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Is a 6 the one to rule them all?

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I'm definitely a 6 string convert. I never really found a 5 that I liked that much (and still struggle to find the right one for me), but the 6 in my avatar is now my main bass. I use it 90+% of the time, even when the extended range isn't necessary. Now, it's not fretless, but if fretless is your thing and the addition of the C string is desirable to you, I think you'll find a 6 string wonderful with some time to get adjusted and learning to utilize the extra available range properly.
 
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So I have 4 5-stringers, 3 are fretless of which 2 are strung BEADG and since a few days ago 1 is now EADGC. So now I'm a high C virtuoso (that's sarcasm btw) I am wondering if a 6 string fretless will be the one to rule them all? I'd still keep the 5s and most of the 4s but I'm sorely tempted...

But wouldn't it look like I just want to be a guitarist?

All the gigs I played in the last five years have been on a 6, and most of the jams and everything else, too. The 6 is my main Instrument.

A 5 is just a 6 with the C string missing and a 4 is just a 6 with the B and C string missing ;-)

When you play with more conservative minded people and often sit in as a sub, it might be helpful to have something less threatening - when a bassist you don't know but with whom you'll gig tonight pulls a 6 from his case, you'll fear that that bassist will be all over that fretboard all of the time.

I enjoy playing a 4 and a 5 on occasion, but I've come to get used to the convenience of playing a 6 - once you get used to the muting - which can be a pain-in-the-lower-backside - there's so much comfort in having so many choices. I think a fretless can make even more of the string choices you get - play the note on a short, fat string, or on a long, skinny string - or somewhere in the middle, for thump, twang or mwah.
 
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Wow that Harley Benton fretless 6 is good value... do you have one?
Is this what you're looking at?
BBBFE888-87C2-4040-B4C7-4E82FC9B7517.jpeg

B-650FL BK - Harley Benton
That does look very nice, plus it has an active/passive switch.
 
Is this what you're looking at?
View attachment 4334203
B-650FL BK - Harley Benton
That does look very nice, plus it has an active/passive switch.

That's the one... black basses aren't really my thing but on the plus side I can probably use it in a metal band and they won't notice the frets are missing :)

[Edit] I just hit the go button... they're on a couple of weeks backorder, hopefully here by the end of the month though!
 
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I love my 6-string. But I'm also a believer in presentation and optics. It's show business, right? So it does depend on the gig.

If the gig is a music-y chopsy jazz thing, the 6 fits right in. Looks the part and provides some utility if I get to play some solos. Cool.

If the gig is a party rock thing, I leave the 6 at home and take a Fender. I don't want to be that guy playing "867-5309 Jenny" on a $4000 esoteric bass. To me that looks like I don't know what I'm there for or maybe that I think I'm too good for the gig.

Opinions differ.
 
Generally speaking, no one gives a hoot how many strings you have on your bass, except for TB people and MAYBE other musicians (again, usually bass players). The audience doesn't know and doesn't care at all. Just do your job, play what feels comfortable to you …

As proof of this point, a few years ago I was watching Good Morning Mexico on Telemundo, much like the American version of the show they had a live music component with the band performing out of studio somewhere in a public square nearby. The bassist had a 10 or 12 string, I forget exactly, but the neck was so wide he had to bring his thumb around to the front to fret the lowest strings. All that to play I-V and the occasional fill. In my mind I was cheering him on for living his best life, but my wife and mother-in-law, both of whom pay a little more attention to these things than the average non-musician, didn't even notice. And when I pointed it out they only mentioned it looked uncomfortable to play. He played excellently. Very tasteful despite what that axe made available to him. No one was hurt, no one cried, no one danced any less because of it. All was right in the world.
 
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If you do get one, please post a review and maybe some clips, as I'm interested in the 5 as I think it might be easier as my first fretless. Then again, I do jump into the deep and so I may just get the 6 and the HB 800B head.

Just got the order confirmation, looks like it will be in stock on the 22nd so I should get it sometime the week after.
 
That's the one... black basses aren't really my thing but on the plus side I can probably use it in a metal band and they won't notice the frets are missing :)

[Edit] I just hit the go button... they're on a couple of weeks backorder, hopefully here by the end of the month though!

Damn, you work fast man! Happy future NBD then, I'm pretty sure you're gonna like it!

As proof of this point, a few years ago I was watching Good Morning Mexico on Telemundo, much like the American version of the show they had a live music component with the band performing out of studio somewhere in a public square nearby. The bassist had a 10 or 12 string, I forget exactly, but the neck was so wide he had to bring his thumb around to the front to fret the lowest strings. All that to play I-V and the occasional fill. In my mind I was cheering him on for living his best life, but my wife and mother-in-law, both of whom pay a little more attention to these things than the average non-musician, didn't even notice. And when I pointed it out they only mentioned it looked uncomfortable to play. He played excellently. Very tasteful despite what that axe made available to him. No one was hurt, no one cried, no one danced any less because of it. All was right in the world.

Maybe they just thought he played the ironing board.


If you do get one, please post a review and maybe some clips, as I'm interested in the 5 as I think it might be easier as my first fretless. Then again, I do jump into the deep end so I may just get the 6, and the HB 800B head.

I know you didn't ask for my thoughts but might as well tell you.

The one I played left little to be desired, especially considering the price. The neck is comparable to an Ibanez SR although not as thin. It's a comfy D. The board was true as far as I could tell, no bumps, slopes, ramps etc. Smooth all the way.

Stock strings are pure crap and they can bury the bass during first impressions. Don't even try it with'em. Just change them out as soon as it's out of the box!

Pickups aren't the best, granted but they aren't bad AT ALL. Personally, I wouldn't change them. The tones are all there. Preamp can also be deactivated and it's got a very nice passive tone, although it can get a tad muddy. You can dial that out with some easy EQ though.

The bass is very light. I mean, impressively light for a sixer. Pretty small body, too. Oddly enough, I didn't notice any dive. The neck is heavier than the body but doesn't really want to dive.

Fit and finish are ok. Nothing to write home about and you might get a small run somewhere but it's negligible and you can always just scruff up the black and paint it shell pink with a rattle can. I mean it costs less than 200 euros, you ain't ruining a boutique custom.

All in all, it punches waaaay above its price point and I couldn't not recommend it here.

Now if we're talking about the fretted version, I've got some gripes there but they don't apply to the fretless, so...
 
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Damn, you work fast man! Happy future NBD then, I'm pretty sure you're gonna like it!



Maybe they just thought he played the ironing board.

lol, probably. The moral of my story was just to play what makes you happy. If following traditions and conventions is what makes someone comfortable, awesome. If someone feels better using the best tool they have which is a 9 string walnut burl ironing board, then do so without regard for the critics.
 
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I adapted to 5ers instantly. I got a 6 string fretless a few years ago - it didn't fit me. Really nice instrument, but the extra C string really gave me fits. I wish I'd have been a little less patient with trying to work through it figured it out before the very short return window expired.

Know that you'll have a hard time finding fretless 6 strings to try and even used, they are not cheap.

If you read between the lines here, you might realize that I have a fretless 6 string that I'm interested in moving to a new home. Just saying...
 
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Right, or what if it's a $4000 Sadowsky that looks like a Fender?
I was in a covers / party / wedding band for well over a decade, probably 1500+ gigs and not one person (in the audience) ever commented on any of the instruments anyone played. Show up appropriately dressed, play well, have fun and groove. That's all the audience cares about.
 
The C on my EADGC fretless 5 is .033 and sounds fine, a little twangy when it first went on maybe. The set is TI Jazz Flats 344 plus the TIJF C.

I am using La Bella Deep Talking Gold=White and White flats on my E - C basses, the G is 0.060 and the C is 0.043 but their tension is that of regular strings, From warm to bright - Black, Copper-White, Gold (Brass Alloy), Gold-White and White. I have been using the Whites on the fretless.

Easier to play with those thicker strings.
 
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