Can someone explain to me what is wrong with the SR series from Ibanez? I've had my SR505 for the last 6 (7?) years and used it with my Crate BX-100 combo in many different circumstances: touring with my college jazzband (from Vegas to Australia), playing in original & cover bands, and various recordings.
Now, all of a sudden, I'm in a new band from Denver, CO, and neither the bass or amp are "good enough" for the drummer (who is a former bass player). Is this a regional thing? Is there something I'm missing from the bass player underground blogosphere?
Verbatim from the drummer: "Not only do you play an Ibanez bass, it's an Ibanez Sound Gear."
** Yes, I do need a new bass rig...preferably a GK head with some major cab as defined by recent posts. But honestly, is an Ibanez bass really that bad??
Now, all of a sudden, I'm in a new band from Denver, CO, and neither the bass or amp are "good enough" for the drummer (who is a former bass player). Is this a regional thing? Is there something I'm missing from the bass player underground blogosphere?
Verbatim from the drummer: "Not only do you play an Ibanez bass, it's an Ibanez Sound Gear."
** Yes, I do need a new bass rig...preferably a GK head with some major cab as defined by recent posts. But honestly, is an Ibanez bass really that bad??
