What I did NOT need to see this morning. Those basses are so beautiful.
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What I did NOT need to see this morning. Those basses are so beautiful.
I think that means you just have a cheap car
I very much get that sentiment. As an upright player, that's just a feature of the instrument at this point.
So what? Irrespective of the subject it makes no sense (logical fallacy). If Claypool said chocolate ice cream was the best, would you agree even if vanilla was your favourite? In terms of preference, there is only one valid one, yours.
Felix doesn't agree.
Generally speaking, no one gives a hoot how many strings you have on your bass, except for TB people and MAYBE other musicians (again, usually bass players). The audience doesn’t know and doesn’t care at all. Just do your job, play what feels comfortable to you …
Worse comes to worst, some groupie might confuse you for a guitarist and you get lucky. No big deal.
In the band I played with the longest, this might have been a really big deal. My wife was the singer, pianist and guitarist and she was a great boxer.
OK, I sort of misread what you meant. Sorry for that.
I’ve got 3 5s and a 4. Someday I’ll own a 6 tuned F#-G. I have no real use for a high C. I’m not a solo player and I don’t comp chords and what not. I play bass because I like low notes.
I picked up a fretted 6 here this spring, and just started gelling with it. I wasn't sure I would--the floating thumb does NOT feel natural yet. But the neck width is starting to.
I was working on double and triple stops on my 5's, and transferred some of what I was doing to this instrument. But it's different, and I think it'll do a different job than my 5's. So no, although I think I WANT it to rule them all, it's shaking out as a different tool.
Still going to practice it solely for a while to try to get really comfortable. Might end up changing my mind about this topic!
I was working on double and triple stops on my 5's, and transferred some of what I was doing to this instrument. But it's different, and I think it'll do a different job than my 5's. So no, although I think I WANT it to rule them all, it's shaking out as a different tool.
Still going to practice it solely for a while to try to get really comfortable. Might end up changing my mind about this topic!
Statistically, a Fender P or J is the one to rule them all. Given the relative absence of fretless 6 strings I can confidently say that it is not the one to rule them all. But, for you, it could be. Especially if your name is Steve.
4, 5, 6, and upright basses for me. All are fun, all inspire a different mental and physical approach and teach lessons that cross-apply. No need for one to rule.
I played a 6 string exclusively for 15 years, but eventually got tired of the wide neck, and realized the C was wasted on me. I settled on fives, and that seems to be the sweet spot.
D
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I do not but I've played it. Absolutely worth it. Only con is it needs a string change the moment you unbox it. Planning on getting one myself at some point.
Play what affords your freest musical expression. This can change from day to day, context to context, which may mean playing different basses or working toward optimal fluency on one.
I bought a 6 last summer to study how Phil Lesh approaches intervals and his style in general. It's been very enlightening as to how he sounds. Nobody plays like him but now I see more how he does things. All this for a Grateful Dead project.
I play 4s and 5s in many projects. The right tool for the job, etc. (Since last summer I've bought two more 6s).
I play 4s and 5s in many projects. The right tool for the job, etc. (Since last summer I've bought two more 6s).
