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The grounding strip is stupid. I don't understand why people think that's a feature.
What’s the real advantage with or without the pickup spacing at the bridge if the pickups are the same?
Got an Am. Original 60's in CAR .. very well made 60's style jazz bass ... However, colour aside, I believe that a used MIM could be a good investment for mods, especially those finished in polyurethane .. change pickups, adding tugbar and grounding strip, stripping the original paint and giving it a good custom colour nitro finish!
Due to every curve very being slightly exaturated! Side by side the modern body is a characature of a classic... Who knew, I've never owned either.Why is the body longer on the American?
Because that's was a feature of the 60's basses ... if you want a true vintage instrument of that period, it shall be present ... if not, not ... don't see any presence or lack of stupidity in this ...The grounding strip is stupid. I don't understand why people think that's a feature.
But it’s bad design. A slip of a screwdriver can affect the grounding of the instrument. Even Fender stopped doing this because it’s not a good idea. It’s a cosmetic touch that adds a tiny amount of nitpicky OCD satisfaction while increasing the range of things that can affect reliability.Because that's was a feature of the 60's basses ... if you want a true vintage instrument of that period, it shall be present ... if not, not ... don't see any presence or lack of stupidity in this ...
Just a guess here, but I would say the pictures weren’t taken from the same distance.Why is the body longer on the American?
Due to every curve very being slightly exaturated! Side by side the modern body is a characature of a classic... Who knew, I've never owned either.
Oh, wait nevermind? The clasics headstock is closer then the body relative to the camera. The american is flat to the camera.
I was just using the photos. End to end they are the same length. Maybe it is camera angles distorting the body and neck length. Maybe combined with Photoshop. I don't know. I was just pointing out that in the photos, the basses look very different from how they should relative to one another. Given that, why would you trust the colors?Just a guess here, but I would say the pictures weren’t taken from the same distance.
The pots (Taiwanese), tuners (Japanese), pickguard material (Chinese), fret wire, type of woods (laminated rosewood on the MiA with clay dots, as opposed to MOP on the MiM), type of finishing (save the tint on the maple of the neck) and bridge are the same on both. Arguably, the tug bar, the pups, the nut material and the burst are what's significantly different.I'd pay extra for the American Original any day. Better bridge, better pickups, better pots, better tuners, better looking burst job, and way more authentic to the 60's jazzes considering the pickguard mounting screws, tugbar, grounding strip, ect.
Since every bass is going to have completely different wood grain, and lighting is going to be completely different in any photo, I would much prefer to make my assessment based on individual basses, rather than marketing dept photos on a website. What matters most to me are my hands and ears, moreso than my eyes. YMMV.I was just using the photos. End to end they are the same length. Maybe it is camera angles distorting the body and neck length. Maybe combined with Photoshop. I don't know. I was just pointing out that in the photos, the basses look very different from how they should relative to one another. Given that, why would you trust the colors?
Yes they usually are. Until they are not.Maybe ALL controversies are inconsequential...