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Is a Kiloton more P, or more MM?

The only time I got a tone I liked out of it, was with drive engaged.

I got rid of mine because I couldn't get a clean tone out of it. That, and the single coil option was the only tone that was usable. Series is stupid powerful and muddy (far too much low mid), and paralell is just bland. With it being a proprietary shape, you can't swap out the pickup either. I guess you could have a manufacturer make you a pickup to fit in the case, but I figured getting rid of it was just better for me. So, I did.

It's a love/hate relationship at times. But it's still a cool instrument, IMO.
 
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Sorry, but it's no more a P bass than this.
th-214.jpeg

If you want a Precision, go with a G&L LB-100.
If you want a Stingray, consider the Sterling Ray 34.
 
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Since you had an L-2500, you know how that bridge pickup sounds, and the Kiloton's pickup overlaps the L-2500's pickup by one coil. So it's thicker sounding than the L-2500's bridge pickup, but it's still very much a "bridge" tone as opposed to a "neck" tone.

Agree with both these guys.
Some days I love it and dial it right in, others I'm like, mod it, sell it, trade it.

That's exactly how I felt about my L-1500, which had the single MFD humbucker in the same location as the Kiloton's. With the right rig and room acoustics, it was flat-out amazing. At other times, it sounded thin and nasal. I cured this with an Aphex Bass Xciter pedal, but I prefer a more plug-and-play experience, so I eventually sold it. The L-1500 was essentially replaced by my SB-2, which provides MFD power with all the plug-and-play goodness of a P-bass.
 
That's how I was at times with my L2500s.
Thanks for all the replies. The fact that the pickup is even closer to the bridge than on a 'Ray makes me way less interested!

Well, that is not my cup 'o tea, so I'll look at other ideas! Just thought it could be cool if the pu was a little closer to the bridge than a P or L1000, but not even as back as a MM.
Since it sounds like you got the information you needed and the Kiloton might not be the best fit for you, you might look into an Ibanez ATK.

He'll get tired of me paraphrasing him :D but @Dr. Cheese put it so perfectly when he described the ATK as not a Stingray clone, but a Stingray alternative. With the switch in the third position and the highs boosted, an ATK will come close to a stereotypical Ray sound; and it really won't sound like a Precision regardless of settings; but a single-pickup ATK will do big, round sounds with the highs flat or cut and the coil splitter in the first or second position, which will then get aggressive in a hurry with any boost to the highs. Some models also have a single coil pickup in the approximate neck position of a Jazz, but I have no personal experience with those.

I got the ATK305 for my first five-string when they debuted in the mid-'90s and have played it at least regularly ever since, though the four-string twin I acquired five years ago sees somewhat more action at the moment. I think Stingrays look cooler (and no, I'm not calling my own instrument or anyone else's ATK ugly), but every time I play a Stingray it just makes me appreciate the sound and feel of my ATKs more.
 
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@LowendG - If you live in SoCal, there's tons of dealers down here. If you cruise the G&L website and make a few phone calls, I'm sure you could find a Kiloton within a 3-4 hour drive of your location. You could try one out yourself and take the guesswork and hearsay out of the equasion. I haven't been looking for a Kiloton in particular, but I see G&L's in shops around the LA area all the time.
 
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Since it sounds like you got the information you needed and the Kiloton might not be the best fit for you, you might look into an Ibanez ATK.

He'll get tired of me paraphrasing him :D but @Dr. Cheese put it so perfectly when he described the ATK as not a Stingray clone, but a Stingray alternative. With the switch in the third position and the highs boosted, an ATK will come close to a stereotypical Ray sound; and it really won't sound like a Precision regardless of settings; but a single-pickup ATK will do big, round sounds with the highs flat or cut and the coil splitter in the first or second position, which will then get aggressive in a hurry with any boost to the highs. Some models also have a single coil pickup in the approximate neck position of a Jazz, but I have no personal experience with those.

I got the ATK305 for my first five-string when they debuted in the mid-'90s and have played it at least regularly ever since, though the four-string twin I acquired five years ago sees somewhat more action at the moment. I think Stingrays look cooler (and no, I'm not calling my own instrument or anyone else's ATK ugly), but every time I play a Stingray it just makes me appreciate the sound and feel of my ATKs more.
ATKs are highly underrated basses.
 
If you something like a P from G&L, I'd be looking at whatever flavor of the L1000/1500 series they are making today.

Careful, the pickup of the L1500 was precisely where the Kiloton's is. The 1500 was based on the L-series body and had the L-series active/passive electronics and series/parallel modes only. The Kiloton is passive only and based on the smaller SB body, with series/parallel/single coil modes: almost like the L1000's electronics.
 
Some models also have a single coil pickup in the approximate neck position of a Jazz, but I have no personal experience with those

I have one of those Premium instruments and it is a *very* sweet bass with a host of useful tones. I do prefer the ATK's humbucker to the prototypical MM sound. :thumbsup:

IMG_6925.jpeg
 
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You had an L2500… you had both an L1K and an L1500/Kiloton put together.

Were you able to get a P or Ray tone out of either pickup?

eta- I'm not sure if you said what your tone goal is if it's not just a P5. Is there an aesthetic concern? You just want it to look like it's from far later than 1962?
 
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