it sounds in the hands of another bass player. It could be a technique issue.
I initially couldn't bond with my jazz bass either (Fender American Standard). Sounded fantastic in the store! Love the way it looks! Feels great! Got it home... meh. BUT, after finding the right strings for it (in my case rotosound rounds), and taking the time to discover various tonal qualities by trying various pickup positions and tone knob settings, I'm really digging the Jazz bass. Give it a chance and some time. As others have stated, you may need to find what's right for your particular instrument. But just to let you know, you are not alone in this endeavor. Hang in there with it for a while and if it doesn't work for you after you've given it your all... TRADE THAT SOB FOR A RICKENBACKER!!! Hope this helps.
Yeah maybe different strings. Guessing that if you like them brand new only maybe your pickups are too 'vintage'. Try a similar bass with less vintage pups. See if that's it. I like Ernie Ball Super Slinkies as they seem to retain the newness longer YMMV.
I've found through the years that the tone I need live was very different than what I liked at home. Once the drums, gtr and horns kick in, the bass really needs to cut through more than anything else. Oh, and the tort takes care of a lot of problems...
More information will allow us to make more remarks which are neither clever nor funny. There is no such word as "prolly".
I'm currently having a similar problem with my jazz cutting through in the mix. I also have the cs 60's pups
I like full with both Vs then back off bridge a bit until you hear phase cancellation going away. This would help a lot I would think to improve live vs bedroom tone.
…and should you decide to go that route, I'd highly recommend this incredibly flexible (not to mention convenient) doodad. It did wonders to my P/J parts-bass! Elek-Trix Fender Jazz Bass® Series & Parallel Wiring Harness Kit These are all great questions and theories. On the "body chemistry" subject, if you think that might be the case, a number of manufacturers make coated strings…Ernie Ball, Elixir and DR, to name a few. Personally, I had damn-good experiences with the Elixirs, while the DR Black Beauties have been kinda fickle, but when they work, they work!
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