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Interviewing Bassists Stories part 2

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Got my marketing package from the publisher and have sent out some feelers here and there. Looks pretty promising.

I hope to have my Web site up in the next few weeks, which will include supplementary photos and graphics for Ghosts, as well as supplementary short stories for the book.

The publisher is very excited about Scott Thunes's memoirs, the title of which is pure Thunes and a stroke of genius. Scott has asked me not to say anything publicly about the project; I wanted to post his proposal to the publisher, which my 84-year-old mother said, "It's like jazz improvisation, but with words!"

But Scott's position--a valid one--is that if he's going to finally do this, he must have complete, 100 percent control over it, and I agree. Therefore, It'll be up to him to say what he wants to about the process. I made the mistake before of trying to force my will on him by trying to "help" him back into music. If you read my book, you'll clearly be able to understand my motivation, which wasn't altruistic, even though I didn't know it at the time.

So, this time everything is going to be done entirely on Scott's terms. This is a huge step for him, so we all need to applaud his courage.

The world didn't end today, and I finally found a clip that I've been looking for since 1988. Sly Stone said he invented slapping on the bass, but I knew he didn't. I just couldn't remember where I'd seen it before.

I found the clip a few minutes ago.



Merry Christmas!
 
Hey, before Leo invented the first real bass folks had to make do with them bloated violins :D.
http://en.wikipedia.org/wiki/Reg_Kehoe_and_his_Marimba_Queens
http://www.google.com/search?q=site:talkbass.com+"Frank+DeNunzio"
Yeah, last night I found out there's a Frank Junior and Frank III who are performers. Guitarists, unfortunately, the poor fellas.

Years ago in Norway, I saw a jazz band in which the drummer and the bassist--using one of them bloated violins--played a solo, the drummer using his sticks on the bass near the bridge and the bassist fingering the notes.

My drummer and I did that on my electric bass in my band in Tokyo, and I've seen a few (crappy) videos of it being done with electric basses on YouTube, but I've never seen another drummer and acoustic bassist do it. And I haven't seen it done well except by those Norwegian jazzers.

It was done with a bull fiddle in "The Holy Egoism of Genius," off The Seduction of Claude Debussy by Art of Noise, but this is the only other time I've heard of anyone doing it with an acoustic bass. This is how it should be done! Turn it UP.

 
An old soundie of Bobby Haggart & Ray Bauduc playing Big Noise From Winnetka, relevant section starting at 1:45 :)


That's exactly how the Norwegian jazzers did it. The secret is moving your fret hand all over the place. When I see electric bassists doing it on YouTube, it's pretty suckalicious. My Dutch drummer and I did it more like the old jazzers, only the drummer put in a lot of syncopated rhythms.

Thanks for that. Excellent.
 
As we wait and head into the holiday season, here's a snapshot of my childhood.

I was born in Venezuela and grew up in oil camps. The one that I remember best was Campo Verde, in Tia Juana, the state of Zulia. My house is the one with the red "X" on it. There was an empty lot behind it, where a pumping unit was. You could walk right up to it. There was a little sheltered structure like a bus stop next to the pumping unit. This was where kids used to play doctor. I don't know why that was the choice site, since it was out in the open. Tradition, maybe. I could name a few of the girls, but a gentleman never tells.

My brothers and I used to walk on the top of the dyke all the way past the horizon on the right. Once we came across some Venezuelan fishermen sitting on the rocks. They took us on their boat and cooked us spaghetti in tomato sauce for lunch. They were very nice men, and the spaghetti was delicious. We were the first Americans they'd met. Since I grew up speaking Spanish, we had no problem communicating. I was blonde, which fascinated them because most were black. In Venezuela, blacks were treated as fourth-class citizens. Having been raised by our parents to not perceive race, we didn't know that. They were just nice men who gave us spaghetti.

One of our favorite people was a black guy who worked at a supermarket. He told us our haircuts made us look like the Beatles. Being a Venezuelan, he pronounced it "BEET-less." We didn't know who the BEET-less were, so we thought he said "BEE-kleh." We dubbed him Beekleh, which he liked. An extremely muscular man, Beekleh once opened the car passenger door to our station wagon to load the groceries, not realizing that my mother had engaged this little exterior lock that kept the door shut in case some dumb kid tried to get out while the car was moving. The device was just a little metal tab that you swung down over the edge of the window frame. Beekleh pulled open the door, producing an ear-splitting crack as he popped off the lock. It flew across the parking lot and landed with a tinkle. His wide-eyed grimace of horror faded only when my mother nearly collapsed on the sidewalk because she was laughing so hard.

Mom has a history of laughing at things other people wouldn't find funny. When her own mother died unexpectedly, Mom had to go pick out a coffin from the funeral home. They were playing such ridiculously sombre organ music, and the parlor attendant was so grave and theatrical, and the coffins were so ornate and ugly that Mom got the giggles. She started thinking of the TV show The Addams Family, with the sinister theme song and macabre house and Lurch rumbling, "You rang?" As she explained that she was there to buy a coffin for her mother, who had just died, she burst out laughing the way she did when Beekleh broke our car. She couldn't stop. The funeral-parlor attendant thought she was psychotic and dangerous.

Back to the photo of Campo Verde. The structure in the front of the image is the Club, which served the best hamburgers, french fries, and tequeños (deep-fried cheese fingers) I've ever eaten. That was where I learned to put mayonnaise on french fries. All the waiters wore white long-sleeved shirts, black pants, and black bow ties; once I played hooky and went to the Club with a friend. He ordered a hamburger and then didn't eat it. Instead, he sprayed an entire squeeze bottle of ketchup on it and covered it with the paper plate his fries came on. When we left, I looked back and saw the Club's head waiter, Alfonso, lifting the plate to look at the burger. He had a sad, disgusted, resigned expression that I didn't understand at the time. Now, I realize he was thinking about all the Venezuelans going hungry while these American kids turned valuable food into garbage just for fun.

The round space in the Club is where we sat on lawn chairs at night to watch movies, projected on the large square screen with the overhang on the right. That was where I saw The Battle of Britain, a film that made me so hysterical that my father had to take me home. The scene that did it was when the gunner in the nose of the German bomber has his eyes shot out in a huge splatter of blood. Dad was furious because I'd embarrassed him and made him miss the rest of the movie. I had nightmares for months.

In the photo of the Club, the big rectangle at the lower right is an Olympic-sized swimming pool. Our next-door neighbor, a U.S. Marine, would give us rides in the pool when he was home on leave from Vietnam. I still remember the feeling of his gigantic muscles flexing beneath me as I sat on his back and held his shoulders. The water was so deep and blue it looked like we were in middle of the ocean. It was like riding a friendly sea monster.

I grew up listening to gaita, folk music from the state of Zulia. It has a characteristic beat and uses instruments imported from Africa.

https://www.youtube.com/watch?v=KjwZMe5YvqM

This is probably the reason I've always been interested in complicated music. It's hard to follow the rhythms in gaita. I never learned to play it, so maybe I'll have a contest on my Web site: "Play a gaita for Tom!"

Venezuela also gave me my lifelong terror of flying. We had to travel in tiny propellor-driven jungle hoppers or DC-9s that crashed with alarming regularity, since Viasa insisted on fueling their planes to full capacity before leaving for the States. Aviation fuel was dirt cheap in Venezuela at the time, so they'd load up the plane with as many passengers and as much luggage as possible, fill the tanks to overflowing, put some poor novices in the cockpit, and then try and take off from the too-short runway at Maracaibo. They'd hit power lines and explode in neighborhoods or just not get off the ground in time. One airliner that went down was 5000 pounds overweight. We knew lots of people who were killed in plane crashes.

The last time I flew was in 1992, and I thought I'd die of fright. When I visit Scott Thunes early next year, the only viable way for me to get to the Bay Area from L.A. is to fly. My fate will be my fate, but just thinking about it gives me butterflies the size of overloaded Viasa DC-9s in my stomach.

Could someone please invent a teleporter between now and February? In exchange I'll give you a free copy of Ghosts and Scott's memoirs. Thanks very much.

And yes, my mother is hot. It's okay to mention that. It'll make her laugh.
 

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Merry Christmas Tom! I pray that the process for your book is smooth and all decisions you make are the right ones for YOU. And even though the rest of us are in a big ole hurry to read your tome, we'll wait semi-patiently while you finsih up the details!!

God Bless and go forth with much merriment!!
 
Merry Christmas Tom! I pray that the process for your book is smooth and all decisions you make are the right ones for YOU. And even though the rest of us are in a big ole hurry to read your tome, we'll wait semi-patiently while you finsih up the details!!

God Bless and go forth with much merriment!!
Thanks very much. The busy part--marketing the thing--begins now. This is the downside of being a writer, because now everything is back in the hands of others. Will they respond? Why don't they respond? What's taking them so long to respond? Why did they promise something but aren't delivering?

Been through it before, so I can deal. At any rate, whatever happens, everyone here will get a fun read out of it. And it had to be written.

As a joke, I was going to send this video like to my friend the Russian army colonel. He has a good sense of humor. But I decided not to. He's very nationalistic and misses the old Soviet Union. I'll post it here and let you decide if I made the right decision.



Have a happy New Year.
 
But you're in the hands, hearts and minds of many TBrs! We got your back,TW. :ninja:

Wishing you health and wellness in the new year. :)

Thanks for sharing. :bassist:
Whatever happens, you-all get a fun book to read. And I get to help Scott Thunes write his memoirs. So 2013 will be an awesome year regardless.

I won't jinx my prospects by mentioning them, but I've got some pretty good publicity opportunities lined up already. Not bad for a housebound failure. My friend the Russian colonel says that my whole life led up to this moment. Nothing I experienced went to waste.

He told me a Russian saying: "There are no Russians by choice, only by fate."

I wouldn't have chosen my fate, but I've embraced it. We'll see where that takes me.

 
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