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I'm not into expensive basses at all.

It's interesting, to me, that when others revel in the excitement of their new, expensive instrument, there always seems to be someone who cannot seem to help themselves by bringing up the personal satisfaction they find with their budget bass which, in itself, is perfectly fine. This kind of response to others' NBD posts is a whole other road I won't go down, but this seeming need to firmly encamp themselves in the "budget bass or bust" category usually involves exclaiming that they are capable of achieving the same or similar tone as that of an expensive instrument.

I cannot help but wonder, is tone really why people buy expensive instruments? Maybe some believe as much, but when you consider the massive difference in sound simply playing with fingers versus playing with a plectrum makes, it really does matter how someone plays the instrument, hence professionals picking up cheap instruments and sounding fantastic. In the end, a cheap instrument is cheap for a reason. My point is that when I personally buy an expensive instrument, it's typically the result of the kinds of wood used, the cuts of the wood, the finish, or perhaps even the exclusivity of it. There are other factors, including playability, that seem to come with expensive basses too, but I understand that it's subjective. Anyway, all I'm saying is that it's not just about tone. Expensive instruments are typically expensive for a reason, and the reason is often outside of tone.
 
While many here are really into high end basses from the big players, exclusive boutique instruments or rare vintage gear,
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I'm not even in the "more cheap is more good" camp: I've got a very expensive custom built cabinet for example.

A bass guitar at 1 or 1.5 K (mine are in that range) is not an expensive musical instrument, it just isn't dirt cheap. The fact that you can buy a perfectly serviceable bass guitar for $300, and a very good one for 3 to 5 times that means life is very good for us.

What exactly is "cheap" or "expensive" and where does the "high end" begin? In some places, most probably not even too far away from most of us, some kids who would like to play can't even afford a "cheap" $200 bass!
 
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It's interesting, to me, that when others revel in the excitement of their new, expensive instrument, there always seems to be someone who cannot seem to help themselves by bringing up the personal satisfaction they find with their budget bass which, in itself, is perfectly fine. This kind of response to others' NBD posts is a whole other road I won't go down, but this seeming need to firmly encamp themselves in the "budget bass or bust" category usually involves exclaiming that they are capable of achieving the same or similar tone as that of an expensive instrument.

I cannot help but wonder, is tone really why people buy expensive instruments? Maybe some believe as much, but when you consider the massive difference in sound simply playing with fingers versus playing with a plectrum makes, it really does matter how someone plays the instrument, hence professionals picking up cheap instruments and sounding fantastic. In the end, a cheap instrument is cheap for a reason. My point is that when I personally buy an expensive instrument, it's typically the result of the kinds of wood used, the cuts of the wood, the finish, or perhaps even the exclusivity of it. There are other factors, including playability, that seem to come with expensive basses too, but I understand that it's subjective. Anyway, all I'm saying is that it's not just about tone. Expensive instruments are typically expensive for a reason, and the reason is often outside of tone.

I play a 'Ray because for me, it has the best neck profile. My left hand never gets sore or tired from playing like it did when I had a Warwick--not that Warwicks are bad instruments, just not the right bass for me.

And then there's the 'Ray tone. Can't really get it anywhere else, and I love it.

But really, when I played my first 'Ray, it was all about feel. Tone was somewhere down the line, but not far.
 
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I have inexpensive basses. I nver paid more than 1500 but usually arpund 300 to 700. My favorite currently is a Yamaha B series and I paid 150 with a roadrunner case.

I would probably go for the cheaper Sadowsky but I really am satisfied with what I have. Even if I have disposable cash and no more debts or mortgage, the most I would spend is 2500 for a slab bass and 10000 for an upright.
 
Same here. Started on a $100 pawn shop find and spent more time fighting the bass--trying to keep it in tune, trying to get the intonation set up correctly, spending money and time on setups that wouldn't hold, new strings, the works--and then eventually go my first StingRay.

Haven't played anything but 'Rays since.

They're not Ritter prices, but they're not "cheap" either.

They just work best for me.

My first guitar was a $100 budget buy that would start going out of tune every couple of minutes. Currently, I've got my Gibson Custom Les Paul, a Stingray Classic, my recent Fender Custom Jaco, and in the future...much to the dismay of MANY here apparently...I'll be getting the Fender Custom Phil Lynott. Why? 'Cause whynott?
 
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I like Squiers because they're not as tempting to get rid of as more expensive basses. It's not really worth selling them, especially if you've put some money into them. You can trade them among your friends, which is more fun.

When the guitar player in my band and I try to deviate from our Squiers (Mustang Bass and Jazzmaster), it always sounds wrong.

Sometimes I wish I was playing a bass that was built after a thoughtful individual tapped on piece of wood and contemplated what sounds it would lend itself to, but then I realize that I had children instead.
 
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My first guitar was a $100 budget buy that would start going out of tune every couple of minutes. Currently, I've got my Gibson Custom Les Paul, a Stingray Classic, my recent Fender Custom Jaco, and in the future...much to the dismay of MANY here apparently...I'll be getting the Fender Custom Phil Lynott. Why? 'Cause whynott?

I know there are basses out there that cost $100 bucks and are pretty decent players--people doing NBDs about Glarry are showing that a decent bass can be had for less than a C note.

But like those who encamp themselves in the "I don't play basses under X dollar amount" mindset, those who are in the "cheap or bust" camp are also limiting themselves in terms of what might work better. I haven't had the access or time to play out a bunch of other basses that are on my radar, basses like Sadowski and Dingwall (There is a shop about 50 miles away that has Dingwalls, but their hours are not conducive for the drive up to the DC area).

If a "budget bass" works, great! That's the bare minimum of any instrument--that it works.
 
Another day, another cheap vs. expensive thread.

An interesting question to pose in the face of this versus situation would be, "If someone had a bass in each hand, one being cheap, the other being expensive but both were nice versions within their category, and they allowed you to have one, which one would you take?"

I believe some here would claim to take the cheap bass for the sake of their argument, all the while knowing they would actually take the expensive bass if the exercise became a reality.
 
I’m the opposite, otherwise known as “I’m not into cheap basses at all.” That’s just me though. I started off years ago with a junky $100 instrument and worked my way to where I’m at now. After having experienced the finer instruments, I can’t go back.

That is same with me. Here's what i've found. I started out with a $200 ibanez 4 string with a combo amp way back. Being my only bass, i played it and it basically became an extension of me -- not only were my hands and fingers used to it, my ears were as well which is important. I decided one day to check out a Warwick 4 string corvette. Back then i was skeptical going from a passive bass to an active one (i didn't know much, just that i loved Ryan Martinie's tone). I decided to bite the bullet and at first thought, eh, whats the big deal? Yeah it was great but i didn't hear the +$800 difference in the price tag. After time though and getting used to playing it, i realized how much i loved it. Fast forward to the next real bass i purchased (after doing some more research), i bought a 4 string thumb online without playing it. By that time the Corvette had completely replaced the ibanez but it was time to upgrade.

The thumb looked incredible and sounded great, but it wasn't my corvette. I didn't instantly fall in love it with and i actually found myself playing the corvette more than the thumb because i was used to it. I actually wound up selling the thumb, but later sold the vette too. I wound up getting a Squire vintage modified 4 string that sounded incredible for $300. Played fast, sounded good (not great), and i loved most everything about it. Fast forward a few years, i missed my Warwicks bad. Finally landed a 5 string NT thumb and will never....i mean never, go back.
 
I would love to get a nice MM Stingray, a nice Spector Euro, etc... but my budget simply won't allow it currently. I however, was blessed enough to find a ridiculously good deal on a german made Warwick, only cost me $175 and is an absolute dream to play. It "feels" right in my hands... so I don't NEED any of those other basses anyway... but they sure are tempting!!
 
Anyone else?
I'm not into buying basses, at all. And I'm picky about which free ones I'll accept. True story.
Yel_wink.gif
 
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I would love to get a nice MM Stingray, a nice Spector Euro, etc... but my budget simply won't allow it currently. I however, was blessed enough to find a ridiculously good deal on a german made Warwick, only cost me $175 and is an absolute dream to play. It "feels" right in my hands... so I don't NEED any of those other basses anyway... but they sure are tempting!!

Nice score on the Warwick!
 
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I started with cheap ans now own two sadowskys and a Stingray 5. While I totally understand your point of view, as I had the same for many years: "why such paying such an amount of money for a bass?? "
But in the end it's worth it. To me, nothing beats a Sadowsky bass. My stingray is not even close.
Now, this really depends on your playing, the gig and venues you play, your expectations.....
 
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