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Interviewing Bassists Stories part 2

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Sometimes something happens in one's life that is simply meant to be. A culmination of events in the past that add up to what is *now*. That is the book, for you, I believe. It was/is simply meant to be. That it is falling together so quickly, and apparently so well, is an indication of this, IMHO.

And after this epic, what are your plans? I am disturbed (am I the only one?) that your posts often refer to an end of things. I'm hoping you are considering nothing dire, but rather perhaps an end of your expose-writing vis a vis the music business. You have hinted that your affliction may remit; may we please expect a rebirth of sorts in a new genre of writing? Where will you go from here?
The plan is to publish the memoir, high an independent publicist to market it, and then start selling novels.

Hopefully I'm going nowhere except up.

Although much has ended, this is also a new beginning. The endings I've spoken about are of things that were a bad fit anyway.

It'll all be explained in the memoir. It just took massive loss to open my eyes. Now that they're open, I intend to stick around and take advantage of my opportunities.
 
From Anthology Two: First Light. 1985-1991

First Brush with a Psycho (rough draft)

At about 5:00 A.M., my phone rang. When I answered it, I heard only whimpering, the sound of a small child in pain. I hung up. The phone rang for the next hour, always with the whimpering.

Finally, Zola answered it while I was in the shower. I emerged, and she told me it was Hazim. I already knew she’d gone back to him at least temporarily; why wouldn’t she? They had a history together, and she was lonely. It didn’t upset me, because I’d left her. What she’d done since I’d broken up with her was her business, not mine. I had no claim on her anymore. But I was angry that he was now harassing me. Telephone stalking was endemic in Japan. Some of my friends had endured years of it. The next time the phone rang, I picked up the receiver and said, “Go f*ck yourself, Hazim.”

He screamed, “Go f*ck myself? Okay, now I kill you! Just wait, you bastard! Now I kill you!”

I hung up and took the phone off the hook. Zola swore she didn’t know how he got my number, an avowal I didn’t believe. I asked if she wanted me to walk her home, but she said it wasn’t necessary. She seemed to be regretting that she’d spent the night with me. I let her out and went to sleep.

At 10:30 A.M., Zola called and told me that Hazim had broken into her apartment while she’d been with me, which meant he’d been watching her. He’d ransacked the place, stolen all the photos she had of him, and left her address book open to the page where my number was written. She thought he’d called me from her apartment. I asked if she was all right. She said yes, and that we shouldn’t be afraid. He wouldn’t hurt us; he was all just empty words.

Too depressed to do anything, I stayed home and played my bass. At 5:30 in the afternoon, the phone rang. I picked up the receiver and an inhuman howling blasted into my ear. It sounded like a dog having its paws crushed, the worst noise I’ve heard a living creature make. I realized it was Zola. She was utterly incoherent, producing a series of gabbling, gasping, choking screams.

“What’s happening?” I shouted. “Zola! What’s happening?”

“Don’t go out! Don’t leave your apartment! He’s coming after you! He’s going to kill you!”

She was at a police kiosk near her home. It took several minutes for her to tell me what had happened, because she was crying so hard. Hazim had come over, and she’d let him in when he said he wanted to apologize. Once inside, he immediately commenced beating the stuffing out of her with his fists and the butt of a large knife. He demanded my address, telling her the knife was for me. When she refused to give it to him, this strapping six-footer knocked her down and kicked her all over the kitchen floor. She was five feet, three inches tall and weighed 100 pounds fully clothed and soaking wet. He then yanked her up by her neck and choked her until she gave him a fake address. One hand around her throat, he dragged her out of the apartment, shouting, “Come on! Let’s go! You’re going to watch me kill him!” Outside, she broke away from him, ran to the police kiosk, and called me.

I spoke to the cops, who told me to stay inside. They escorted Zola back to her place and stayed with her until Hazim was arrested at his apartment at 10:30 that night. Under interrogation, he denied saying he’d threatened to kill me, but he admitted beating Zola “to scare her.” When the cops asked her if she wanted to press charges, she declined, saying she was too afraid and didn’t know what would happen if she did. In Japan, arrestees were generally released on their own recognizance. Domestic violence was not considered a crime serious enough to hold someone on a bond. Hazim signed a statement of apology and a pledge that he’d never attempt to contact Zola or me again. He was allowed to walk out of the station 45 minutes after he was brought in.

I went over to see Zola at about midnight. She had a black eye; split and swollen lips; a cauliflower ear; purple finger marks around her neck and throat; and red, yellow, green, blue, and purple bruises all over her face, arms, legs, back, and stomach. She was the most severely beaten human being I’ve ever seen in person. It was shocking that despite what he’d done to her and the terror she felt as he did it, she hadn’t given him my real address. It made me realize the core of strength she had to have, somewhere deep inside.

There wasn’t much we could say to each other. I told her how sorry I was about everything, and she told me she was sorry, too. I’ve never been more angry at anyone than I was at Hazim. Part of me hoped he’d come after me, because he didn’t know that I’d studied shotokan karate for years and was confident that I could bring him down with one blow, using the heel of my palm against his chin. I still practiced that movement frequently. Once he was on the ground, I’d jump as high as I could into the air and land on his face with my 200-plus pounds. Since force equals mass times acceleration, that would mean more than 800 pounds coming down on Hazim’s brave, manly mug.
 
Very much looking forward to reading your book Tom. Someone once told me that everything happens for a reason. That said when crappy things happen I think to myself what kind of reason could justify what just happened? Well for some unexplained reason you found talkbass, shared your stories and now are in the midst of writing your soon to be published memoirs. Can't wait to buy it. Thanks again for sharing!
 
Holy sh*t, what an excerpt! I'm pre-ordering that book at Amazon as soon as the cover hits the site!

BTW, Tom, although I've never been a fan, I went to check Duran-Duran last saturday (1st gig of their South-Am tour). Girlfriend wanted to go and stuff...and so I went with an open mind.
The sound kicked ass, they acted very humble and played like they were in their 20's, bonding with the audience from the first chord. Couldn't identify John's bass (great sound), but it wasn't the ExFactor... :(
 
From Anthology Two: First Light. 1985-1991

First Brush with a Psycho (rough draft)

At about 5:00 A.M., my phone rang. When I answered it, I heard only whimpering, the sound of a small child in pain. I hung up. The phone rang for the next hour, always with the whimpering.

Finally, Zola answered it while I was in the shower. I emerged, and she told me it was Hazim. I already knew she’d gone back to him at least temporarily; why wouldn’t she? They had a history together, and she was lonely. It didn’t upset me, because I’d left her. What she’d done since I’d broken up with her was her business, not mine. I had no claim on her anymore. But I was angry that he was now harassing me. Telephone stalking was endemic in Japan. Some of my friends had endured years of it. The next time the phone rang, I picked up the receiver and said, “Go f*ck yourself, Hazim.”

He screamed, “Go f*ck myself? Okay, now I kill you! Just wait, you bastard! Now I kill you!”

I hung up and took the phone off the hook. Zola swore she didn’t know how he got my number, an avowal I didn’t believe. I asked if she wanted me to walk her home, but she said it wasn’t necessary. She seemed to be regretting that she’d spent the night with me. I let her out and went to sleep.

At 10:30 A.M., Zola called and told me that Hazim had broken into her apartment while she’d been with me, which meant he’d been watching her. He’d ransacked the place, stolen all the photos she had of him, and left her address book open to the page where my number was written. She thought he’d called me from her apartment. I asked if she was all right. She said yes, and that we shouldn’t be afraid. He wouldn’t hurt us; he was all just empty words.

Too depressed to do anything, I stayed home and played my bass. At 5:30 in the afternoon, the phone rang. I picked up the receiver and an inhuman howling blasted into my ear. It sounded like a dog having its paws crushed, the worst noise I’ve heard a living creature make. I realized it was Zola. She was utterly incoherent, producing a series of gabbling, gasping, choking screams.

“What’s happening?” I shouted. “Zola! What’s happening?”

“Don’t go out! Don’t leave your apartment! He’s coming after you! He’s going to kill you!”

She was at a police kiosk near her home. It took several minutes for her to tell me what had happened, because she was crying so hard. Hazim had come over, and she’d let him in when he said he wanted to apologize. Once inside, he immediately commenced beating the stuffing out of her with his fists and the butt of a large knife. He demanded my address, telling her the knife was for me. When she refused to give it to him, this strapping six-footer knocked her down and kicked her all over the kitchen floor. She was five feet, three inches tall and weighed 100 pounds fully clothed and soaking wet. He then yanked her up by her neck and choked her until she gave him a fake address. One hand around her throat, he dragged her out of the apartment, shouting, “Come on! Let’s go! You’re going to watch me kill him!” Outside, she broke away from him, ran to the police kiosk, and called me.

I spoke to the cops, who told me to stay inside. They escorted Zola back to her place and stayed with her until Hazim was arrested at his apartment at 10:30 that night. Under interrogation, he denied saying he’d threatened to kill me, but he admitted beating Zola “to scare her.” When the cops asked her if she wanted to press charges, she declined, saying she was too afraid and didn’t know what would happen if she did. In Japan, arrestees were generally released on their own recognizance. Domestic violence was not considered a crime serious enough to hold someone on a bond. Hazim signed a statement of apology and a pledge that he’d never attempt to contact Zola or me again. He was allowed to walk out of the station 45 minutes after he was brought in.

I went over to see Zola at about midnight. She had a black eye; split and swollen lips; a cauliflower ear; purple finger marks around her neck and throat; and red, yellow, green, blue, and purple bruises all over her face, arms, legs, back, and stomach. She was the most severely beaten human being I’ve ever seen in person. It was shocking that despite what he’d done to her and the terror she felt as he did it, she hadn’t given him my real address. It made me realize the core of strength she had to have, somewhere deep inside.

There wasn’t much we could say to each other. I told her how sorry I was about everything, and she told me she was sorry, too. I’ve never been more angry at anyone than I was at Hazim. Part of me hoped he’d come after me, because he didn’t know that I’d studied shotokan karate for years and was confident that I could bring him down with one blow, using the heel of my palm against his chin. I still practiced that movement frequently. Once he was on the ground, I’d jump as high as I could into the air and land on his face with my 200-plus pounds. Since force equals mass times acceleration, that would mean more than 800 pounds coming down on Hazim’s brave, manly mug.

That's brutal! :atoz:

Thanks for sharing your life stories.

I think you may have a sequel in you related to the rest of the "million" musical stories you haven't shared with us or that won't make it into your current book. :) Maybe a book with with less life lessons but more towards the entertainment/show biz side of things.:hyper:

I am convinced that you are as much an artist as any one of your musical heroes. Maybe not a musical icon, but a story teller of the highest order who can engage the readers and draw them into your stories as if one is viewing a movie that evoke emotions, thoughts and feelings and empathy/awe of your experiences.

Good luck with the book and your future endeavors.
 
Holy sh*t, what an excerpt! I'm pre-ordering that book at Amazon as soon as the cover hits the site!

BTW, Tom, although I've never been a fan, I went to check Duran-Duran last saturday (1st gig of their South-Am tour). Girlfriend wanted to go and stuff...and so I went with an open mind.
The sound kicked ass, they acted very humble and played like they were in their 20's, bonding with the audience from the first chord. Couldn't identify John's bass (great sound), but it wasn't the ExFactor... :(
Bless you. That makes me feel really good.

All I ever cared about was the man's artistry. He's got a style all his own. And he's truly a nice person. He's the most considerate superstar I've ever met.
 
That's brutal! :atoz:
I think you may have a sequel in you related to the rest of the "million" musical stories you haven't shared with us or that won't make it into your current book. :) Maybe a book with with less life lessons but more towards the entertainment/show biz side of things.:hyper:
Actually, the book is about 8o percent devoted to the music and entertainment business. I posted that excerpt because I knew it would grab your attention.

And the woman involved is a musician, too.

Remember, the memoir is subtitled Memoirs of a Failed L.A. Music Journalist. It has six interludes of thoughts by Scott Thunes. Although it's a memoir, it's mostly about others: in this case, musicians.
 
It's interesting: I've gotten lots of questions about my writing style. I used to write in a much more verbose way, cramming everything with superfluous words and thoughts that distracted from the points I was trying to make.
[/I]
Sounds very similar to the process a lot of bass players/musicians go through regarding the notes they play.
 
To my absolute shock, the rough draft of the book will be finished tomorrow.

I have to get it edited, and I have to plug in the Thunes interludes, and I'm waiting on photos (which is always iffy, because as Neil Zlozower says photographers are the most messed-up people in the entertainment business), but I essentially wrote an entire book in less than a month.

Unbelievable.
 
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