Brad Johnson said:Not necessarily. Here's an Elrick New Jazz Standard:
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It's hardly a recreation or a copy.
I disagree. It's not a copy. But of course it's a recreation. Why else would it be called a Jazz?
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Brad Johnson said:Not necessarily. Here's an Elrick New Jazz Standard:
Invalid Link Removed
It's hardly a recreation or a copy.
popinfresh said:I disagree. It's not a copy. But of course it's a recreation. Why else would it be called a Jazz?
popinfresh said:I disagree. It's not a copy. But of course it's a recreation. Why else would it be called a Jazz?

This is the most honest and correct post I have read on TB in a while.Gard said:The truth is that there are two basic forms that almost every instrument that we play as EBG-ists derive from:
1) The Fender "P or J" format (any and all bolt-on basses start from here)
2) The Rickenbacker format (neck-through construction)
Pretty much everything is a variation of one of these two themes.
...nothing really "new" under the sun.
However, the amount of variation that is available from these basic templates is astounding, and there are genuinely unique variations out there, as well as some that are dead-on copies (Lakland Joe Osborne & Bob Glaub, the various Sadowsky "vintage" style instruments, the various Lull "vintage" style instruments) that are head-and-shoulders above the "originals".
Gard said:Thanks!
We're actually in Greensboro, NC, not Raliegh (we're an hour west of Raleigh).
Also, we haven't produced a guitar in many years now, we concentrate on bass guitars only. However, I've played several of the guitars that were built here in the past, and they are indeed very VERY nice.
OK, Gard, from which camp does the Wishnevsky emanate?Gard said:Having played (and owned) several Fender Jazz basses, and spent a great deal of time with an Elrick NJS, I'd definitely say that the NJS is NOT a copy, or a recreation (which implies "direct copy").
It uses the general form as a beginning, but changes so much about it that it's a totally different creature, despite the visual similarites.
The truth is that there are two basic forms that almost every instrument that we play as EBG-ists derive from:
1) The Fender "P or J" format (any and all bolt-on basses start from here)
2) The Rickenbacker format (neck-through construction)
Pretty much everything is a variation of one of these two themes.
...nothing really "new" under the sun.
However, the amount of variation that is available from these basic templates is astounding, and there are genuinely unique variations out there, as well as some that are dead-on copies (Lakland Joe Osborne & Bob Glaub, the various Sadowsky "vintage" style instruments, the various Lull "vintage" style instruments) that are head-and-shoulders above the "originals".
Oh yes indeed! Let me show you a pic of my 25th Anniversary 5-24. I haven't posted it in several days. It's #15 of 25.tommixx said:It seems that some people seem to think that Sadowsky's success is instant and that the Sadowsky bass is the "flavor of the month". Well without speaking for Roger himself all I can say is that he has been making basses (and guitars!!) for OVER 25 YEARS and I don't think he cares what people think!! HE will continue to do what he does and people who appreciate that will continue to buy them!!!!....
That flame is just sick - my favorite Sadowsky by far.Munjibunga said:Oh yes indeed! Let me show you a pic of my 25th Anniversary 5-24. I haven't posted it in several days. It's #15 of 25.
Gard said:The truth is that there are two basic forms that almost every instrument that we play as EBG-ists derive from:
1) The Fender "P or J" format (any and all bolt-on basses start from here)
2) The Rickenbacker format (neck-through construction)
Pretty much everything is a variation of one of these two themes.
...nothing really "new" under the sun.
Stingray is a P-bass on steroids.Tattooed said:I disagree with this. I don't think basses can be lumped up into two catagories which depend on how the neck attaches to the body. You can't say a stingray is the same as a j or p because it's a bolt on, right? I think body shape is a big factor. Put a jazz neck on a p and it's still a p. Put p pups in a ray and it's still a ray. And if you hack the neck of a ric and bolt it on a skateboard and ride it to your next gig, what are you riding?![]()
When is it supposed to arrive?tommixx said:LOL!! Its kinda weird but I was thinkin the same thing....I'd really be hating you about now Munji....IF I didn't have one of my own on the way that is, LOL!!
Peace,
T
Munjibunga said:Stingray is a P-bass on steroids.
Tattooed said:I disagree with this. I don't think basses can be lumped up into two catagories which depend on how the neck attaches to the body. You can't say a stingray is the same as a j or p because it's a bolt on, right? I think body shape is a big factor. Put a jazz neck on a p and it's still a p. Put p pups in a ray and it's still a ray. And if you hack the neck of a ric and bolt it on a skateboard and ride it to your next gig, what are you riding?![]()
KenToby said:I haven't seen a Smith advertisment in Bassplayer mag is at least the last couple of issues (or Zon and others), he no longer makes "in stock" basses nor have I seen any significant changes to the web site is a long while. I've not recently read of anyone buying a new Smith either. Obviously he remains very capable making his top shelf bass, but with everyone and their mom making basses theses days (with most doing a pretty good job at it), things have got to be very tough these days. I can only hope that these guys are stashing away their $$$$ while they're hot 'cause being the top dog won't last forever.